Murder, Inc. Page #3

Synopsis: Based on the true-life book of lawman Burton Turkus, this movie chronicles the rise and fall of the organized crime syndicate known as Murder, Incorporated. Focusing on powerful boss Lepke and violent hitman Reles.
Production: 20th Century Fox
  Nominated for 1 Oscar. Another 1 nomination.
 
IMDB:
6.6
NOT RATED
Year:
1960
103 min
119 Views


- It could happen. | - "It could happen." Sure it can happen.

So mind your business | and don't ask questions.

- I got a job to do. | - Ajob.

Sure. | You gotta do a job.

Here's a pencil. | Go write tickets.

Go ask the others | who got stores.

Ask Albrazzio, | the shoemaker.

Ask Albrazzio what happened to him | when the cops came.

They said...

"Don't pay protection, Albrazzio. | We protect you."

So Albrazzio, | the dumb idiot...

he doesn't pay.

Two days later, he's in the hospital, | every bone in his body broken.

And Levey the tailor.

First come the cops, | next come the Mob.

So they pour acid on every suit | he's got hanging in his shop.

They smash his machine | right in open daylight.

And where are the cops? You tell me. | Where are the cops?

What are you giving me, | Mrs. Corsi? We came.

- Nobody would talk. | - Oh, sure.

With the teeth kicked in your mouth, | who'd wanna talk?

No. Leave us alone. | We don't want no cops.

- How's your malted? | - Pretty good.

- I had it with an egg. | - Oh, yeah?

Hey, that's good. | That's nourishing that way.

Hello, Joey.

You playing | in a kids' band?

I don't play | in anybody's band.

Oh, that's right. | You're a singer.

That's a good thing | to remember.

I've been lookin' | for you, Reles.

I'm takin'you in.

Hey, uh, you got a warrant?

Oh, yeah. | Never without one.

Oh. In again, | out again, Finnegan.

Well, here's | a familiar face.

What do you say there? | Keepin' ya busy?

- Do we book him? | - Routine questioning.

Just a minute, | Lieutenant Tobin.

Oh, you got here fast, | Mr. Lazlo.

I'd like to talk | with my client.

- Are you booking him? | - I might.

- What are the charges? | - Throwing garbage out the window.

Have you got a witness?

That's a misdemeanor. | To book, you've gotta have a witness.

Now, you know that, | Lieutenant.

Come on. | Give me the rest of it.

Habeas corpus. You got the whole | caboodle goin' for ya, don't ya?

- Signed byJudge Pearsons. | - Yeah.

Pending a hearing | on this application...

you can't even ask | Mr. Reles if it's raining.

We can go now, | Mr. Reles.

- Nice seeing you. | - You'll need this for your file, Lieutenant.

Say, Mr. Lazlo, look. | I didn't get a chance inside. Abe Reles.

Uh, thank Lep | for sending you down.

I've heard about you for years, | and you do a real nice job.

I'd like to say it's been | a pleasure workin' with you.

I've heard about | you too, Mr. Reles.

- I'm sure we'll be working together again. | - Yeah, fine.

Look, maybe | I'll buy you a drink, huh?

Thank you. | I'd sooner be found dead.

Wait a minute. Uh, what do you mean by that, | "you'd sooner be found dead"?

That was a figure | of speech, Mr. Reles.

Don't get any ideas.

Your friends are waiting | for you in the car.

Operator?

- Hello, Panto. | - What, you too?

- Ah, beat it, will ya, Louie? | - Ah, take it easy, Panto.

Don't get excited. You know me, Panto. | I got no argument with you.

I just come over to talk, | and you gotta listen to what I say.

Now, listen.

The boss says he'll stake you to a grand if you | look for a job someplace not on the docks.

You tell that guy | I'm makin' no deals, Louie.

Cut it out, man. | Use your head.

It's for your own good, | I'm tellin' ya.

- Look, how do you want me- | - Now, look, you don't | want no more trouble.

Neither does the boss. | Now, listen to what I say.

- Look, leave me alone. | - Do like the boss wants | and take the thousand.

Look, leave me alone.

- Panto, I'm tellin' you, | it's for your own good. | - That's it. No more.

- You don't wanna do it, | I don't know how to tell you. | - I know how to tell you.

You go back there and tell 'em that's it. | That's the-

- Panto, let me talk to you for a second. | - What-

I'm coming.

All right, all right.

- What do you want? | - I wanna talk to you.

I want- | You know what I want?

I wanna get somethin' | straight in my mind.

Now, what was that | all about the other day? | Why did you insult me?

- Did I ever bother you? | - You better get out of here.

Get out? | I just got here!

I just wanted to talk to you. | What's the matter?

You're too good for me? | What are you runnin' for?

- Come over here! | What are you runnin' for? | - Don't touch me!

Touch ya. | I'll touch ya.

I'll touch ya good.

Eadie?

Eadie, where are you?

Eadie, what happened?

Reles.

His hands.

His fingers. | His dirty fingers.

I'll kill him!

Don't leave me.

I'm so sorry.

I'm so, so sorry.

Oh, Eadie.

What am I gonna have to do?

Well, how- | how did he get in here?

The doorbell rang.

- I thought it was you. | - Well, you shouldn't have let him in.

You know he's a maniac.

Oh, what's wrong with me?

Am I just like they are?

Is there somethin' | missin' in me?

I keep tellin' myself over and over again, | "Stay away from those guys.

They're no good!" | And that Reles!

And yet- | And yet tonight, I see him...

and he gives me a couple of dollars | just to drive a car up to the Bronx.

That's all. Just drive a car | up to the Bronx.

Well, I'm drivin' along...

and I turn around | and I look...

and on the floor | is a dead man.

A dead man?

Oh, no, Joey!

He got to us both.

Let's run, Joey.

Run where? Where can we run? | We're in too deep.

- They're not gonna let us go. | - He'll have to find us first.

Honey, don't you understand? | They will find us.

- They're gonna find us | and they're gonna kill us. | - He's killing us now!

Look, less than a minute ago, | you said you were going to kill him.

- I know, Eadie. I know. | - I'm sorry, Joey.

You're not one like them. | You couldn't kill anyone.

- Thank God for that. | - Eadie-

But we've got to do something. | Run. Save ourselves.

- Eadie, as soon as the time is right- | - There's no other way, is there?

As soon as it's right, when I think we | at least got a fighting chance.

Until then?

Well, until then, | we're just-

we're just gonna have | to live with it.

We live with it?

What can I do, Eadie? | What can I do?

- You mean anytime- | - There's so many-What can I do?

- Don't you understand? | - Get away from me!

- What can I do? | - Get out of here! Get out of here!

Since when are you in | the docking business, Lepke?

Well, I'm just doing a favor | for a mutual friend.

Anastasia.

He asked me to act | as an impartial mediator.

- What are you mediating? | - The strike.

- What strike? | - The strike that | the union's going to call.

Strike against me?

Well, not against me.

Nobody told me anything | about a strike.

Nobody knows about it | except the union...

Albert A. and me.

But the strike | will be called.

They're going to ask for a wage raise | of 20 cents an hour.

- They're crazy. | - They'll get it.

- I wouldn't bet on it. | - Ah. They'll get it.

Unless, of course, | I mediate.

I'm told that a 20 cents | an hour wage increase...

will cost your company | $50,000 a year.

- We can't afford it. | - Naturally.

Look, it's a ridiculous demand. | That's why you need a mediator.

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Irve Tunick

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Submitted on August 05, 2018

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