Natural Born Killers Page #3
- R
- Year:
- 1994
- 118 min
- 769 Views
As we read the remarks, we hear a doctor's voice read
aloud.
FEMALE PSYCHIATRIST (V.O.)
When pressed about the reason for
the murders... patient became
hostile...
INT. PSYCHIATRIST'S OFFICE -DAY
Looking trashy, wild, and animalistic, Mallory's a sex
machine dressed in a prison gown. She sits in a chair,
looking directly AT the CAMERA.
MALLORY:
I don't owe you a explanation! I
don't owe you sh*t! I'm not here
for your entertainment. If I don't
tell you what you wanna hear, what
are you gonna do? Throw me in
jail? I'm already there, you
stupid pigfucker. You gonna give
me some more time? I've already
got life. What else you got to
threaten me with? Death? I'd
like to see you f***in' try. I
haven't met one motherf***er here
who's shown me sh*t.
Still on SCAGNETTI'S POV:
We look UP FROM the file and SEE McClusky's leaning
against a cell door.
We hear somebody singing "LONG TIME WOMAN" inside the
cell.
We MOVE TO McClusky, who, looking INTO the CAMERA,
gestures toward the cell.
(CONTINUED)
13.
CONTINUED:
MCCLUSKY:
Here she is... you know her, you
love her, you can't live without
her... Mallory Knox.
We PAN FROM McClusky TO the inside of the cell where we
see Mallory, her BACK TO us, singing and dancing.
INT. PRISON -MALLORY KNOX'S CELL -DAY
CLOSE ON Mallory's face singing "Long Time Woman."
MALLORY:
(singing)
'99 years is a long, long time.
Look at me, I will never be free,
I'm a long time woman...'
MCCLUSKY (O.S.)
Hey, Knox! Somebody out here
wants to meet you.
Mallory justs keeps on truckin'.
MALLORY:
(singing)
'Been workin' on the road now.
Been workin' by the sea.
Been workin' in the cane fields,
and I wanna be free...'
MALLORY'S POV
We stare at McClusky and Scagnetti for a second. Then,
like a bull, we charge/DOLLY STRAIGHT AT them. MALLORY
SCREAMS O.S. We SMASH headfirst INTO the bars. Mallory's
POV FLINGS UP, looking AT the ceiling, then FALLS BACKWARD.
MED. TIGHT SHOT -FLOOR
Mallory falls INTO FRAME, out cold.
CLOSE ON SCAGNETTI
THROUGH the cell bars.
SCAGNETTI:
Jesus Christ!
CAMERA PANS OVER TO CLOSE ON McClusky.
(CONTINUED)
14.
CONTINUED:
MCCLUSKY:
Don't worry about it. She does
that all the time.
BACK TO MALLORY:
on the floor, still unconscious with blood trickling down
her scalp.
MCCLUSKY (O.S.)
Follow me.
INT. PRISON -LONG CORRIDOR -DAY
CAMERA is at the end of a long corridor. McClusky and
Scagnetti approach from the other end. Scagnetti's
studying the files.
PHIL WURLITZER comes up behind the two men.
WURLITZER:
You duckin' me, Dewight?
MCCLUSKY:
Hey, Phil, how the hell are ya?
WURLITZER:
(to Scagnetti)
This son of a b*tch is chairman of
the prison board, but it's like
pullin' teeth to get him down to
a prison.
MCCLUSKY:
The only reason I'm here now is to
set him straight, and I'm on the
next flight out.
(to Scagnetti)
Jack, this is the superintendent
of the jail, Phil Wurlitzer. He's
the man who's got the power of the
pen here.
Wurlitzer shakes hands with Scagnetti.
WURLITZER:
Pleased to meet ya, Jack. I read
your book. I'm impressed. Good
work on Curtis Fox.
SCAGNETTI:
Thanks.
(CONTINUED)
15.
CONTINUED:
MCCLUSKY:
From now on, you'll be dealin'
with Phil. He can answer all the
questions you got about the
arrangements. I'm gonna be
bidding you good luck and adieu in
about twenty minutes. My flight
back to Sacramento leaves LAX in a
hour.
WURLITZER:
And I want you to know, we'll all
cry a river when you're gone.
They all laugh.
SCAGNETTI:
What's the travelling arrangements?
WURLITZER:
Well, Mickey and Mallory can't be
together. So, we'll put you on
one of our prison busses and
you'll take Mallory first, then
you'll come back for Mickey.
SCAGNETTI:
And where do you keep Mickey?
WURLITZER:
We got his stinkin' ass in the
deepest, darkest cell in the whole
place. But it just so happens
that right now he's got a special
visitor.
SCAGNETTI:
Who?
WURLITZER:
Wayne Gayle.
SCAGNETTI:
(surprised)
Wayne Gayle!
INT. JAIL -VISITING AREA -DAY
WAYNE GAYLE, a young, energetic, commando journalist ala
Geraldo Rivera is sitting on the visitor side of the
county jail visiting area.
(CONTINUED)
16.
CONTINUED:
Wayne is alone and the visiting area is empty. Apparently
some arrangement was made for the visit. Wayne has a
miniature tape recorder in his hand and is testing it.
WAYNE:
(into recorder)
Testing one... two... three...
testing... one... three... over,
over, over, Mickey Knox meeting.
Wayne shuts off the recorder, rewinds and plays it back.
It works beautifully. He hits the record button and
conceals the recorder in his sport coat pocket.
The door opens on the prisoner side and Mickey Knox is
lead into the room by two SHERIFF'S DEPUTIES. Mickey's
wearing the county jail blue jumpsuit. He has a thick
and wide leather belt around his waist with a metal ring
built into each side. Long sturdy chains with handcuffs
on each end are wrapped across his body and through the
rings, binding his arms to his sides. His hands and
feet are double cuffed.
The Deputies both have their guns drawn, ready to blow
Mickey in half at the slightest provocation. For a man
wrapped and bound in chains, Mickey seems strangely in
control of his environment. Even restrained as he is by
the symbols of society (the chains, jail, guards, guns,
jumpsuit), he remains a dangerous, intimidating and
fascinating figure.
Wayne takes in the image of Mickey.
WAYNE:
(to himself)
Showtime.
Mickey's roughly shoved into his seat on the prisoner's
side of the glass. The Deputies move to their place, off
to the side by the wall.
WAYNE:
Hello, Mickey. We've never been
introduced, but I'm Wayne Gayle.
I don't know if you've ever heard
of me or remember me. I was one
of the reporters outside the
courthouse during your trial -
MICKEY:
Everybody knows who you are.
You're famous.
Wayne pauses and retorts.
(CONTINUED)
17.
CONTINUED:
WAYNE:
I could say the same thing about
you.
(smiles)
I want to thank you very much for
seeing me...
Mickey is silent.
WAYNE:
I have a television show. It's
very popular. Every week we do a
profile on a different serial
killer. You don't mind if I call
you a serial killer, do you?
Mickey shakes his head no.
WAYNE:
The episode we did on Mickey and
Mallory was one of our most
popular ones.
MICKEY:
Did you ever do one on Wayne Gacy?
WAYNE:
Yes.
MICKEY:
Whose ratings were higher?
WAYNE:
Yours.
MICKEY:
How 'bout Ted Bundy? Ever do one
on him?
WAYNE:
Yes. Yours got the larger Nielson
share.
MICKEY:
Good... yuppie piece of sh*t.
WAYNE:
What I'd like to do -
MICKEY:
How 'bout Manson?
WAYNE:
Manson beat you.
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