Murder Most Foul Page #3

Synopsis: Although the evidence appears to be overwhelming in the strangulation murder of a blackmailer, Miss Marple's sole 'not guilty' vote hangs the jury 11-1. She becomes convinced that the real murderer is a member of a local theatrical troupe, so she joins them in order to gather information. The clues lead back many years to a single disastrously unsuccessful 1951 performance of a dreadful play written by the group's hammy director, H. Driffold Cosgood. Although at that time, several of the current cast members were only children, more murders follow before Miss Marple ultimately exposes the killer.
 
IMDB:
7.2
UNRATED
Year:
1964
90 min
447 Views


Oh, then I am not joking

when I tell you

that if you persist

in joining our profession,

your wisest course is to register

at once for unemployment pay.

That will not be necessary.

I am of independent means.

- Dear lady, I didn't finish.

- You made your view quite clear.

No, no, no. I was about to say that

your performance had great merit.

Your choice of material let you down.

Yes, definitely duchess parts,

regal roles.

I see you with other material

performing like an angel.

Angel?

Is not that the term for

a backer of theatrical enterprises?

Droll, very droll.

I meant that you have a lot

to offer the theatre, Mrs Marble.

- Miss Marple!

- I'm delighted to hear that.

The marital knot is often the bolt on

the door to the room at the top.

Do I take it you are offering

me employment, Mr Cosgood?

Well, as to that,

not exactly employment.

I was thinking rather along

the lines of an apprenticeship.

Unpaid?

Well, in a word, yes.

I accept.

Splendid, splendid.

Welcome to the Cosgood Players.

Well, now as to lodgings,

I prefer to live

cheek by jowl with my colleagues.

Naturally. We're at Westward Ho,

Prescott Street.

Mrs Harris is an excellent landlady.

Good, well, I'll just pick up my

baggage at the YMCA. Au revoir.

- Cosgood...

- Drunk again!

Now look here, George...

This man is not drunk, Mr Cosgood.

He's dead.

Poisoned.

Poisoned?

Poisoned.

Arsenic, I'd say.

The autopsy will prove it.

Nonsense! He drank too much. It's

as plain as the nose on his face.

You say you were on the stage when he

came out from the dressing rooms?

Yes, Inspector.

The curtain is due up in ten minutes

and I now have two roles to play.

There'll be no curtain up today.

My audience will tear the place up!

We'll risk that.

I've got questions to ask.

- Questions? What about?

- A man is dead - it's usual.

Damned inconvenient.

- His dressing room?

- Number two.

Can't you get George off

the stage and come back later?

No, sir. Number two, you said?

- I knew something would happen.

- Really, miss?

Yes, I have premonitions

about these things!

Very interesting.

Well, I told George,

as soon as I saw that strange woman.

- What strange woman?

- The one who came to see Driffold.

- Driffold?

- Driffold Cosgood, Inspector, me.

What about her?

- Her?

- This strange woman.

I'd just auditioned her

when George interrupted.

- Is the lady here now, sir?

- She'll be somewhere...

- She seems to have gone.

- A name and description, Sergeant.

Now, sir,

any idea of this lady's name?

I've seen this before.

Not that one, Inspector, this one.

"Remember September 1951. A rose by

any other name would smell. Ring..."

Miss Marple! I distinctly asked you

not to interfere.

- Inspector, that strange woman is...

- Yes, Miss Marple.

Allow me.

Sergeant, escort her to headquarters

for a complete statement.

I'll see her later.

After you, Sergeant.

Sergeant, are you sure you didn't

mishear what Miss Marple said?

I did not, sir.

No, well. Will you come in please,

Miss Marple?

Almost a draw, Sergeant.

Well, please, sit down.

All right, Miss Marple,

let us suppose, just suppose,

that Mrs McGinty was blackmailing

one of those actors.

Let's say this was the actual

blackmail note she sent.

By all means, Inspector.

As it was lying beside the whisky

bottle in George's dressing room,

she must have sent it to him.

That does spring to mind.

- So she was blackmailing him.

- It would appear so.

If there's anything at all in what

you say, he murdered her.

On the face of it, yes.

Are we to suppose that in a belated

fit of remorse he poisoned himself?

- Perhaps.

- Or did someone else poison him?

Again, perhaps.

Inspector, may I ask you a question?

Please do.

If you had simply found that note

in the victim's dressing room

and knew no more about it, what would

you have made of the affair?

The man was being blackmailed

and had decided to end it all.

Yes, that's what I thought.

It could be that the note was left on

purpose, so you would think that.

Miss Marple, it's been a long day.

What are you suggesting now?

I am suggesting that the murderer

of Mrs McGinty

and the murderer of George Rowton are

one and the same.

As to who murdered George Rowton,

I don't yet know... but I will.

As to who murdered Mrs McGinty,

I do know.

He is being held in Milchester jail

awaiting a retrial,

necessitated by the stubbornness

of a certain member of the jury.

