National Geographic: Inside the White House Page #5
- Year:
- 1995
- 133 Views
and construction,
the White House was res rebuilt.
The inside of the house was put back
exactly as before.
Though it was now constructed
of steel and concrete,
Jefferson and Lincoln would have
easily recognized their old home.
And the idea is preserved.
That's really what it is.
The idea of the house and the symbol
is bigger than any material part of it.
And that has remained intact
and is really more powerful
than ever today.
By the time the President and First Lady
reach the first floor,
everything is ready.
All the preparations have
led to this moment;
now all they need are guests.
At night, it's a very different thing
than what happens at the beginning
of the state visit.
We will have worked all day long.
And the visit will either
have been a success
or a moderate success
or maybe not so successful,
but what you want to do at night
is to simply seal the best
possible relationship you can
between the leaders of the countries.
So at night you really just want them
to enjoy themselves,
you want them to have a good time
at the dinner,
to say what they want to say
at the toast
and just be glad that they can be there.
In the family's private quarters
on the seldom seen Second Floor
of the White House,
one of the most critical moments
of the visit unfolds.
Here, the President and First Lady
have a chance to relax with their guest
in the warm atmosphere of a home.
of the Grand Stair where in a moment
one of the most formal ceremonies
of the state visit will occur:
the Presidential entrance march.
Ladies and Gentlemen, President of
the United States and Mrs. Clinton,
accompanied by the President of
the Russian Federation and Mrs. Yeltsin.
The receiving line is charged
with excitement
because famous as the guests may be,
they are about to meet the two
most powerful men in the world.
The rising anticipation of the evening
is peaking by the time
President Yeltsin's should be finishing
any minute now.
over his five minutes.
He's up to about eight minutes now
of speaking.
And finally, dinner begins.
While dinner continues upstairs,
downstairs,
an avalanche of dishes.
Working hard. Working hard.
Cocktails is serving.
After the cocktails
that's when it starts flowing in.
Start coming down and after that,
it's nonstop.
Do you kind of forget where you are?
No, no. You know you're in the kitchen
washing and drying dishes.
At the top of the winding stair
that connects the two worlds,
days of work are about to payoff
for pastry chef Roland Mesnier.
If you are hungry enough,
you can eat the whole thing, yes.
On evenings like these,
dinner is followed by a performance
in the East Room.
During the civil rights movement,
singer Sarah Vaughan performed here.
At the end of the evening,
a staff member found her sobbing
in her dressing room.
When asked what was wrong,
she said, "Nothing is the matter.
It's just that 20 years ago
when I came to Washington,
I couldn't even get a hotel room,
and tonight I sang for the President
of the United States in the White House-
and then he asked me to dance with him.
It is more than I can stand!"
Tonight, Diva Kathleen Battle
lends her voice to the house.
I think one of the attractions
of the White House,
one of the things that makes it
so precious in our country,
is the fact that a family really
That it's a center not only
of political power and prestige
on a global basis,
but has that human touch of individuals
enjoying life within those...
hallowed halls.
Tomorrow it will start all over again
and every day for as long
as there is a republic.
Families will come and go,
dignitaries and old gentlemen
who wind clocks.
These are the people
who furnish this house and give it life
and as they do,
an American idea endures.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"National Geographic: Inside the White House" Scripts.com. STANDS4 LLC, 2024. Web. 18 Nov. 2024. <https://www.scripts.com/script/national_geographic:_inside_the_white_house_14540>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In