My Girl 2 Page #11

Synopsis: Vada Sultenfuss has a holiday coming up, and an assignment: to do an essay on someone she admires and has never met. She decides she wants to do an assignment on her mother, but quickly realizes she knows very little about her. She manages to get her father to agree to let her go to LA to stay with her Uncle Phil and do some research on her mother. Once in LA, she finds herself under the protection of Nick, the son of Phil's girlfriend, who at first is very annoyed at losing his holidays to escort a hick *girl* around town. However, he soon becomes more involved in the difficult search.
Genre: Comedy, Drama, Family
Director(s): Howard Zieff
Production: Sony Pictures Home Entertainment
  1 win & 2 nominations.
 
IMDB:
5.2
Rotten Tomatoes:
27%
PG
Year:
1994
99 min
1,699 Views


PHIL:

Oh...what's that?

ROSE:

Right now? An intimate border

with...mechanical skills.

Phil notices Nick and Vada entering the garage

PHIL:

Hi!

ROSE:

Oh, Hi, how's the investigation going?

NICK:

Just call us the "dead end kids".

VADA:

May I use the phone please.

ROSE:

Oh, yeah, sure, help yourself.

PHIL:

Anyone with taste, anyone with breeding.... A

gentleman, would choose British racing green,

with maybe a tan interior...but when you buy a

red car, with a black interior and wire

wheels, you have one thing on your mind and

one thing only and I'm too much of a gentleman

to say what that one thing is...in front of

the children.

Vada and Nick exchange looks

Even if I am just a glorified boarder.

Phil changes the radio station from the classical one that

Rose has it on,

to a modern one, with some heavy 70's music

on it

Vada is talking on the phone trying to find the number for

another one

of her mother's friends

VADA:

Hi, I would like the number of Stanley

Rosenfeld photos, please?

IN A BALL ROOM, HUNDREDS OF PEOPLE ARE DANCING TO A SONG

BEING PLAYED BY A LIVE BAND, VADA AND NICK ARE WALKING WITH

STANLEY ROSENFELD

STANLEY:

You know photography is an art form if you

take it seriously enough, which I happen to

do.

Stanley sees a couple dancing

Ester, Ester you gorgeous thing you, smile

for the birdie. Hold, hold.

ESTER:

Stomach in Harold.

click

STANLEY:

BEEAAAUUUUUUTIFULLL.

ESTER:

Thank you.

STANLEY:

Thank YOU.

Vada and Nick exchange weird looks

Your mother was something-special Vada, to

tell you the truth, I had quite a crush on

her.

VADA:

Really?

STANLEY:

Who didn't? She could play basketball like

Jerry West, she danced like Sid Cherice, then

she'd look at you with those big blue eyes,

forget about it. I asked her out a couple of

times but she always said no.

Lenny, Nancy, you just got married, look

happy, look happy, look like you mean it.

click

BEEAAAUUUUUUTIFULLL.

I remember those days, then we all went off

to UCLA and she started hanging round with

those drama department types. There was this

one guy, Peter Webb he's become a big director

in Hollywood now...and the only reason I know

him at all is that we were all together in

this big poetry class with this crazy guy

Albert Boderfelder...

VADA:

Beidermeyer?

STANLEY:

Beidermeyer that's it, what a mad man.

VADA:

He's a great poet.

STANLEY:

He is?

VADA:

Do you know him?

STANLEY:

Everybody did, walk along Citrus between

Fountain and Sunset any afternoon.

VADA:

He'll remember my mother for sure. STANLEY

It was a big class Vada and...but...well of

course he'll remember, who could forget

Maggie?

VADA:

Just one more thing. Does this mean anything

to you?

Vada gets out the brown paper bag and shows it to Stanley

STANLEY:

No it doesn't but... I...I wish it did.

VADA:

Well, thanks for your help Mr. Rosenfeld and

I'm sorry my mother wouldn't go out with you,

I'm sure she would have had a really great

time.

STANLEY:

I would have tried to show her a good time. I

promised her when she left that I would never

forget her and I never did. Stanley Rosenfeld

does not forget.

VADA AND NICK ARE WALKING DOWN A PAVEMENT, TALKING

VADA:

This is the street he walks down every day.

When he needs inspiration...

NICK:

Boy, you're really into this.

VADA:

He is one of the great poets.

they look across the road and see an old man sitting in a

chair, writing

VADA:

I think it's him.

they cross the road

VADA:

He's writing. Hello?

MAN:

If you're selling Girl Scout cookies I'm

borderline diabetic.

VADA:

You're Alfred Beidermeyer aren't you?

ALFRED:

You had to remind me?

VADA:

Are you writing a poem?

ALFRED:

No, I'm writing to the phone company because

they keep charging me for calls to Caracas,

Venezuela...do you know any know anybody in

Caracas, Venezuela?

VADA & NICK

No.

ALFRED:

Neither do I.

a buzzer sounds

Ask not for whom the bell tolls...time for my

medication and my nap.

as he gets up, he knocks everything off his table

NICK:

Here, we'll help you carry your stuff.

ALFRED:

I can handle it, I can handle that. Oh well,

thank you, I'm in the penthouse.

Vada and Nick begin to climb the stairs

Penthouse A, it's there over on the left.

Rate this script:2.6 / 5 votes

Laurice Elehwany

Laurice Elehwany Molinari, a veteran film and TV writer in Hollywood for over two decades, has penned over thirty scripts for various studios and networks. Her very first feature script, written while a fellow at the American Film Institute, became Columbia Picture’s critically acclaimed children’s classic, My Girl. She went on to pen The Brady Bunch Movie and The Amazing Panda Adventure. Laurice lives with her husband and two children in Los Angeles, the City of Angels, where her lifelong love for our heavenly guardians inspired her to write a book about them in the ETHER series. more…

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