He killed her for her money.

Ah, yes, that 100

that was found by her body...

Doesn't it occur to you, Inspector,

that it wasn't Mrs McGinty's savings

at all, but her pay-off?

So whoever she was blackmailing

brought the money, killed her,

then hearing the lodger,

left her behind in panic?

- No.

- Well then, what?

I propose that, like the note,

the money was left behind

deliberately.

What for?

Obviously so that the police

would leap to the conclusion

they have leapt to.

Miss Marple...

If I were you, I would examine

the bank accounts of these people

to see if one of them

happened to withdraw 100,

either on or about the time

of Mrs McGinty's death.

I will investigate your theories.

In the meantime, please go home

to Milchester and stay there.

I'm afraid that is

out of the question.

My work

will keep me here indefinitely.

Your work?

I have accepted an engagement

with the Cosgood Players

and a Marple's word

is her bond. Good day.

"Actor, playwright, impresario,

a man of many talents..."

Might have used a better photo.

It says here I'm 48!

Listen to this, "Lady Sheila,

stage-struck adopted daughter

of Lord Upward, and bride to be

of juvenile lead Bill Hanson, said" -

and I quote the quote -

"This doesn't alter our wedding

plans, daddy's very democratic."

Bully for daddy, eh Bill?

- Arthur, you're an absolute stinker.

- Crawl back under your stone.

It's all good stuff.

Absolutely no rubbish.

- Notoriety helps the box office.

- Too true.

Have you read this, Ralph?

"Ralph Summers,

matinee idol of Mother's Day,

now an ageing, overweight,

barmaid fancier."

Let me see that!

You're a nasty little joker.

I think that's very funny,

and so true.

That's a nice wifely thing to say.

Your taste does run to barmaids.

There was that one at Milchester.

- Remember...

- Shut up, Maureen!

- Yes, Mrs Harris?

- Your new one's here.

Dear lady, I feared we had created an

unfortunate impression on you

in view of today's accident.

Oh, no.

I had a little business to attend to.

Well, you're here.

Boys and girls, meet Miss Marple.

Miss Marple, the company.

- Hello

- How do you do, everyone.

There's cocoa on the tray.

The beer's extra.

Yes, of course, a nightcap.

Do sit down.

Name your poison, dear lady.

I mean...

Cocoa please, Mr Cosgood.

An excellent brew.

I can recommend it.

By the way,

the police are looking for you.

- Oh, yes, I have spoken to them.

- You have?

Thank you.

Why don't we revive A Kind Of Murder

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David Pursall

David spent his early life in Erdington (England), the son of an accountant; he was always interested in writing and had two murder mystery novels published by the time he was sixteen. So, on leaving school, he took an apprenticeship as a journalist and became a reporter working on a local Birmingham newspaper. His ambition was to move to London to work on a national newspaper but with the threat of war looming, he joined the Royal Service Voluntary Reserve of the Fleet Air Arm as a trainee pilot before taking an officer's course at The Greenwich Naval College. During the Second World War he spent the first three years flying, winning a DSC for bravery and then transferred to the Admiralty Press Division. It was whilst he was stationed in Sydney that he met Captain Anthony Kimmins, the well-known broadcaster on naval affairs, who inspired him to work in the film industry. In 1947, settling in London, he eventually landed a post as Publicity Director for The Rank Organization and, in collaboration with the iconic portrait photographer Cornel Lucas, handled the press relations for Rank film stars, some of those he mentioned include : Jean Simmons, Petula Clark, Diana Dors, Joan Collins, Jill Ireland and Brigitte Bardot. In 1956, he joined forces with long term writing partner Jack Seddon, basing full time at Pinewood Studios, initially writing a script from his own idea Tomorrow Never Comes (1978). However, the plot was considered too provocative at that time and it was whilst trying to interest producers in this, that David and Jack were commissioned to write the script for Count Five and Die (1957); and it took twenty-one years' before Tomorrow Never Comes (1978), was made. Continuing later as a freelance film and TV scriptwriter, David worked mainly on war and murder mystery themes; his last movie made for TV was Black Arrow in 1985, a 15th century historical war drama. He worked constantly, and together with the titles listed, there were many more commissioned scripts, treatments, and original stories developed which never reached the sound stage. He also tried his hand at writing for the theatre, worked for a short time in Bollywood, took his tape recorder to the front line in Israel for a documentary on the Six Day War, and later became a Film and TV adviser; he also continued to write newspaper articles. David lived the good life; a popular, charismatic conversationalist, an idea's man, who enjoyed travelling the world circumnavigating twice, partying, theatergoing, watching night shooting at Pinewood Studios, finishing The Daily Telegraph cryptic crossword daily and driving fast cars; as well as helping the aspiring young achieve success in their careers in film and the media. Aged 69, he announced from his hospital bed, that as he'd written everything there was to write, it was his time to go. He left behind a devoted wife and a daughter. more…

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