Necessary Evil: Super-Villains of DC Comics Page #3

Synopsis: In this new documentary film, the malevolent, sometimes charismatic figures from DC Comics' hallowed rogues' gallery will be explored in depth, featuring interviews with the famed creators, storytellers and those who have crafted the personalities and profiles of many of the most notorious villains in comic book history.
Genre: Documentary
Director(s): Scott Devine, J.M. Kenny
Production: WARNER BROTHERS PICTURES
 
IMDB:
6.9
Year:
2013
99 min
123 Views


We must ask ourselves: What

makes a bad guy, a bad guy?

You wanna give your villain idiosyncrasies,

and you want to make him strangely weird...

...and interesting psychologically.

Those kind of characters lend themselves

to having stories told about them...

...because their bones are so strong.

You can put, you know...

You can hang a lot of meat on them.

They have their own path and

they all have their own story.

And, you know, while their

powers may be similar...

...hopefully their

personalities are not.

If a villain is great-looking

or is great just visually...

...but doesn't have a back-story...

...it really takes away

from enjoying its run.

The wonderful thing about

Batman:
The Animated Series...

...is that they not only featured...

...and celebrated a number of

DC villains in Gotham City...

...but introduced a

number of origin stories.

Of course, we have this

back-story of Harvey Dent...

...and his struggles with his anger.

We even get to see this session

he has with a psychiatrist.

And the psychiatrist puts him

into this state of hypnotism...

...and asks him to

draw up his alter ego.

He calls it Big Bad Harvey.

Later in the episode, of course, we

see his full development into Two-Face.

And I'll never forget that moment...

...where he breaks open the

door out of his hospital room.

He then turns at the same

time that there's lightning...

...and we see the image of

the second half of his face.

Black Hand really came into his own...

...in Green Lantern 43 when

his origin was revealed.

Taking a character like Black

Hand who was a minor villain...

...and looking at him and saying, "if we have an emotional spectrum..

-...

...and all the colors represent life...

...the absence of color has to represent

death. There's got to be black. "

Black Hand, by becoming the avatar

of death, having a black ring...

...committing suicide to become

a zombified Black Lantern...

...which is one of the best moments

Doug Mahnke's ever drawn in his life.

It's creepy, twisted, dark.

Once people actually got to get inside

his head a little bit and see who he was...

...then it became much

more of a connection.

NARRATOR:
A hero's motive

is usually straightforward:

Save the day, serve

justice, defeat evil.

Villains, however, are

driven by a variety of forces.

It could be as grandiose

as taking over the world...

...or as direct as forcing

others to share their agony.

They can be much more complex,

personal and often even relatable.

What makes a villain the most memorable is the

reason they're doing whatever it is they do.

It's not the crime. We've

seen a hundred thousand crimes.

We've seen Luthor break into banks.

We've seen all these

characters do weird things.

But why they do it.

Every one of us is driven by, you know,

our own singular, you know, needs and wants.

So are villains.

A character like the Anti-Monitor

from Crisis on Infinite Earths...

...needs to absorb all the universes.

And that's the only

way he could survive.

ANTI-MONITOR:
Behold the

definition of true power.

WOLFMAN:
He's not doing it

because he cares at all about life.

And that makes him frightening

because you can't reason with him.

He's not an intellect that

you can talk to and say:

"Don't you realize you're

doing something bad?

Can't we figure out something else to

do?" He's not interested. He has one need.

When I created Clayface llI at the

behest of the late Julius Schwartz...

...I came up with a

character who was a monster...

...because he had screwed up.

He was someone born with acromegaly,

essentially the elephant man disease.

And in trying to fix himself...

...became somebody who basically can

draw the calcium out of your body...

...and reduce people to

little clay-like masses.

But he didn't want to.

It's just how he survived.

There may also be,

certainly, revenge involved.

A lot of villains feel that

they've been wronged in some way...

...whether it's by society

or a loved one or the police.

With Mr. Freeze, when we developed the

character for Batman: The Animated Series...

...I thought, "Somebody that cold

has to be that cold for a reason. "

Essentially he had some funding to carry

out his research to cure his wife, Nora.

And the man who pulled that funding...

...he then became the focus

of Mr. Freeze's evil-doing.

His mission is to go after the one

man who took away the love of his life.

He actually says to Batman:

"This is my sole purpose, and if you

get in the way, you'll pay for it. "

Which kind of implies, Look, if you

just step aside, I won't harm you. "

LANGLEY:
As a villain, you can

argue whether he's a villain or not.

Atrocitus, he was motivated by anger

at the Guardians of the Universe.

His family got killed because

the Guardians of the Universe...

...they created these

manhunters, androids...

...which were their predecessors

to the Green Lantern Corps.

Atrocitus skips over the

denial stage of grief...

...goes into anger and stays there.

Forget going into the later ones.

The only bargain he

makes is to stay angry...

...and avenge his family by going

after the Guardians however he can.

That's why the Joker is so interesting,

because he sort of doesn't have a motive.

WOLFMAN:
He knows he's crazy.

Most of the crazy villains, most of the

villains who in comics, who are insane...

...have no idea they are.

But the Joker is aware

of it and he loves it.

He loves the concept that he is

chaos to Batman's logic and order.

And, obviously, we have the most

recent incarnation on the big screen.

Heath Ledger's Joker is

a perfect example of that.

And he even says it.

He's a dog chasing a car.

And when he catches it, he doesn't...

He doesn't know what he's doing.

He just sort of does things.

With Lex Luthor, he just wants power.

But how does he attain it?

How many ways does he have to go?

Why is he jealous of Superman?

Because he wants to be

more powerful than Superman.

Those self-made men tend to

feel that they have license.

Tend to feel that they're

superior to everybody else.

He has these personality characteristics

that one would consider narcissistic...

...in the sense that he has

this element of superiority...

...that he is more powerful than others.

Thinks that he's more intelligent than others.

And, therefore, believes that he deserves

more than what other people deserve.

He is like the pinnacle of humanity.

He has made himself the best man.

And then there's this alien

that's better than him.

I did the revision of

Luthor back in the 1980s.

I turned him into a character

who brought jobs to Metropolis.

He provided museums and

philharmonic orchestras...

...and did all this stuff as long

as everyone knew he was the best.

He wanted the power. He wanted

the control. And he was happy.

He was delighted because

everyone honored him.

And then Superman came

along, who could fly.

It was ego.

"I am the person who looks

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Bill Finger

Milton Finger, known professionally as Bill Finger (February 8, 1914 – January 18, 1974), was an American comic strip and comic book writer best known as the co-creator, with Bob Kane, of the DC Comics character Batman, and the co-architect of the series' development. Although Finger did not receive contemporaneous credit for his hand in the development of Batman, Kane acknowledged Finger's contributions years after Finger's death.Finger also wrote many of the original 1940s Green Lantern stories featuring the original Green Lantern (Alan Scott), and contributed to the development of numerous other comic book series. He was posthumously inducted into the comic book industry's Jack Kirby Hall of Fame in 1994 and the Will Eisner Comic Book Hall of Fame in 1999. The Bill Finger Award, founded by Jerry Robinson and presented annually at the San Diego Comic-Con to honor excellence in comic-book writing, is named for him. more…

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