Mulholland Dr. Page #5

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Thankyou very much for coming in. I know how busyyou are.

Are you kidding me? I love the script. You just show me where to sign.

Look, I love you, but there is no way that they are gonna let me cast this thing...

until I've seen everyone.

I'll letyou know as soon as I can. Yeah, I knowyou will.

Because my manager is gonna be bugging you day and night, okay?

And me. It'll be my pleasure. Now, get out ofhere.

You're so cruel to me. Don'tyou forget me.

I'm the girl who's playing this part, huh? I'll seeyou later.

Hank? Where's Hank?

Uh, who's next, Hank? Uh, Camilla Rhodes.

Is she ready? All ready.

Bring her in. Camilla Rhodes, next.

[Man] Sylvia North Story. Camilla Rhodes, take one.

Okay, here we go! Let's lock it up, please!

Roll sound, please! [Man ] soundspeed!

Playback, and action.

& Dum, da-dum &

& Da, da, da, da, da da, da, da, da &

& Dum, da-dum &

& Da, da, da, da, da da, da, da, da &

& Dum, da-dum &

& Da, da, da, da, da da, da, da, da &

& Why haven 't I toldyou &

& Oh, baby, I told &

& Every I ittle star &

& J ust how sweet I thi nk you are &

& Why haven't I told you &

&& [ Continues ] Get J ason over here.

Cindy, Adam wants to see Jason.

& Made my heart an open book &

&Why haven't I told you &

& Friends ask me &

& Am I in love &

& I always answeryes &

& Might as well confess &

& Ifthe answer'syes &

& Maybe you may love me too &

& Oh, my darling ifyou do &

&& [ Continues ] Did you wanna tell me something, Adam?

& Dum, da-dum &

& Da, da, da, da, da da, da, da, da &

& Dum, da-dum Da, da, da, da, da da, da, da, da &

This is the girl.

Excellent choice, Adam.

& I always answeryes &

& Might as well confess &

& Ifthe answer's yes & Oh, my goodness.

& Lately you may love me too &

& oh, my darling ifyou do &

& Why haven'tyou &

I have to be somewhere. I 'm-- & Told me &&

I promised a friend. Um, I'm sorry.

I-I must go.

&& [Fades ]

It should be around here.

2-5-9-0. That's it! Up there.

Does it look familiar? No.

- Don't stop! - What is it? What do you see?

- Those men out front in the car. - Do you know 'em?

- No. - Keep going.

Go around to the back.

Selwyn, number 1 2.

Now you got me scared.

You see? I told you there was nothing to be afraid of.

Betty, wait. Wait.

Don't.

No one's home.

Yes?

Diane?

Number 1 7.

But it said number 1 2.

I switched apartments with her. She's in 1 7.

It's down at the end on the left.

But she hasn't been around for a few days.

Oh. We'll leave her a note.

I'll go with you.

She's still got some of my stuff.

[Telephone Ringing]

You go ahead. I gotta get that.

[Ringing Continues ]

Guess you're not Diane Selwyn.

I guess I'm not.

[ Knocking ]

There's still no one home, I guess.

What are you doing?

Come on. Help me in. Come on.

I'll open up the front door. No.

[ Grunting ]

[ Whispers ] Come on.

Come on.

[ Gasps ]

[Knocking On Door]

[ Screams ] [Knocking Continues ]

Rita!

I know what you're doing.

[ Sobbing ]

I know what you have to do.

But let me do it.

[ Softly ] Let me do it.

You look like someone else.

Good night, Betty.

You don't have to wear that in the house.

What?

The wig.

Oh, I was just looking at myself again.

I'll take it off to sleep.

- And you don't have to sleep on that couch. - No, it's okay.

No, it's not. This is a huge bed.

Come on. Just get in and get a good night's sleep.

It's more comfortable than the couch, isn't it?

[ Chuckles ] Yes.

Thankyou, Betty.

It's nothing.

I shouldn't have letyou sleep on the couch last night.

No, I mean,

thankyou for everything.

