Mr. Turner Page #3

Synopsis: Mr. Turner explores the last quarter century of the great if eccentric British painter J.M.W. Turner (1775-1851). Profoundly affected by the death of his father, loved by a housekeeper he takes for granted and occasionally exploits sexually, he forms a close relationship with a seaside landlady with whom he eventually lives incognito in Chelsea, where he dies. Throughout this, he travels, paints, stays with the country aristocracy, visits brothels, is a popular if anarchic member of the Royal Academy of Arts, has himself strapped to the mast of a ship so that he can paint a snowstorm, and is both celebrated and reviled by the public and by royalty.
Director(s): Mike Leigh
Production: Sony Pictures Classics
  Nominated for 4 Oscars. Another 19 wins & 62 nominations.
 
IMDB:
6.8
Metacritic:
94
Rotten Tomatoes:
97%
R
Year:
2014
150 min
Website
508 Views


But they all are so stupid

that none of them will

Pop the question to Kitty

Pretty Kitty

The maid of the mill

- Good day to you, sir.

- Good day to thee.

You be a lodgings, then?

It be.

- This chamber, 'tis available?

- It is, aye.

May I peruse it?

Mrs Booth!

There be a gentleman.

- Good day to you, sir.

- Good day to you, madam.

- Are you seeking lodgings?

- Indeed I am.

Here, Mr Booth.

- Your top front, 'tis available?

- Maybe, sir, yes.

- May I peruse it?

- Indeed, sir, if you'd care to follow me.

- You just come off the boat?

- Indeed.

- The Maggie or the Billy?

- The Maggie.

- Oh, 'twas early today!

- We'd the best of the tide.

There.

- This be my better most chamber.

- Exceeding homely.

Oh, I do thank you, sir.

You're looking

at the finest view in Margate.

They do say this town

be the first place in England

that the sun do reach of a morning.

Now, all my linen is freshly aired,

clean and sweet-smelling,

and I can lay a fire for you,

should you require.

Now, sir...

...my terms is one guinea for the week

with no meals

or full board for an extra 15 and sixpence.

And I'm afraid I do have to ask

for a small deposit and a reference.

- Five pound.

- 'Tis my reference and deposit.

Oh, I can't take this, sir.

It is far too much.

Refund of balance on departure.

That suit you, madam?

I do thank ye, sir.

Well, I should introduce myself.

My name is Mrs Booth.

- And you, sir?

- Beg your pardon?

- I was asking your name, sir.

- Mallard.

Oh... Mr Mallard.

Well, I do hope you'll be

most comfortable here, Mr Mallard.

Now, is there anything else

I can provide for you?

A small bowl of water, madam,

if you'd be so kind.

- Might that be a glass of water?

- No, a bowl.

Very well, sir.

I shall bring that up for you.

Yes?

I found you a small bowl, sir.

I hope this do suit your requirements.

Indeed.

Where would you like

I should put it for you?

Upon the window sill,

if you'd be so kind.

Good. Oh, dear!

Do be coming along blowing now.

Well... I shall serve your supper downstairs

in the parlour at six of the clock.

And if you ever feel the need

of a bit of company

you'd be more than welcome

to join Mr Booth and I in our kitchen.

- I would not wish to impose, madam.

- Oh, not at all, Mr Mallard.

We should be glad of your company.

- I'll top up your ale, Mr Mallard.

- Thank you kindly, madam.

- I hope you're enjoying your supper.

- Mm.

Oh, good.

Some folk do find shackles

too salty for their taste.

Can never be too salty for me, madam.

Oh!

There, Mr Mallard.

This'll warm you up.

No, no, you sit yourself down.

I can squeeze around here

just about these days.

- So, you had a good walk, then?

- As far as Broadstairs and back.

Oh, dear! That is a long way.

You'll sleep well tonight.

Your very good health, madam, sir.

- Very good health to you too, sir.

- Will you not take a drink yourself?

I ain't touched a drop

this many a long year.

He did used to enjoy a tipple,

though that were long before I knew him.

- Man of the sea?

- He was, weren't he?

- Ship's carpenter.

- Carpenter? Noble craft.

What'd you ply?

Whalers? Spicers?

- Traders?

- Slavers.

- For my sins.

- He don't like to talk about it, though.

Africa, Zanzibar, the Indies.

Such terrible sufferings I did see.

Treated like animals, they was.

Worse than.

The howling sound of sorrow.

Yes.

- Changed my life, it did.

- Oh, it did there.

- Led me back to chapel.

- Mm... hm!

Humans.

Humans can be dreadful cruel.

I watch them boys down there in the sands

whipping them poor donkeys.

Mind you, you're better off being a donkey

than them wretched souls

on the slave ships.

So, are you familiar with Margate,

Mr Mallard?

As a boy.

Oh, there.

You come here on your holidays, then?

Schooling, two years.

Oh, yes, Margate be famous for its schools.

- Coleman's.

- Oh.

Mr Coleman?

I do remember he.

- Up there by the Dane.

- Back of the old town.

I lost two dear friends.

- I am sorry.

- Scrofula.

- Oh, yes. Terrible sickness.

- Aye.

Long time ago.

- Oh! Good afternoon.

- Good afternoon, madam.

- It is Mrs Somerville.

- Yes, you are expected.

Thank you most kindly.

