Nashville Page #14
- R
- Year:
- 1975
- 160 min
- 1,330 Views
A wave of applause and we SEE the talent show make its way across
the rack. The platform is already torn down and the MC is
helping ALBUQUERQUE dress. As she passes the drivers, they cheer
and she blows them a kiss and loses her first garment as she
does. More cheers.
190 NEW ANGLE
The cars are dented. On the side of one car it says, "Haven
Hamilton," and now we see him, BUD and PEARL in the stands. On
the side of another car it says, "Connie White."
AL:
Want you all to save a dime every day and next Saturday we'll
take up a collection and give it all to Billy Apple's wife.
Share. Their four kids will sure miss their daddy. Want to
announce Bob Trilltree is out of the hospital now. Hope you'll
be back with us soon. All right, would you stand, please?
The people stand to a scratchy record of the National Anthem. A
'74 Pontiac circles the track with a man holding a medium-sized
American flag which flaps as the convertible drive.. At the end
of the song the Pontiac drives off the track.
AL:
This is for Billy Apple. Okay, ladies and gentlemen, let's pick
ourselves a winner.
191 NEW ANGLE
The drivers get into their cars and start up. The track man
waves a flag which starts them around the track in pairs. We
notice the TRICYCLE MAN, who has been there all the time. The
race starts and the SOUND is deafening. ALBUQUERQUE is thrilled
to death. Suddenly, STAR sneaks up on her as she whistles with
her fingers in her mouth.
STAR:
Winifred.
ALBUQUERQUE:
Hi! Star.
STAR:
Winifred, the kids want you home
and so do I.
ALBUQUERQUE:
I won first prize.
STAR:
Come on.
She has no choice but to follow him out. Several people
compliment her as she leaves the grandstand. She buys a bag of
peanuts on the way out.
192 INT. TOM'S MOTEL ROOM
CUT TO:
There is some lovemaking going on in Tom's bed.
TOM:
You're really terrific, you know
what I mean --LINNEA rolls over and
faces him.
LINNEA:
I have to go.
TOM:
Wrong.
LINNEA:
I have to go. He sighs.
TOM:
I know.
She makes a more to leave.
TOM:
Stay.
LINNEA:
I can't.
TOM:
Car pool?
She laughs and eases out of the bed.
TOM:
When did you think it would happen?
LINNEA:
I'm not sure.
TOM:
I knew when I first met you.
LINNEA:
Oh.
She starts to go into the bathroom.
TOM:
How old are you?
LINNEA:
Older.
TOM:
Thirty?
LINNEA:
Well...
TOM:
I'm twenty-eight
LINNEA:
Oh.
TOM:
Older than thirty?
She nods.
TOM:
Terrific! Who was that black guy?
A friend of yours?
LINNEA:
That's unkind.
TOM:
Come on, you ever been attracted to
a black guy?
She looks at him close, then goes into the bathroom and shuts the
door.
193 INT. MOTEL BATHROOM - AFTERNOON
We HEAR TOM making a phone call. LINNEA grabs a towel and wraps
it around her head and throws back the shower curtain, only to
find a huge black cockroach in the tub. TOM laughs as she shuts
the curtain in horror, then she proceeds to take a sponge bath.
She leaves the bathroom quickly.
194 INT. MOTEL ROOM - AFTERNOON
TOM is still on the phone. LINNEA dresses, but can't find her
slip. She finishes and heads for the door.
TOM:
(into phone)
Just a minute.
He steps to LINNEA and puts his arms around her.
TOM:
I'll talk to you tomorrow.
LINNEA:
That's what you said before.
TOM:
I know. Goodbye.
He kisses her and walks back to the bed. As she gets to the
door, she is hit with something, It is her slip.
TOM:
Maybe you better keep that.
He smiles and she walks out the door.
195 EXT. TOM'S MOTEL ROOM - AFTERNOON
Outside, LINNEA hangs the slip on the doorknob and leaves.