You're welcome.

Good night, sweet Betty.

Good night.

Haveyou ever done this before?

I don't know.

Haveyou?

I want to with you.

I'm in love with you.

I'm in love with you.

Silencio.

Silencio.

Silencio.

No haybanda.

No hay banda.

No hay orquesta.

Silencio.

Silencio.

Silencio.

Silencio.

Silencio.

Rita? Rita? No hay banda.

Rita, wake up.

No. No. I t's okay. I t's okay.

No, it's not okay.

What's wrong?

Go with me somewhere.

It's 2:
00. It's 2:00 in the morning.

Go with me somewhere.

Sure. Now?

Right now.

No haybanda!

There is no band!

Il n'ya pas d'orchestre.

This is all...

a tape recording.

No hay banda, and yet...

we hear a band.

Ifwe want to hear a clarinet,

Iisten. && [ Clarinet ]

Une trombone en coulisse.

&& [ Trombone ]

Un trombon con sordina.

J'aime le son d'une trombone en sourdine.

[ French ]

A muted trumpet.

&& [ Trumpet Continues In Recording ]

I t's al I recorded.

No hay banda!

I t is all... a tape.

&& [ Trumpet ]

Il n'y a pas d'orchestre.

It is...

an illusion.

Listen!

[ Thunderclaps ]

Senoras andsenores,

el Club Silencio les presenta...

Ia llorona de Los Angeles...

Rebekah del Rio.

&& [ Roy Orbi nson's "Cryi ng" I n Spanish ]

&& [ Continues Over Loudspeaker ]

&& [ Continues ]

&& [ Ends ]

Betty?

Betty?

Donde estas?

Betty?

Hmm.

[ Door Opens ]

Hey, pretty girl.

Time to wake up.

[ Knocking On Door ]

[ Knocking Continues ]

[ Knocking Continues ]

[ Knocking Continues ]

[ Knocking Continues ]

Where have you been? What do you want?

My lam p and dishes.

Come on, Diane. It's been three weeks.

[ Sighs ] I put your dishes in that box.

That's my ashtray. Take it.

Anytime.

I'm just making sure, Diane.

This is it?

Yeah.

Oh, by the way, those two detectives came by again looking foryou.

Camilla.

Camilla.

You've come back.

What was that You were saying, beautiful?

I said,

"You drive me wild."

[ Chuckles ]

We shouldn't do this anymore.

Don't say that.

Don't ever say that.

Don't, Diane.

Stop it! Diane, stop!

I've tried to tell you this before.

It's him, isn't it?

[Machinery Whirring]

Now, I'm not trying to show you how to do the scene.

But just... watch me,

and I think You'll understand what I'm getting at.

Hank.

Now, don't sit so... rigid.

Just--Just relax.

Now, the two ofyou are alone,

andit's real comfortable,

Iike you've known each other forever.

Even ifyou don't say anything, it's-it's real comfortable.

Hank, can you just clear the set?

It's just there's too many people around here. Let's get this worked out.

Clear the set! Clear the set, please!

Everyone have a cup of coffee.

Everyone, please! [ Camilla ] Can Diane stay?

Yeah, sure. Diane can stay.

Um, Hank, let Diane stay. Diane?

Now, when she starts to cry,

don't pull her towards you.

Let her fall into you.

Just let her fall.

Now, when you kiss her,

it's just a continuation ofthat move.

There's no break.

Kill the lights!

[Door Opens ] [ Camilla ] Don't be mad.

Don't make it be like this. Oh, sure.

You want me to make this easy foryou? No.

No f***in' way! It's not gonna be!

It's not easy for me! Diane!

[Diane Sobbing]

[Telephone Ringing]

[Ringing Continues ]

[ Diane On Answering Machine ] Hello, it's me.

Leave a message. [ Machine Beeps ]

[ Camilla ] Diane?

Hello? Diane?

Camilla. Diane, the car's waiting.

Areyou okay?

You coming?

Uh-huh. Good.

It means so much to me.

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