Mrs Dalloway Page #6

Synopsis: London, summer 1923. Clarissa, MP Richard Dalloway's wife, sets out on a beautiful morning; she's shopping for flowers for her party that evening. At the same time Septimus Warren Smith, a young man who survived the battlefields of Europe, is suffering from a nightmarish delayed-onset form of shell-shock. Clarissa's nearly-grown daughter is distant, and preoccupied. In the course of one day, Peter, Clarissa's passionate old suitor, returns from India and is invited to her party; Septimus commits suicide; Clarissa relives a day in her youth (and her reasons for her choice of a life with the reliable Richard Dalloway).
Genre: Drama, Romance
Director(s): Marleen Gorris
Production: BMG
  2 wins & 1 nomination.
 
IMDB:
6.9
Rotten Tomatoes:
71%
PG-13
Year:
1997
97 min
886 Views


I don't know. I don't know.| I didn't know she'd been ill.

Stop worrying, Peter.

He threw himself out of the window | and impaled himself on the railings.

Up flashed the ground | and through him ...

blundering and bruising | went the rusty spikes ...

and there he lay with a tut... tut! tut!|in his brain.

and then | a suffocation of blackness.

Why? Why did he do it?

Why did the Bradshaws talked | of it at my party?

He's thrown it all away. His life. | Just like that.

I once throw a shelling | into the serpentine.

But his thrown his life away.

You were going to write, | I remember.

Have you written anything?

Not a word.

Not a solitary word.

But then he will| always stay young.

All day long I've been thinking |of Bordon, of Peter and Sally.

We've grown old.

We'll grow older.

Have I lost the thing| that mattered?

Let it get obscured, | gradually...

every day in corruption, | lies and chatter?

Do you remember the night | we went boating on the lake?

Yes, I remember thinking: | "She's abandoned me."

And then, all of the sudden, she was there, |with her hand stretched out ...

looking utterly beautiful, saying: | "Come on, come on.

They're all waiting. "

Why wouldn't she marry me, | Sally?

She was afraid.

Your parents just handed to you, | LIFE...

to be lived right through to the end.

We must walk it |serenely.

But in the depths of my heart, | there's been an awful fear ...

sometimes that | I couldn't go on ...

without Richard, sitting there|calmly reading the Times ...

while I crouched like a bird|and gradually revived.

I might have perished.

I looked across the room | and wondered - "Who's that lovely girl?"

And then I realized: | "That's my daughter."

Maybe she needed someone| who found life simple.

She certainly cared for you, | more than she cared for Richard.

Oh, my life isn't simple.

My relationship with her| wasn't simple.

She broke my heart.

And you can't love like that | twice.

What makes us go on?

What sends roaring | up in us ...

that immeasurable delight| to surprise us?

Than nothing can be |slow enough...

nothing lasts to long.

You want to say to each moment: | "Stay!" "Stay!"

"Stay!"

I cherrish the friendship| I had with Clarissa.

There was something pure about her.

She had such charm, | such generosity.

I can see her to this day, going | bye the house all in white.

She always seemed to be in white |and her arms were full of flowers.

And I wondered ...

does absence really matter?

Does distance?

You'll think me sentimental | and so I am ...

but I've come to believe that the only | thing worth saying is what you really feel.

But I don't know what I feel.

I know that I loved her once | and that it stayed with me all my life ...

and colored everything.

I must go back to my party. |To Sally and Peter.

That young man killed himself, | but I don't pity him.

I'm somehow glad he could do it, |throw it away.

It's made me feel the beauty, | somehow feel ...

very like him, less afraid.

I have to go.

Do you think he's made her happy? | Who can tell, Peter?

All our relationships are | just scratches on the surface.

We tought he wasn't | very bright.

But what does the brain matter?

Compared to the heart.

There you are.

Peter and Sally haven't left, have they? | Don't know.

Clarissa!

I couldn't leave without |saying goodbye.

And you can't leave, | until you danced with me.

Peter's in the library.

Here I am, at last.

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Eileen Atkins

Dame Eileen June Atkins, (born 16 June 1934) is an English actress and occasional screenwriter. She has worked in the theatre, film, and television consistently since 1953. In 2008, she won the BAFTA TV Award for Best Actress and the Emmy Award for Outstanding Supporting Actress in a Miniseries or Movie for Cranford. She is also a three-time Olivier Award winner, winning Best Supporting Performance in 1988 (for Multiple roles) and Best Actress for The Unexpected Man (1999) and Honour (2004). She was appointed Commander of the Order of the British Empire (CBE) in 1990 and Dame Commander of the Order of the British Empire (DBE) in 2001. Atkins joined the Royal Shakespeare Company in 1957 and made her Broadway debut in the 1966 production of The Killing of Sister George, for which she received the first of four Tony Award nominations for Best Actress in a Play in 1967. She received subsequent nominations for, Vivat! Vivat Regina! (1972), Indiscretions (1995) and The Retreat from Moscow (2004). Other stage credits include The Tempest (Old Vic 1962), Exit the King (Edinburgh Festival and Royal Court 1963), The Promise (New York 1967), The Night of the Tribades (New York 1977), Medea (Young Vic 1985), A Delicate Balance (Haymarket, West End 1997) and Doubt (New York 2006). Atkins co-created the television dramas Upstairs, Downstairs (1971–75) and The House of Elliot (1991–93) with Jean Marsh. She also wrote the screenplay for the 1997 film Mrs Dalloway. Her film appearances include Equus (1977), The Dresser (1983), Let Him Have It (1991), Wolf (1994), Jack and Sarah (1995), Gosford Park (2001), Evening (2005), Last Chance Harvey (2008), Robin Hood (2010) and Magic in the Moonlight (2014). more…

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Submitted on August 05, 2018

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    "Mrs Dalloway" Scripts.com. STANDS4 LLC, 2024. Web. 27 Jul 2024. <https://www.scripts.com/script/mrs_dalloway_14178>.

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