Necessary Evil: Super-Villains of DC Comics Page #5

Synopsis: In this new documentary film, the malevolent, sometimes charismatic figures from DC Comics' hallowed rogues' gallery will be explored in depth, featuring interviews with the famed creators, storytellers and those who have crafted the personalities and profiles of many of the most notorious villains in comic book history.
Genre: Documentary
Director(s): Scott Devine, J.M. Kenny
Production: WARNER BROTHERS PICTURES
 
IMDB:
6.9
Year:
2013
99 min
125 Views


...to bring to light what he

thought was the best thing.

And Hal Jordan ultimately had to

stop this guy who had gone renegade.

So it just set them

on a collision course.

BROWN:
Lex doesn't perceive

himself as a bad person.

He doesn't perceive

himself as anything...

...but the agent of

order and civilization.

You hold the future of the

entire planet in your hands.

- I'm here to take it back.

- Lex?

You'll never threaten the world again.

I think Luthor is correct in

the way he views the world.

He's right. Superman is an

alien and we shouldn't trust him.

He has a lot of people

on his side today...

...in that I think in the '50s,

during the Eisenhower years...

...the idea of a superman with

all these incredible powers...

...that we can't stop even if we wanted to, but

he's a benign force for good, that's reassuring.

In today's day and age, I don't

know if that's as reassuring.

So the idea that there's a

guy who is a businessman...

...you know, a tycoon who's

looking out for his fellow humans...

...against a threat that actually

can't be contained or controlled...

...I think it really speaks to

I think a lot of people's fears...

...about authority and power today.

NARRATOR:
In modern story...

...just as it is in fife...

...the choice between right and

wrong often isn't so cut and dry.

Heroes are flawed,

sometimes villains justified.

But it's the villain and

sometimes society itself...

...that further blurs the line.

The same way there's a thin line

between love and hate, to me...

...the best heroes are the ones that

probably act a little villainous.

And the best villains are the ones

that might have martyr complexes.

Where we are in comics right now, we probably

examine the line between good and evil more...

...than ever had been done before.

Batman is always trying to maintain

that control within himself.

You know, This is how

my parents were killed.

I'm gonna make sure that

doesn't happen to anybody else. "

He is a guy who's fighting

to not become a bad guy.

Had it not been for the humanizing

anchors of his humanity, Alfred...

...and a few other key

people keeping him in line...

...young Bruce Wayne, traumatized...

...by witnessing the murder of

his parents before his eyes...

...could easily have gone

the dark side of that line.

All I've ever wanted to do is kill him.

A day doesn't go by when I don't

think about subjecting him...

...to every horrendous torture

he's dealt out to others.

And then end him.

But if I do that, if I allow

myself to go down into that place...

...I'll never come back.

There's sort of a power struggle

going on with the villains too.

There's the character that's

sort of more of a gray nature...

...who was originally maybe

intended to be a villain...

...who cleaned up his act a little bit or who

is just so engaging that you like him a lot.

You look at a character like Lobo.

Here's this guy who should not be called

a hero by any stretch of the imagination...

...but he's got just enough

honor, I guess you'd say...

...like, you know, he's a bounty hunter.

If he goes after somebody, for better

or for worse, he'll honor the deal.

And he'll track down

the guy and bring him in.

The appeal of Lobo is just the

over-the-top black comedy and violence...

...I think the character brings.

You know, he's a badass

biker from outer space.

Who doesn't love somebody like that?

GUGGENHEIM:
Deadshot is

nice and simple and clear.

He's like a bullet. He goes from point

A to point B and he doesn't waver.

KIRSHEN:
He's got layers to him. He's

not just doing this for the sake of fun.

He's doing it because this is the thing

he's good at. He's good at killing people.

And he only does it for money.

WOLFMAN:
With a character like Deathstroke,

I actually did not create him to be a villain.

I created him thinking he was a

character who was morally ambiguous...

