Mumford Page #28
SKIP:
Thanks, Jennifer, I'll take him from
here.
The Security Aide retreats as Skip (riding slowly alongside)
leads Mumford into a side corridor.
INT. BOWELS OF THE BUILDING, PANDA MODEM HEADQUARTERS - DAY
SERIES OF SHOTS. Skip and Mumford move through a maze of
hallways with progressively less foot traffic.
SKIP:
I've never brought anyone down here
before.
MUMFORD:
I'm honored.
SKIP:
Doc, there's something about what
you told me the other night I can't
get out of my head. It's driving me
batty --
(Mumford nods, waits)
Why me? How did you know you could
trust me?
MUMFORD:
You're completely reliable.
Skip is pleased. They approach a heavy steel door, the
entrance to Skip's Workshop. A VERY OLD SECURITY AIDE sits
at the end of the intersecting hallway, watching this area.
SKIP:
It's just me, Dino!
The old man nods, barely awake.
MUMFORD:
Skip, I've got a problem and I need
some advice.
SKIP:
You want my advice? Far out!
Skip puts his hand in a scanning device in the wall. Some
lights blink and the heavy metal door pops open a few inches.
Skip has to put all his weight into opening the door. He
hesitates, suddenly concerned --
SKIP:
I hope nothing you're about to see
Mumford reassures him with a look. Skip pushes the door open
far enough for them to enter, then pulls it closed behind
them.
INT. SKIP'S WORKSHOP - DAY
Mumford and Skip enter the large, windowless workspace. What
at first appears chaotic is, in fact, carefully organized.
Many different disciplines interface here:
THE BODY SECTION: The first thing one notices -- some
incredibly life-like, anatomically correct,
sculpture/mannequins -- both male and female. You half expect
them to breathe. From there, a full wall of forms descends
from store mannequins and skeletons all the way down to a
huge variety of inflatable sex dolls.
THE CYBER SECTION: A dizzying array of computers and screens,
some showing wire-form outlines of body parts in repeated
motion. Above them, on a huge corkboard, hundreds of computer
generated renderings of skin, eyes, limbs, sexual organs.
THE BODY PARTS SECTION: Medical models of teeth, eyes, lips,
limbs. Hundreds of porn store samples: plastic d*ldos, rubber
vaginas, sucking machines and sundry genitalia.
THE FORM-CASTING SHOP: All the machinery you need to make
rubber and acrylic forms of anything that can be computer
designed.
All these weird objects are set upon shiny, spotless, high-
tech work surfaces. Skip watches Mumford move about in awe,
picking up the odd item.
SKIP:
Pretty creepy, huh? Are you totally
disgusted?
MUMFORD:
("no")
Skip, you're a visionary. That can
be a burden.
SKIP:
This doesn't seem a little...
perverse?
MUMFORD:
There are a lot of lonely people in
the world. Somebody's gonna figure
this out someday.
SKIP:
It's not going to be me. I'm giving
it up.
MUMFORD:
Really?
SKIP:
It's all your fault. In the last 48
hours, I've completely lost interest.
MUMFORD:
What'd I do?
Skip looks at Mumford, a wide grin on his face.
SKIP:
Lily.
MUMFORD:
Lily...
(gets it)
...Skip, that's great! You and Lily.
SKIP:
Oh, she doesn't know about it yet.
Right now, of the two of us, I'm the
only one in love. But I'm very stoked.
Skip settles in front of the Body Parts section, framed by
an array of limbs and sex toys. There's an assembled pelvic
section with upper legs lying in the clutter behind him.
SKIP:
Doc, how I can be of help to you?
Skip leans back against the table and accidentally hits a
button. The pelvic section begins to hump, slowly and
sensually, in place. It's amazingly life-like, but it makes
a mechanical WHIRRING SOUND. Skip fumbles to turn it off.
SKIP:
Sorry...
MUMFORD:
Wow.
Skip gets the pelvis switched off and turns back to Mumford.
SKIP:
I'm here for you, Doc.
MUMFORD:
Skip, you know that it's improper --
completely unethical -- for a licensed
psychologist to carry on a romantic
relationship with one of his patients?
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"Mumford" Scripts.com. STANDS4 LLC, 2024. Web. 27 Dec. 2024. <https://www.scripts.com/script/mumford_1104>.
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