Mulholland Dr. Page #2

Synopsis: After a car wreck, an amnesiac woman sets out to learn what happened to her with the help of a wannabee actress.
 
IMDB:
8.3
Year:
1999
88 min
337 Views


What is going on here ? There is no way that girl is in my movie!

Help me!

This is the girl.

Hey, that girl is not in my film!

[Taps On Table] It's no longeryour film.

This is the girl.

[Door Opens]

[DoorSlams Shut]

Castigliane brothers get out ofthat limo ?

- You mean two guys in dark suits? - Yeah.

Yeah. Leave that door open.

Castigliane brothers ?

Beat it, pal. Okay.

Good afternoon, Mr. Roque.

[ OverSpeaker] Her name is Camilla Rhodes.

The director doesn't want her.

Do you want him replaced ?

I know they said--

Then ?

Then...

that means we should...

Yes ?

shut everything down.

Is that something that--

You want us...

to shut everything down ?

Then we'll shut everything down.

[Door Closes ]

[ Both Laughing ] Oh, man.

That's unheard of.

An accident like that-- who could have foreseen that, man ?

jeez! It's unreal, right ?

Hell,yeah. [Laughing Continues ]

Unbelievable, man.

[Laughing Continues ]

[ Groans ] Whoo.

So, bro. God, you look good.

What haveyou been doing?

Well, you know, just doin' some stuff for this guy.

Yeah ? Are you making ends meet ? Yeah.

Hardly.

[ Sighs ] I know, man.

Look at my digs.

Times are tough, bro.

Hey, man, it's not that bad.

Gee, I hopeyou're not gonna get into any trouble.

Oh, that was just a thing, man.

But that story, that madeyou laugh, right ?

That was a funny story, man. F***ing caraccident.

Hey, so that's, uh-- That's it, huh ?

That's Ed's famous black book.

The history ofthe world... in phone numbers.

[Woman Screams ]

Um-- [Woman Groaning]

[ Groaning Continues ]

Aw, man.

[ Groaning Continues ]

Something bit me bad!

[ Screams, Muffed Grunting ] Shh.

Shh! Shh!

[ Screaming ]

Ow! [ Gasps ]

[ Screams ]

[ Grunting ]

No!

[ Screaming ]

No! No!

[ Woman Shouting ]

God!

[ Muffed Screaming ]

Shh!

Hey, man! Hey!

She's hurt real bad! Could you come here and call on the phone ? I need you!

She's hurt real bad! I'm serious!

You gotta come in here and call the hospital!

Come on, man! I'm serious about this!

I can't do everything by myself, man!

No! Let go!

[ Woman Screaming] No! No!

[ Sobbing ]

Oh! No!

No! No! No!

Hey, man.

[ Vacuum Cleaner Whirring ]

[ Whirring Continues ]

[ Gunshot ] [ Whirring Stops ]

Um--

[Electricity Arcing]

[Alarm Blaring]

Aw, man.

[Alarm Continues ]

Okay, Aunt Ruth, I 'll try.

I 'm gonna study those lines until I know them inside out.

Yep, either right here on this fabulous leather couch,

or I'll take them with a coffee into the courtyard...

Iike a regular movie star. [ Chuckles ]

Oh, I got a real shock to find your friend Rita here.

She was in the shower, and I opened the door.

Rita.

What do you mean ?

Well, she was in an accident.

Rita, your friend.

No, Coco unlocked the door.

No, she didn't see her.

She's sleeping.

I'm sure there's some explanation for this.

I don't think we have to do that.

Please don't worry. Aunt Ruth, we don't need the police.

[ Cryi ng Softly ]

You're awake.

I thi nk I m isunderstood.

I thoughtyou knew my aunt, and that's whyyou were here.

I just talked to my aunt on the phone, and she wants me to call the police.

Rita ?

I'm sorry. I--

What is it, Rita ?

I thought when I woke up--

I thought sleep would do it.

What's wrong ?

I don't know who I am.

What do you mean ? You're Rita.

No, I'm not. I don't know what my name is.

