Mrs Brown Page #12
- PG
- Year:
- 1997
- 101 min
- 500 Views
DISRAELI:
Well then, I'll do my best.
EXT. HIGHLANDS, GLEN GELDER - DAY
Staying close to the ground we develop through a series of
shots showing the other highlands -- sheet rain against
heather and gorse, rivulets of water slashing through mud,
crude pathways sliding in wind and all ball-breakingly
cold.
Coming up the hill, we begin to make out a hunting party.
The sound first. Like a small army, crashing their way up
the winding path. GHILLIES urging on their horses and
dogs, guns and equipment jangling off pony-hacks an then
the tall figure of JOHN BROWN striding out in front.
Making no concession to anyone, he force-marches them up
the hill, eyes on the hunt ahead. Behind them trot the men
on horseback -- DISRAELI, PONSONBY, BERTIE and other
GENTLEMEN, each led by GHILLIES and ATTENDANTS, among them
ARCHIE.
Suddenly, BROWN stops and raises a hand. The party halts.
He listens for a second. Satisfied that he has found his
quarry, he brings his hand down and the party of gentlemen
dismount as quietly as they can.
As he waits, BROWN winces slightly from the pain in his
side. He pulls a flask of whiskey from his sporran and
drinks. All the time, DISRAELI keeps his eyes on BROWN.
EXT. HIGHLANDS, GLEN GELDER - DAY
The stalking.
Everyone is now fanned out along the hillside, a ghillie to
each gentleman, slowly and silently moving up the hill.
DISRAELI stalks with BROWN, panting hard to keep up, eyes
on his man, trying to make no sound.
Suddenly, BROWN stops. Very slowly he rises. DISRAELI
rides alongside and sees ...
A huge stag staring majestically across the hillside.
Keeping his movements smooth and slow, BROWN brings up his
rifle, c*cks it and offers DISRAELI the kill. With a
deferential gesture of the hands, DISRAELI declines. BROWN
stares at him a split-second, raises the rifle to his
shoulder and fires.
EXT. HIGHLANDS, GLEN GELDER - DAY
The kill.
A rapid montage of guns firing, as we cut to ...
BROWN sweeps in from the hunt, DISRAELI dripping at his
side.
BROWN:
(demonstrating with his
rifle)
Always remember, you keep it tight to
your shoulder, you absorb the kick.
Aim for the head. Then imagine it's
Gladstone.
DISRAELI:
(smiling)
Quite.
BROWN pulls out his flask and offers some to DISRAELI, who
declines. He watches BROWN take a long swig.
INT. BALMORAL CASTLE, UPPER SERVANT'S TABLE - NIGHT
That night.
BROWN is standing at his place, drinking steadily. He has
a sheet of paper and a pen and is ticking off a list.
Lined up in front of him, trying desperately not to laugh,
are five or six UPPER SERVANTS including the pretty
ASSISTANT DRESSER and BERTIE'S VALET. They each step up,
one at a time, to make their report.
BROWN:
(ticking as he goes)
... Back doors, West Wing.
UPPER SERVANT 1
Checked and locked, sir.
BROWN:
Side doors, East Wing.
ASSISTANT DRESSER
Checked and locked, sir.
BROWN:
Louder, girl!
ASSISTANT DRESSER
(creasing up)
Checked and locked, sir.
BROWN:
Kitchen and lower house.
BERTIE'S VALET
Checked and locked, sir.
BROWN:
Back and upper corridors.
UPPER SERVANT 2
Checked and locked, sir.
BROWN:
Front door.
(beat)
Checked and locked.
Folding up the paper, BROWN downs his glass of whiskey and
sits. On his nod, dinner is served by UNDER SERVANTS amid
a clatter of cutlery and chat.
ARCHIE looks across at his brother but BROWN is hunched
over his plate, pecking at his food.
Someone titters and ARCHIE looks up. BERTIE'S VALET
coughs. BROWN slowly lifts his head. His eyes have the
slightly unfocused look of too much drink. It is clear to
ARCHIE that he is about to be sent-up.
BERTIE'S VALET
(with a smug smile)
Did you see any Irish assassins today,
Mr Brown?
Brown doesn't react.
BERTIE'S VALET (CONT'D)
We heard the dogs were Fenian
sympathizers.
Brown drinks.
BERTIE'S VALET (CONT'D)
Or was it the stag ...?
Everyone bursts out laughing. Brown slams down his glass.
BROWN:
There's not a soul here cares about
that wee woman's safety except me!
She'd die in a ditch if I wasn't there
to look out for her --
He stops. ARCHIE has come across to his brother's chair
BROWN stares at the SERVANTS. Everyone is about to burst
out laughing. Keeping his dignity, he pushes back his
chair and lets ARCHIE lead him away.
As BROWN reaches the double doors, the laughter hits him in
the back like a wave. ARCHIE holds him steady.
INT. BALMORAL CASTLE, BROWN'S QUARTERS - NIGHT
BROWN is lying on a grubby bed. ARCHIE is looking around
the untidy room. For the first time, he notices a thick
manuscript on the table. BROWN follows his eyes.
ARCHIE:
What's this?
BROWN:
It's a diary.
ARCHIE:
Be careful who sees it.
BROWN:
What do you take me for?
ARCHIE turns back to BROWN.
ARCHIE:
You should have someone look after
you.
BROWN:
I'm all right. I just need to rest up
a wee bit.
(feeling everything spin)
The room ... You don't have to stay.
BROWN shuts his eyes and starts to drift. ARCHIE watches
over him.
ARCHIE:
The place is a mess.
BROWN:
I can't move to tidy.
ARCHIE:
It's what the maids are for.
BROWN:
I'm not having some prattler going
through my things.
A beat.
ARCHIE:
Won't you give yourself a rest, John?
She's other people to look out for
her.
BROWN:
She needs me, Archie. She canna do
without me, she said it to my face.
(his hands come up to cover
his eyes)
How can I stop now?
INT. BALMORAL CASTLE, SERVANT'S CORRIDOR - DAY
Dawn the next morning.
BROWN is scrambling into his jacket as he hurries down the
stairs.
BROWN crashes out of a side-door -- just fully dressed --
to be met by the smiling figure of DISRAELI. He is got up
in smart walking boots, plus-fours and a tweed jacket.
BROWN:
You sent for me.
DISRAELI:
I've been called back to London. My
last day. I thought I might take a
walk on Lochnagar.
EXT. LOCHNAGER - DAY
An hour later, BROWN leads DISRAELI up the hill. BROWN has
his head down, on with the job. DISRAELI slows to a halt.
DISRAELI:
Princes and Lords are but the breath
of kings, An honest man's the noblest
work of God.
(beat)
You must miss such magnificent views.
BROWN:
They reach the top and continue along the high ground.
DISRAELI glances at BROWN and notices the limp.
DISRAELI:
Forgive me, I've called you out and
you should have been resting.
BROWN:
I'm fine.
DISRAELI:
You're injured.
BROWN:
It's nothing.
DISRAELI:
Still, someone must attend you. Your
wife should not have let you out.
BROWN:
I'm not married.
DISRAELI:
(deadpan)
Oh.
BROWN:
This is the top.
DISRAELI admires the view for a moment, then continues.
DISRAELI:
I confess, I sometimes feel as if I am
not married myself, I see my wife so
little. But I'm forgetting the
rewards.
He looks across. BROWN keeps staring ahead.
DISRAELI (CONT'D)
The look on their faces when one walks
into the room. Still gives one a
ridiculous thrill.
BROWN:
I wouldn't know.
DISRAELI:
Surely --
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