Mumford Page #24
NESSA (V.O.)
Just chill for a second. Look at
this guy, it appears he's actually
dead... but gorgeous.
Mumford is sitting next to Nessa on the couch. At their feet
is a mess of magazines. Nessa discards one and immediately
starts flipping through a new one beneath it. She is very
agitated. Mumford stands up, walks over and sits in his chair.
NESSA:
What are you doing? We're not done.
I just need to find the thing...
MUMFORD:
If you don't want to have a session
today, it's okay.
NESSA:
I want to have the session. I thought
it would be cool if I could show you
some of the things that interest me.
But I guess you're not into it...
which we already knew.
MUMFORD:
What happened today?
NESSA:
What are you talking about?
MUMFORD:
Was it something that happened at
school?
NESSA:
(petulant)
These appointments were not my idea,
remember.
MUMFORD:
True. Should we stop them?
A look of panic crosses Nessa's face, but she instantly hides
it, busily taking out cigarette and lighter, which she doesn't
use. Instead, she lies down on the couch, balancing the closed
magazine on her chest.
NESSA:
I don't think you know what you're
talking about.
MUMFORD:
Uh-huh.
NESSA:
This shrink school you went to...
did you hear about it on an
infomercial?
Mumford waits. Nessa refers to the magazine beneath her chin.
NESSA:
I want to live in the world these
people are in. No one ever says
anything in there, have you noticed?
So they're very cool. Like they're
all really deep. It's when people
start talking that everything goes
to sh*t.
Nessa suddenly seems on the edge of tears, but beats it back.
NESSA:
There's this kid at school... Martin
Brockett. He has some gigantic idea
of himself that no one else shares.
You wouldn't believe the crap he
lays on me... Who appointed him my
spiritual leader? If he has everything
so figured out how come his best
friend is a .22 rifle? And why's he
spend all his time chasing after me?
Probably thinks I'm gonna give him a
hummer...
MUMFORD:
Do you think that's what he wants?
NESSA:
(after a beat)
No. I don't know what he wants. But
I know I don't like being watched.
Nobody's ever paid any attention to
what I did, and I liked it just fine.
Where does he get off telling me I
disrespect myself?
(a beat)
F*** him. Look in a mirror, bozo.
EXT. LILY'S CAFÉ, MAIN STREET - DAY
Mumford crosses the street from his office. A huge bus with
"APPLEJACK TOURS" on the sides, is disgorging its passengers,
a large group of elderly JAPANESE WOMEN, all of whom file
neatly into Lily's Café. Lily stands on the sidewalk outside
greeting them merrily.
MUMFORD:
What's the deal?
Lily continues her welcomes, but points out a hand-lettered
sign in her front window -- "Closed for Lunch. See you
tomorrow."
LILY:
They come through a few times each
year.
(greeting one cheerily)
Hello, Mrs. Saito, good to see you
again!
(back to Mumford)
It's a tour.
MUMFORD:
Where am I supposed to eat?
LILY:
You're on your own today, honey.
Mumford's attention is suddenly drawn to something across
the street. He glances thoughtfully at Lily for a moment,
then back out there.
WHAT HE SEES:
Skip is once again zipping down the street onhis skateboard in the midst of traffic. He has not noticed
Mumford.
MUMFORD (O.S.)
Hey, Skip!
Skip looks over, then immediately changes course toward them,
barely checking the surrounding traffic. He is extraordinarily
skillful. When he gets to the curb, he pulls a snazzy board-
flipping maneuver to dismount and come up on the sidewalk.
Some of the Japanese matrons react with delight.
SKIP:
Doc.
Skip notices the tour members filing by, but is immediately
distracted by the presence of Lily, who's a little excited
to meet the local celebrity.
MUMFORD:
Lily, I want you to meet Skip. Skip,
Lily.
LILY:
It's a pleasure to meet you.
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"Mumford" Scripts.com. STANDS4 LLC, 2024. Web. 24 Dec. 2024. <https://www.scripts.com/script/mumford_1104>.
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