...who was doing certain

things for his own reasons.

He was a hunter, he was a

mercenary, he was an assassin...

...but always on a

political, for-hire basis.

And then because his son was trapped by the

H.I.V.E., he was forced into becoming a villain.

He didn't want to be, and no matter how

many times he wants to get out of it...

...he can't because he has

a certain code of ethics...

...that says he promised to

complete his son's mission...

...and he can't stop until he does, even

though he knows it's not his mission...

...and even though he knows it's wrong.

JOHNS:
Amanda Waller is one of the

greatest characters in DC comics.

She is the black ops government

leader of the Suicide Squad...

...the program that recruits supervillains

and forces them to do missions for them.

And she is manipulative, super smart.

DIDIO:
Amanda Waller can only be viewed as a

bad guy because she makes the tough choices.

That's the reason why.

And what she's doing is she is willing to

sacrifice the individual for the greater good.

Amanda Waller continues to be

a presence in the DC universe.

She's created a Justice League called

the Justice League of America...

...that is designed to take out

the real Justice League if need be.

She's prepared for the worst

because she's experienced the worst.

She has a very clear moral line and whether

you agree with it or not, it doesn't shift.

That's why you'll have that

discussion going back and forth...

...of whether Amanda

Waller is a hero or villain.

NARRATOR:
Heroes typically

have a strong moral code.

"I Will not kill. "

"I will uphold the law. "

But just because

villains commit crimes...

...does not mean they are

completely without principles.

There does exist honor among thieves,

even if that honor is warped and twisted.

I don't think you can

generalize about villains...

...the same way as you can generalize

about heroes across the board.

You know, I do think that there are

some villains who have a moral code...

...or have a line that they

personally will not cross.

Two-Face, where he basically lets his

morality be decided by a flip of a coin.

Sinestro certainly has a code of

ethics he thinks he's following.

And in a strange way he is following it.

He believes in the Green Lantern Corps so

much he's willing to be a villain to them.

Allow me to introduce myself.

I am he who is called Ra's al Ghul.

BURNETT:
Ra's al Ghul

knows who Batman is.

He can give it away.

He doesn't because there's sort of

a respect that he has for Batman.

And he has this hope that one day

Batman will come to his side...

...so he doesn't

destroy Batman that way.

Specifically, the Rogues, they won't kill

somebody. That's where they draw the line.

They do have their own... It may be a

warped code, but they have their code.

If you go to the Rogues and say,

You have a chance to kill the Flash.

Here's the plan. This is how we're gonna

kill the Flash. We're gonna kill the Flash. "

Captain Cold would be like,

"You're out of your mind.

Rate this script:0.0 / 0 votes

Bill Finger

Milton Finger, known professionally as Bill Finger (February 8, 1914 – January 18, 1974), was an American comic strip and comic book writer best known as the co-creator, with Bob Kane, of the DC Comics character Batman, and the co-architect of the series' development. Although Finger did not receive contemporaneous credit for his hand in the development of Batman, Kane acknowledged Finger's contributions years after Finger's death.Finger also wrote many of the original 1940s Green Lantern stories featuring the original Green Lantern (Alan Scott), and contributed to the development of numerous other comic book series. He was posthumously inducted into the comic book industry's Jack Kirby Hall of Fame in 1994 and the Will Eisner Comic Book Hall of Fame in 1999. The Bill Finger Award, founded by Jerry Robinson and presented annually at the San Diego Comic-Con to honor excellence in comic-book writing, is named for him. more…

All Bill Finger scripts | Bill Finger Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Necessary Evil: Super-Villains of DC Comics" Scripts.com. STANDS4 LLC, 2024. Web. 24 Nov. 2024. <https://www.scripts.com/script/necessary_evil:_super-villains_of_dc_comics_14632>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What does "SFX" stand for in a screenplay?
    A Screen Effects
    B Special Effects
    C Sound Effects
    D Script Effects