I don't know who I am.

This is your purse.

Your name must be in your purse.

You want to know, don't you ?

Yes, but-- Open it.

So you don't want anything? Not here. No, thanks.

A drink or something? No. Thanks, though.

I'll take a cigarette, if you have one.

Yeah,just reach inside my shirt pocket there.

Any new girls on the street lately?

No.

I haven't seen any.

A brunette?

Maybe a little beat-up?

No.

You keep your eyes open for me, won't you, baby?

Sure. Yeah, you bet you will.

That money--

you don't know where it came from?

Uh-uh.

When you think of them-- the money and the key--

does it make you remember anything?

There's something--

something... there.

What did you say? [Woman on speakerphone ] They fired everyone.

Who fired everyone?

Ray did. Wait! I'm talking on the phone.

And then they closed the set. Everybody's gone.

You'd better get down here, Adam.

No.

You've gotta talk to Ray. You've gotta fx this.

I 'm goi ng home. Home?

Meet me at the office. We've gotta do something.

You've gotta do something, Adam.

I 'm going home, Cynthia.

Adam, listen to me. This isn't like you.

Please come to the office.

There's gotta be something we can do. I 'm going home.

I wonder where you were going.

Mulholland Drive.

Mulholland Drive?

That's where I was going--

Mulholland Drive.

Maybe that's where the accident was.

There must be a police report. We could call.

No. We could call anonymously from a pay phone...

just to see ifthere was an accident.

Come on. It'll be just like in the movies.

We'll pretend to be someone else.

I wanna walk around anyway.

I'm in Hollywood, and I haven't even seen any ofit.

Come on, Rita. Doyou feel up to it?

Okay.

But...just--

just to see.

Just to see ifthere was an accident...

on Mulholland Drive.

&& [Blues ]

Lorraine?

Lorraine, you home?

Lorraine?

&& [ Continues ]

[ Clanging]

Now you've done it.

Just forget you ever saw it.

It's better that way.

What the hell are you even doing here?

[Drawer opens ]

What are you doing?

That's myjewelry!

That bastard! You bastard!

He's probably upset, Lorraine.

What are you doing?

Stop it! Stop it!

Adam, stop it!

Stop it! Stop it!

Adam! Cut-- Cut it out! Ow!

- You're hurting me! Gene! - [ Clattering]

You're hurting me!

That ain't no way to treatyourwife, buddy. I don't care what she's done.

Throw him out!

Throwhim out!

Damn you, Adam!

[ Clattering] Throw him out!

Get out!

[ Engine Starts ]

Let's hide it.

There's one.

[ Line Ringing ]

[Woman on Phone ] Hollywood Police Department.

I'm inquiring about an accident that happened last night on Mulholland Drive.

Hold, please. I'll connect you to Traffic.

[ Man ] Sergeant Baxter. Hi. I'm inquiring--

Well, I heard a sound last night that sounded sort oflike a car crash,

and, well, I want to know ifthere was an accident on Mulholland Drive.

Yes, there was.

Can you tell me what happened? No, I can't.

- Was anyone hurt? - May I haveyour name, please?

There was an accident.

He wouldn't tell me anything else, but that was your accident.

I just know it was.

Maybe there's something about it in the papers.

Come on. I'll buyyou a cup of coffee and we can see.

Maybe it happened so late, it's not in today's paper.

There's nothing?

[ Sighs ] Not that I can see.

That's okay.

Thanks,

Diane.

Will that be all? Would you likeyour check?

Rita, you want something?

No,just-- just the coffee.

- We'll take our check. - Okay.

What is it, Rita? Shh.

I remember something.

I remember something!

What is it? Diane Selwyn.

Maybe that's my name!

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David Lynch

David Keith Lynch (born January 20, 1946) is an American director, screenwriter, visual artist, musician, actor, and author. Known for his surrealist films, he has developed a unique cinematic style. The surreal and, in many cases, violent elements contained within his films have been known to "disturb, offend or mystify" audiences. more…

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Submitted on August 05, 2018

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