New Jack City Page #2

Synopsis: The gangster Nino has a gang who call themselves Cash Money Brothers. They get into the crack business and not before long they make a million dollars every week. A cop, Scotty, is after them. He tries to get into the gang by letting an ex-drug addict infiltrate the gang, but the attempt fails miserably. The only thing that remains is that Scotty himself becomes a drug pusher.
Genre: Action, Crime, Drama
Director(s): Mario Van Peebles
Production: Warner Bros. Pictures
  1 win & 4 nominations.
 
IMDB:
6.6
Metacritic:
61
Rotten Tomatoes:
77%
R
Year:
1991
97 min
2,994 Views


that joint is big.

We're talking about

combinating and consolidating.

You're taking over The Carter?

We taking over The Carter. We going to

bum-rush the whole damn thing.

Now just imagine,

if the tenants cooperate, it's lovely.

They become loyal customers.

If they don't, f*** it. It's like

in Beirut, they become live-in hostages.

We going to set up a lab here

to make the product.

You hook up the computer, watch out for

the workers, the money and the product.

The Duh Duh Man, Keisha,

we need security...

...to ward off the rival crews,

screen customers.

We also need lookouts...

...here, here and here.

Alert us of 5-0.

One place to make the product,

one place to collect our money.

We will own this f***ing city.

You's a genius, man. A pure, un...

Unadulterated. Would you please shut

the f*** up before you have a seizure?

Hey, man, suck my dick.

It's a brilliant plan.

But one thing does concern me, though.

That curry-goat-eating, skinny-ass

Fat Smitty.

He controls the Carter.

Time to sing that fat b*tch a lullaby.

Rock-a-bye baby.

He'll be hanging with Elvis.

Damn.

Crack.

Hey, dreadlocks. What did Bombock

have to say? That b*tch!

Let me speak with you.

Rastaman, I'm here to tell you

Nino Brown says...

...your services are no longer

needed in the community.

That's how you kill somebody. You get

right up on the motherf***er and blam!

Blow his brains all over the sidewalk

in broad daylight.

Rock-a-bye baby.

Brother, I think there's been

a little misunderstanding.

Now look, you are going to give up

those apartments, huh?

And you are going to turn over

control of the Carter.

Because if you don't...

...this shotgun blows your big,

fat head off...

...before you can get

your clothes back on.

Is that clear?

Living

Living just enough

Living just for the city

Living living living just enough

And now we're living

Living

Just enough

For the city

For the New Jack City

Do things do things do things

Bad things with it

Do things do things do things

Bad things with it

Almighty dollar

People don't let money

Don't let money change you

Don't let money change it

For the love of money

People will steal from their brother

For the love of money

People will rob their own mother

Money money

Just enough

For the city I live in

Living in a New

Jack

City

If you just say "no,"

what will you say "yes" to?

We say "yes" to education.

We say "yes" to dedication.

We climb up...

...to a higher station

of new spiritual motivation...

...to make a positive impact

on our nation.

Sergeant, I'm talking to you.

I want to know how drug pushers can take

over an entire apartment building...

...right under your nose.

If you lived in The Carter Apartments,

there'd be cops all over the place.

Hey, don't walk away. Listen to me!

I fought for this country. We pay taxes

and we're prisoners in our home.

I told the Commissioner

you were running late.

- You got those files?

- Right here.

Let's hope he buys it.

Peretti and Appleton. No way, Stone.

Who else you got?

- They're the ones I need.

- You kidding me?

Nick Peretti almost killed his partner

in a chase, Appleton's on suspension.

Probation.

Semantics, Stone.

These 2 are trouble.

You and I know the system

wasn't ready for this epidemic.

Crack came on the scene

and spread like wildfire.

But now I got the mayor

and the governor on my back...

...and I need some results. Fast.

You get me Nino Brown.

Forget Peretti and Appleton.

The risk is too high.

With all due respect, sir...

...you still don't get it.

You're not giving me what I need

to win this war.

I need cops that know these streets.

I need new jack cops

to take down a new jack gangster.

What you call a risk...

...I think is our only shot.

You got your men.

But I don't want any waves.

Not a goddamn ripple.

Who the hell is this

psychedelic blotter-acid fool?

Be cool.

This is Detective Nick Peretti, a crazy

motorcycle-freak, reject cop, like you.

A wild man no one else wanted.

He means I'm expendable.

Whatever, man. What did you

come here for? To watch me exercise?

I came here to lay a name on you.

Nino Brown?

His sidekick, "Gee Money" Wells?

Call themselves

the Cash Money Brothers.

Used to stickup twobit jewelry stores.

Yeah, thrill-seekers, wanna-be gangsters.

I hate them. So what's up?

What's up is this.

We need some evidence.

Evidence of murder, drug trafficking...

...racketeering, tax evasion. Anything.