CUT TO:
196 INT. GREEN'S BEDROOM - NIGHT
GREEN is in bed. KENNY takes away a tray of cookies and hot
chocolate.
You okay?
GREEN:
Sure... you're a fine boy, Ken, you
really are.
KENNY:
Okay... you get to sleep. I'll see
you in the morning. Good night.
GREEN:
Good night,
KENNY turns out the light and calls the dog. GREEN settles into
his pillow.
END OF TUESDAY.
CUT TO:
197 EXT. CEMETERY - MORNING
A small, empty last rite for MRS. GREEN. KENNY and GREEN are at
the grave. In the distance, the TRICYCLE MAN watches.
GREEN:
I guess she's not coming...
CUT TO:
198 EXT. PATHENON - MORNING
Preparation for the big televised rally.
CUT TO:
199 EXT. PERCY WARNER PARK - DAY
Outside the Parthenon, KENNY, with his violin case, waits for
some food at the barbecue. ALBUQUERQUE'S who has fled STAR
again, waits near him. BARNETT is talking to REESE.
200 ANOTHER ANGLE
TRIPLETTE is at the stairs. GLENN is trying to get past a guard
and finally TRIPLETTE recognizing him from the shopping center,
helps him in. They enter the stair area, near all the TV cables
and equipment.
201 NEW ANGLE
They approach BARBARA JEAN, who is talking to musicians. BILL and
MARY are there with NORMAN, and LINNEA is singing on stage with
the black choir. TOMMY now steps up to talk to BARBARA JEAN.
202 NEW ANGLE
GLENN is lost in BARBARA JEAN'S magic. She smiles at him, but in
talking to HAVEN, BUD and PEARL and looking for BARNETT.
TRIPLETTE walks by GLENN.
GLENN:
Listen, could you give her this for
me?
TRIPLETTE takes a note from GLENN.
TRIPLETTE:
Sure thing.
GLENN:
Thanks.
TRIPLETTE:
TRIPLETTE hands her the note as BARRETT angrily steps up.
Someone calls "places."
BARNETT:
They screwed up. You go on after
the choir.
TOMMY BROWN joins LINNEA and the choir on stage. We SEE TOM
wandering and avoiding BILL, but catching MARY'S eye. OPAL is
near as is LA JOAN. BARBARA JEAN reads GLENN'S note: "If I die
tomorrow, I lived today."
203 NEW ANGLE
The applause builds.
ANNOUNCER:
Ladies and gentlemen, Miss Barbara
Jean...
204 NEW ANGLE
In the audience we see KENNY and the TRICYCLE MAN and WADE.
SUELEEN is there, too.
205 ANOTHER ANGLE -- STAGE AREA
As BARBARA JEAN sings, GLENN stands next to BARNETT. She finishes
the song and looks in GLENN'S direction.
She is leaning on a stool.
BARBARA JEAN:
I want to thank you for all your
good wishes. You are so important
to Barnett and me. Now I want to
sing a special song for all our
soldier boys.
The orchestra starts. She calls for HAVEN to come out. The
applause swells and, they start a song together.
A long black limo is parked near two ambulances, the attendants
sitting on the ambulance fenders and joking.
208 ANGLE - STAGE
BARBARA JEAN and HAVEN have finished the soldier song. The choir
comes out to back her now. The audience picks up the song they
sing. After the song everyone claps loudly, and a large bouquet
of flowers gets handed up to BARBARA JEAN. They hug as someone
begins to unfurl a "HAL PHILIP WALKER" banner behind them.
Photographers crowd in. Suddenly there is a sharp jolt in
HAVEN'S body and BARBARA JEAN is down. There is brief confusion,
but the choir continues to sing and everyone thinks BARBARA JEAN
has fainted again.
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"Nashville" Scripts.com. STANDS4 LLC, 2024. Web. 8 Nov. 2024. <https://www.scripts.com/script/nashville_912>.
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