My Dinner with Andre Page #13

Synopsis: Wallace Shawn and Andre Gregory, apparently playing themselves, share their lives over the course of an evening meal at a restaurant. Gregory, a theater director from New York, is the more talkative of the pair. He relates to Shawn his tales of dropping out, traveling around the world, and experiencing the variety of ways people live, such as a monk who could balance his entire weight on his fingertips. Shawn listens avidly, but questions the value of Gregory's seeming abandonment of the pragmatic aspects of life.
Director(s): Louis Malle
Production: New Yorker Films
  2 wins.
 
IMDB:
7.8
Rotten Tomatoes:
91%
PG
Year:
1981
110 min
21,647 Views


He said, " I think that New York is the new

model for the new concentration camp...

"where the camp has been built

by the inmates themselves...

"and the inmates are the guards, and they

have this pride in this thing they've built.

"They've built their own prison.

"And so they exist

in a state of schizophrenia...

"where they are both guards

and prisoners.

"And as a result, they no longer have...

having been lobotomized...

"the capacity to leave

the prison they've made...

...or to even see it as a prison. "

And then he went into his pocket,

and he took out a seed for a tree...

...and he said, " This is a pine tree. "

He put it in my hand and he said,

"Escape before it's too late. "

See, actually,

for two or three years now...

Chiquita and I have had this very unpleasant

feeling that we really should get out.

We really feel likeJews in Germany

in the late '30s.

Get out of here.

Of course, the problem is

where to go.

'Cause it seems quite obvious that the

whole world is going in the same direction.

See, I think it's quite possible

that the 1960s...

...represented the last burst of the human being

before he was extinguished...

...and that this is the beginning

of the rest of the future, now...

...and that from now on there'll simply be

all these robots walking around...

...feeling nothing, thinking nothing.

And there'll be nobody left almost

to remind them...

...that there once was a species

called a human being...

...with feelings and thoughts...

...and that history and memory

are right now being erased...

...and soon nobody

will really remember...

...that life existed on the planet.

Now, of course, Bjrnstrand feels

that there's really almost no hope...

...and that we're probably

going back to a very savage...

...lawless, terrifying period.

Findhorn people

see it a little differently.

They're feeling that there'll be

these pockets of light...

...springing up

in different parts of the world...

...and that these will be, in a way,

invisible planets on this planet...

...and that as we, or the world,

grow colder...

...we can take invisible space journeys

to these different planets...

...refuel for what it is we need to do

on the planet itself...

...and come back.

And it's their feeling that

there have to be centers now...

...where people can come and reconstruct

a new future for the world.

And when I was talking

to, uh, Gustav Bjrnstrand...

...he was saying that actually these centers

are growing up everywhere now...

...and that what they're trying to do,

which is what Findhorn was trying to do...

...and, in a way, what I was trying to do...

I mean,

these things can't be given names...

...but in a way, these are all attempts

at creating a new kind of school...

...or a new kind of monastery.

And Bjrnstrand talks about

the concept of" reserves"...

...islands of safety where history

can be remembered...

...and the human being

can continue to function...

...in order to maintain the species

through a dark age.

In other words, we're talking

about an underground...

...which did exist in a different way

during the Dark Ages...

...among the mystical orders

of the church.

And the purpose of this underground...

...is to find out how to preserve

the light, life, the culture...

...how to keep things living.

You see, I keep thinking

that what we need...

...is a new language...

...a language of the heart...

...a language, as in the Polish forest,

where language wasn't needed.

Some kind of language between people

that is a new kind of poetry...

...that's the poetry of the dancing bee

that tells us where the honey is.

And I think that in order

to create that language...

...you're going to have to learn how

you can go through a looking glass...

...into another kind of perception...

...where you have that sense

of being united to all things...

...and suddenly you understand everything.

Are you ready for some dessert?

Uh, I think I'll just have an espresso.

Thank you.

- Very good.

- I'll... I'll also have one. Thank you.

And...And, uh, could I also

have, uh, an amaretto?

Certainly, sir.

Thank you.

You see, Wally, there's this incredible

building that they built at Findhorn.

And the man who designed it

had never designed anything in his life.

He wrote children's books.

And some people wanted it to be

a sort of hall of meditation...

...and others wanted it to be

a kind of lecture hall.

But the psychic part of the community

wanted it to serve another function as well...

...because they wanted it to be a kind

of spaceship which at night could rise up...

...and let the U.F.O.'s know that this

was a safe place to land...

...and that they would find friends there.

So, the problem was...

'cause it needed a massive kind of roof...

...was how to have a roof

that would stay on the building...

...but at the same time be able to fly up

at night and meet the flying saucers.

So, the architect

meditated and meditated...

...and he finally came up with

the very simple solution...

...of not actually joining the roof

to the building...

...which means that it should fall off...

...because they have great gales

up in northern Scotland.

So, to keep it from falling off,

he got beach stones from the beach...

...or we did,

'cause I-I worked on this building...

...all up and down the roof,

just like that.

And the idea was that the energy

that would flow from stone to stone...

...would be so strong, you see...

...that it would keep the roof down

under any conditions...

...but at the same time, if the roof needed

to go up, it would be light enough to go up.

Well...

it works, you see.

Now, architects

don't know why it works...

...and it shouldn't work,

'cause it should fall off.

But it works. It does work.

The gales blow, and the roof should fall off,

but it doesn't fall off.

Yep.

Well, uh...

...do you want to know

my actual response to all this?

- Do you want to hear my actual response?

- Yes!

See, my actual response...

I mean...

I mean... I mean,

I'm just trying to... To survive, you know?

I mean,

I'm just trying to earn a living...

...just trying to pay my rent and my bills.

I mean, uh...

Ah, I live my life.

I enjoy staying home with Debby.

I'm reading Charlton Heston's

autobiography.

And that's that.

I mean, you know...

I mean, occasionally, maybe...

Debby and I will step outside,

we'll go to a party or something.

And if I can occasionally get my little talent

together and write a little play...

...well, then that's just...

that's just wonderful.

And I mean, I enjoy reading about

other little plays people have written...

...and reading the reviews of those plays

and what people said about them...

...and what people said

about what people said.

And I mean, I have... I have a list of errands

and responsibilities that I keep in a notebook.

I enjoy going through the notebook...

Rate this script:3.5 / 2 votes

Wallace Shawn

Wallace Michael Shawn (born November 12, 1943) is an American actor, voice actor, comedian, playwright and essayist. His film roles have included those of Wally Shawn in the Louis Malle directed comedy-drama My Dinner with Andre (1981), Vizzini in The Princess Bride (1987), Mr. James Hall in Clueless (1995) and providing the voice of Rex in the Toy Story franchise. He has also appeared in a variety of television series, including recurring roles as Grand Nagus Zek in Star Trek: Deep Space Nine (1993–1999) and Cyrus Rose in Gossip Girl (2008–2012). His plays include Obie Award winning Aunt Dan and Lemon (1985), The Designated Mourner (1996) and Grasses of a Thousand Colors (2008). He also co-wrote the screenplay for My Dinner with Andre with Andre Gregory, and he scripted A Master Builder (2013), a film adaptation of the play by Henrik Ibsen, which he also starred in. His book Essays was published in 2009 by Haymarket Books. more…

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Submitted on August 05, 2018

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