Oh, what an elegant residence.

Have you come far, Mrs Somerville?

Oh, yes, indeed.

All the way from Chelsea.

I took the steamer to Westminster,

about an hour.

- Was the river busy?

- Extremely.

You can see the whole world

on the Thames.

- Mrs Somerville.

- Oh, good afternoon, Mr Turner.

My apologies if I have forced you

to wait upon me.

Oh, not at all. I have enjoyed

a most pleasant interlude with your father.

- You find yourself well?

- Passing fair, thank you. And you?

Indeed. Dr Somerville likewise?

Oh, yes, he's much engaged

in administering to the poor veterans.

Well, now, it's a beautiful sunny day,

just perfect for our experiment.

I have everything I need

here in my wee bag.

Are we going to witness an explosion?

Oh, goodness me!

No, I hope not.

I'm astounded

you have all your paraphernalia

- contained in yon small pouch.

- Indeed it is, Mr Turner.

Everything except God's good sunlight.

Daddy, Mrs Somerville

is a natural philosopher.

- Is she, now?

- Mathematician, astronomer, geologist.

The universe is a wondrous thing,

is it not, Mr Turner?

It is, to be sure.

The planets and the stars,

the oceans and the tides,

the clouds and the air,

mountains, volcanoes...

The tides be subject

to the effect of the moon.

Quite so,

the mysterious force of gravity.

It is my strong belief

that all things on this earth

are connected.

- Nothing exists in isolation.

- Indeed.

The rain falls, the sun shines

and the onions grow.

Oh, yes.

Daddy likes to affect the pretence

of being a dunce.

He is in fact a man of high intellect.

- He taught me how to read and write.

- Is that so?

- Education is an important thing.

- It is indeed, most important for everyone.

I myself am presently engaged

in the tutoring of my children.

That is indeed commendable.

It is a privilege

that was not afforded to me.

I am an uneducated,

self-taught Scotch woman.

Mrs Somerville, you are what you are.

- As are we, Daddy.

- True.

Thank you.

And what was your profession, Mr Turner?

Daddy was the finest barber

in Covent Garden.

I had some success in the business.

Wig maker.

He was a master

of the razor and the brush.

You're the master of the brush now,

Mr Turner.

Well...

My little lad could draw

afore he could read and write.

Sat in the corner of the shop, scratching

away with the chalk and charcoal.

I'd stick his pictures in the window.

And sell 'em, all of 'em.

For two or three shillings apiece

on occasion.

Do you have children yourself, Mr Turner?

I do not, Mrs Somerville.

Thank you, Mr Turner.

- Have you ever seen a prism?

- I have not.

Ooh!

There it is.

That is a thing of beauty.

Shortly you shall witness

a rainbow passing through it.

- Sir Isaac Newton, Daddy.

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Mike Leigh

Mike Leigh (born 20 February 1943) is an English writer and director of film and theatre. He studied at the Royal Academy of Dramatic Art (RADA) before honing his directing skills at East 15 Acting School and further at the Camberwell School of Art and the Central School of Art and Design. He began as a theatre director and playwright in the mid-1960s. In the 1970s and 1980s his career moved between theatre work and making films for BBC Television, many of which were characterised by a gritty "kitchen sink realism" style. His well-known films include the comedy-dramas Life is Sweet (1990) and Career Girls (1997), the Gilbert and Sullivan biographical film Topsy-Turvy (1999), and the bleak working-class drama All or Nothing (2002). His most notable works are the black comedy-drama Naked (1993), for which he won the Best Director Award at Cannes, the Oscar-nominated, BAFTA and Palme d'Or-winning drama Secrets & Lies (1996), the Golden Lion winning working-class drama Vera Drake (2004), and the Palme d'Or nominated biopic Mr. Turner (2014). Some of his notable stage plays include Smelling A Rat, It's A Great Big Shame, Greek Tragedy, Goose-Pimples, Ecstasy, and Abigail's Party.Leigh is known for his lengthy rehearsal and improvisation techniques with actors to build characters and narrative for his films. His purpose is to capture reality and present "emotional, subjective, intuitive, instinctive, vulnerable films." His aesthetic has been compared to the sensibility of the Japanese director Yasujirō Ozu. His films and stage plays, according to critic Michael Coveney, "comprise a distinctive, homogenous body of work which stands comparison with anyone's in the British theatre and cinema over the same period." Coveney further noted Leigh's role in helping to create stars – Liz Smith in Hard Labour, Alison Steadman in Abigail's Party, Brenda Blethyn in Grown-Ups, Antony Sher in Goose-Pimples, Gary Oldman and Tim Roth in Meantime, Jane Horrocks in Life is Sweet, David Thewlis in Naked—and remarked that the list of actors who have worked with him over the years—including Paul Jesson, Phil Daniels, Lindsay Duncan, Lesley Sharp, Kathy Burke, Stephen Rea, Julie Walters – "comprises an impressive, almost representative, nucleus of outstanding British acting talent." Ian Buruma, writing in The New York Review of Books in January 1994, noted: "It is hard to get on a London bus or listen to the people at the next table in a cafeteria without thinking of Mike Leigh. Like other wholly original artists, he has staked out his own territory. Leigh's London is as distinctive as Fellini's Rome or Ozu's Tokyo." more…

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Submitted on August 05, 2018

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