Mr. Arkadin Page #11

Year:
1955
439 Views


- Exactly-

- I know this sounds nutty, but -

- Will you please excuse us for just a second?

- It's all right, old boy. If you insist.

- Mr. Arkadin says that -

- Sorry.

Both of you! You too!

Now, look.

I want you to pretend to him

that I told you something.

If it's so important, why shouldn't you

really tell me? Why pretend?

Why? Well, I can't go to the cops.

They'll be comin' after me.

So that's what you're in such a flap about.

- Not just the cops. Your father!

If he thinks I've talked to you, he'll know

he can't lay a hand on me without proving it's true.

But why use me to trick him?

Because you're all he really cares about -

you and what you think of him.

What are you trying to do?

Break his heart?

- I want to save my life, Raina.

- Seorita, I really think you'd better come now.

My daughter! I want to speak to my daughter!

We don't know his exact position.

He's alone, flying himself in a chartered plane.

He's been on the radio for a while,

asking to talk to you.

He sounds -

Well, you better speak to him yourself.

Put her on! I want to talk to her!

- My daughter! I want to speak to my daughter!

- Yes, Father.

Have you seen Van Stratten?

- Yes. Tell him yes. Yes.

- Yes. Yes. Just now!

Don't let him talk to you.

Refuse to listen. I beg you. Wait!

- Tell him it's too late. Too late!

- It's too late.

Father.

Why don't you answer?

Father.

Father. Father.

Hey. Hey, look.

Is it true?

That Arkadin's plane's

flying around up there empty?

I saved your precious life for you.

I had to kill my father to do it.

Is there anything else

you want from me?

Want to know the real truth?

He was -

He was capable of anything.

Once, a long time ago...

he was something less

than Mr. Arkadin.

That's what he couldn't stand

having you know about.

That he was once something like me.

That's why that plane is flying around

up there empty.

I might as well have thrown him out

with my own hands.

He would have done it to you.

- Maybe you oughta go after her.

- You sure she wouldn't rather be alone?

- No, but I would.

- Yes, I suppose so.

Of course, it is rather awful,

but to tell the truth -

"Rather awful"?

I mean, she loved him well enough.

But the way he felt about her- It -

Well, it wasn't healthy.

It's better just as well.

- She's better off without him.

- Yeah? Better off without me too?

"Rather awful."

- What did you say?

- Losing the girl I love?

A beautiful girl who loved me,

just inherited a hundred million bucks?

"Rather awful"?

Maybe you oughta find a better word.

Go on. Beat it, Your Lordship. I might just

forget myself and take a punch right at your nose.

Oh, yes? And you might

get punched back too, you know.

Yeah. I know.

That's why I'd rather be alone.

- What are you gonna do now?

- Drive you into town.

I'll do the driving.

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Orson Welles

George Orson Welles (; May 6, 1915 – October 10, 1985) was an American actor, director, writer, and producer who worked in theatre, radio, and film. He is remembered for his innovative work in all three: in theatre, most notably Caesar (1937), a Broadway adaptation of William Shakespeare's Julius Caesar; in radio, the legendary 1938 broadcast "The War of the Worlds"; and in film, Citizen Kane (1941), consistently ranked as one of the greatest films ever made. In his 20s, Welles directed a number of high-profile stage productions for the Federal Theatre Project, including an adaptation of Macbeth with an entirely African American cast, and the political musical The Cradle Will Rock. In 1937 he and John Houseman founded the Mercury Theatre, an independent repertory theatre company that presented a series of productions on Broadway through 1941. Welles found national and international fame as the director and narrator of a 1938 radio adaptation of H. G. Wells' novel The War of the Worlds performed for his radio anthology series The Mercury Theatre on the Air. It reportedly caused widespread panic when listeners thought that an invasion by extraterrestrial beings was actually occurring. Although some contemporary sources say these reports of panic were mostly false and overstated, they rocketed Welles to notoriety. His first film was Citizen Kane (1941), which he co-wrote, produced, directed, and starred in as Charles Foster Kane. Welles was an outsider to the studio system and directed only 13 full-length films in his career. He struggled for creative control on his projects early on with the major film studios and later in life with a variety of independent financiers, and his films were either heavily edited or remained unreleased. His distinctive directorial style featured layered and nonlinear narrative forms, uses of lighting such as chiaroscuro, unusual camera angles, sound techniques borrowed from radio, deep focus shots, and long takes. He has been praised as "the ultimate auteur".Welles followed up Citizen Kane with 12 other feature films, the most acclaimed of which include The Magnificent Ambersons (1942), Touch of Evil (1958), and Chimes at Midnight (1966). Other works of his, such as The Lady from Shanghai (1947) and F for Fake (1973), are also well-regarded. In 2002, Welles was voted the greatest film director of all time in two British Film Institute polls among directors and critics. Known for his baritone voice, Welles was an actor in radio and film, a Shakespearean stage actor, and a magician noted for presenting troop variety shows in the war years. more…

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