Mr. Deeds Goes to Town Page #19

Synopsis: Longfellow Deeds (Gary Cooper), a resident of small-town Vermont, leads a simple life until he inherits a vast fortune from a late uncle. Soon, unscrupulous lawyer John Cedar (Douglas Dumbrille) brings Deeds to New York City, where the unassuming heir is the object of much media attention. When wily reporter Babe Bennett (Jean Arthur) gains the trust and affection of Deeds, she uses her position to publish condescending articles about him -- but are her feelings for him really that shallow?
Genre: Comedy, Drama, Romance
Production: Columbia Pictures
  Won 1 Oscar. Another 4 wins & 7 nominations.
 
IMDB:
8.0
Rotten Tomatoes:
89%
NOT RATED
Year:
1936
115 min
534 Views


INT. LONGFELLOW'S BEDROOM

110. CLOSE SHOT

Walter leans over the bed violently, shaking Longfellow,

who is lost in drunken sleep.

WALTER:

Mr. Deeds - Mr. Deeds, sir - you

really must get up. It's late!

LONGFELLOW:

(without budging -

without opening

his eyes)

You're Walter, aren't you?

WALTER:

Yes, sir.

LONGFELLOW:

I just wanted to make sure.

CLOSE SHOT - WALTER

He smiles.

WALTER:

If you'll permit me to say so,

sir, you were out on quite a bender

last night, sir.

CLOSE SHOT - LONGFELLOW

Longfellow opens one eye - and then the other, blinking.

As consciousness returns to him, he glances around the

room as if to get his bearings.

LONGFELLOW:

Bender? You're wrong, Walter. We

started out to a binge but we never

got to it.

MED. CLOSE SHOT - THE TWO

Walter offers him a drink on a tray.

WALTER:

(humoring him)

Yes, sir.

LONGFELLOW:

What's that?

WALTER:

A Prairie Oyster, sir.[10]

LONGFELLOW:

(slow to comprehend

anything)

Prairie? Oysters?

WALTER:

Yes, sir. It makes the head feel

smaller.

Longfellow takes it and downs it in one swig.

LONGFELLOW:

(his face finally

reacting)

Oh. Oh!

(remembering)

Has Miss Dawson called yet?

WALTER:

Miss Dawson, sir? No, sir. No Miss

Dawson has called, sir.

LONGFELLOW:

She was a lady in distress. She

wouldn't let me help her. Got a

lot of pride. I like that.

WALTER:

Oh, I do too, sir.

LONGFELLOW:

I'd better call her up and

apologize. I don't remember taking

her home last night.

WALTER:

I'd venture to say, sir, you don't

remember much of anything that

happened last night, sir.

CLOSE SHOT - THE TWO

Favoring Longfellow.

LONGFELLOW:

What do you mean? I remember

everything! Hand me my pants - I

wrote her phone number on a piece

of paper.

WALTER:

You have no pants, sir.

Longfellow looks up slowly. Walter goes on:

WALTER:

You came home last night - without

them.

LONGFELLOW:

(after a double

take)

I did what!

WALTER:

As a matter of fact, you came home

without any clothes. You were in

your - uh - shorts. Yes, sir.

LONGFELLOW:

Oh, don't be silly, Walter. I

couldn't walk around in the streets

without any clothes. I'd be

arrested.

WALTER:

That's what the two policemen said,

sir.

LONGFELLOW:

What two policemen?

WALTER:

The ones who brought you home,

sir. They said you and another

gentleman kept walking up and down

the streets, shouting: "Back to

nature! Clothes are a blight on

civilization! Back to nature!"

Longfellow watches his face, fascinated. Slowly it is all

coming back to him.

LONGFELLOW:

Listen, Walter, if a man named

Morrow calls up, tell him I'm not

in. He may be a great author, but

I think he's crazy. The man's crazy,

Walter.

115. REVERSE ANGLE

Favoring Walter.

WALTER:

Yes, sir. By the way, did you—

Longfellow slowly swings out of bed into a sitting position.

Walter kneels to put on Longfellow's slippers. Longfellow

balks, points, silently reminding Walter that he has broken

his promise not to kneel down in front of him.

LONGFELLOW:

(pointing)

Please!

WALTER:

But how'll I put on the slipper,

sir?

Longfellow's expression begs no disagreement. Walter stands,

fumbling with the shoes from a stooped posture.

WALTER:

(continuing)

Yes, sir. I beg pardon, sir, but

did you ever find what you were

looking for, sir?

LONGFELLOW:

Looking for?

WALTER:

You kept searching me last night,

sir. Going through my pockets. You

said you were looking for a rhyme

for Budington.

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Robert Riskin

Robert Riskin (March 30, 1897 – September 20, 1955) was an American Academy Award-winning screenwriter and playwright, best known for his collaborations with director-producer Frank Capra. more…

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