We've never been able

to make anything stick on Brown.

No sh*t. 1/3 of the department's

on Nino's payroll.

The other 2/3 don't care

unless it affects their community.

What you saying?

Listen.

I've been authorized to set up...

...an independent drug-fighting unit

and I'm picking you.

- Why me?

- What do you mean, why you?

You're from the neighborhood. I can

trust you. And I know you give a sh*t.

So what's the catch?

There's no catch, man.

Why you got to say that?

Because I know your ass, Stone.

Peretti goes with you.

This big biscuit-head looking...

Listen! It's not going to be another

one of your wild-ass solo acts.

Peretti is the only cop I could find

crazy enough to team up with you.

This is my shot.

And you f*** up, it's all on me.

I want to thank you because you know

I want to get back in this war.

But this guy, man...

You in or out?

I'm in, all right?

What do you mean,

Frazier won't give up the apartments?

I'm not asking him, I'm telling him!

I'll handle that fat bastard myself!

- We're honored.

- No, I'm honored. Really.

We understand you have

a new Peruvian connection.

So what of it?

We know you've started to centralize

operations at the Carter.

And you didn't notify Don Armeteo,

who takes such things as an insult.

Your point?

My point is you f***ing guys are cutting

us out of our agreed upon 10%.

It's time we renegotiate.

I'll tell you what, message boy.

You go back and tell Don Armeteo:

No renegotiating. F*** that.

The Cash Money Brothers

are a self-contained unit now.

But you come see me next week.

And I'll hook you up with some of them

collard green linguinis and sh*t.

Chicken Alfredo. Chitlins Alfredo.

Maybe get a better suit!

F*** you.

Nino, I don't know.

Frankie's an all-right guy.

F*** them scungili - eating motherfuckers.

This is our thing. They don't want

to roll with it, we'll roll over them.

This moolanyan must have an MX missile

instead of a cock, he gets so high.

Our snitch was right.

Nino and his Cash Money monkeys...

...are dealing with those spicaroos

up on Broadway and 171 st.

They don't even deny it.

Nor does he accept

our partnership no more.

Now, Gee Money, he was cool.

It was that testa dura, Nino.

You know what I say. You lay down with

Peruvian dogs, you get Spanish fleas.

Soon Nino will itch.

We'll be there

to scratch the hell out of him.

Suspects hand out consumables

and the natives are restless.

Yo, shut the f*** up, man.

Ten years as a low-life, murderous bum.

Rate this script:5.0 / 2 votes

Thomas Lee Wright

Thomas Lee Wright, an American writer and Academy Award nominated filmmaker, is best known for his timely and powerful documentaries, including "Edith+Eddie" (producer) which won the IDA (International Documentary Association) Best Short award and an Oscar nomination, "Eight-Tray Gangster" (director) for the Discovery Channel which tells the story of L.A.'s Rodney King riots from a gang member's perspective, and the award-winning WTO 'Battle in Seattle' chronicle "Trade Off" (producer) for Human Rights Watch. Three of his films deal with war veterans - "The Long Ride Home" (director), "To Them That's Gone" (exec producer) and "Last Flag Flying" (exec producer) which he developed as a feature film for director Richard Linklater, starring Bryan Cranston, Steve Carell and Laurence Fishburne. Wright also penned the original screenplay for the Warner Brothers hit "New Jack City" starring Wesley Snipes, Chris Rock and Ice-T, which the New York Times called "an urban classic" on the 25th anniversary of its premiere. A Minnesota native, Wright attended Harvard University, writing and directing plays and earning a degree in English Literature with honors, then studied Irish Theater at Trinity College, Dublin, while playing point guard for its national championship basketball team. Moving to Los Angeles, Wright became a story editor at Walt Disney and Columbia Pictures, before serving as a creative executive at Paramount Pictures, where he helped develop "48 HRS", "Trading Places", "Flashdance" and other movies. Wright's treatment for "The Godfather, Part Three" launched his screenwriting career and led to writing projects for every major studio and many of Hollywood's top producers, including Peter Guber, Dino De Laurentiis, Mike Medavoy, Daniel Melnick and Don Simpson, among others. Wright co-wrote a pair of definitive widely-used books about filmmaking - 'Working in Hollywood' traces the making of a motion picture through tasks performed by 64 different workers behind the scenes, and 'American Screenwriters' which is a collection of interviews with top writers discussing the craft and business of screenwriting. more…

All Thomas Lee Wright scripts | Thomas Lee Wright Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "New Jack City" Scripts.com. STANDS4 LLC, 2024. Web. 25 Jul 2024. <https://www.scripts.com/script/new_jack_city_14713>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    Who wrote the screenplay for "Schindler’s List"?
    A Quentin Tarantino
    B Aaron Sorkin
    C Steven Zaillian
    D Eric Roth