
Next Of Kin Page #4
- Year:
- 1984
- 70 min
- 160 Views
-THERE IS NO DIFFERENCE.
-SURE THERE IS.
WHEN YOU'RE ACTING,
YOU'RE DOING IT FOR SOMEONE.
YOU'RE PROVIDING THEM
WITH A GIFT.
-NOT IF YOU REALIZED WHY
YOU WERE DOING IT.
-AND WHY WOULD THAT BE?
GEORGE!
GEORGE!
GEORGE, LET'S GO!
GEORGE?
-YES?
-HOW OFTEN DO YOU COME
TO THESE PLACES?
-ONCE A WEEK.
-ALWAYS ON THURSDAY?
-YES.
SOMETIMES ON TUESDAY.
AND MONDAY.
-DO YOU FIND THEM...
AROUSING?
-WHAT DO YOU MEAN?
-DO THEY EXCITE YOU?
-WHO?
-THE DANCERS.
-PFT!
-BUT THEN, WHY DO YOU GO?
-TO RELAX.
-SURE I RELAXED.
LOOKING OVER AT ME?
-WHY DO YOU ASK THESE QUESTIONS?
-I DON'T KNOW IF
FOR YOU TO SEE A WOMAN
LIKE THAT, ON THE STAGE...
THE STAGE, SHE IS NOT A WOMAN.
IT'S A WHORE.
YOUR MOTHER, IT'S A WOMAN.
-AND AZAH?
-AZAH...
AZAH, SHE'S A LITTLE GIRL.
-WHY DO YOU SAY THAT?
-BECAUSE SHE AC LIKE A SMALL BABY.
-SHE'S WORKING NOW,
MAKING A LIFE OF HER OWN.
-SO?
-WELL, WHAT WOULD YOU DO IF YOU
CAME INTO THE CLUB ONE NIGHT,
AND SAW AZAH DANCING
ON THE STAGE?
-WHAT?
WHAT' YOU SAYING?
-SHE HAS THE FREEDOM
YOU CAN'T EXPEC TO CONTROL HER ANYMORE.
-SHE IS A WHORE?
THIS WHAT YOU WANTED TO SAY?
-DO YOU THINK SHE WOULD BE?
-OH, NO. NO, NO...
-WHY NOT?
-BECAUSE... BECAUSE
SHE'S A GOOD GIRL.
-THEN WHY DON'T YOU TRUST HER?
WHY DO YOU... KEEP...
ACTING LIKE SHE'S STILL
A LITTLE CHILD?
-BEDROS, SHE MAKES ME ANGRY.
-WHY?
LOOK, GEORGE.
I'M YOUR SON, RIGHT?
-SURE YOU ARE MY SON.
-I'LL TRY AND FOLLOW
BUT IF I CAN'T FIT THEM
INTO MY LIFE,
IF I DON'T FEEL THEY'RE RIGHT,
THEN I'LL HAVE TO REJECT THEM.
NOW THAT DOESN'T MEAN
THAT I DON'T RESPECT YOU.
MORE FOR KEEPING THOSE VALUES
IN A WORLD WHERE
I CAN'T FIT THEM IN.
-SHE LOVES ME. HEY, BEDROS?
-YES, GEORGE, SHE DOES.
I'M AFRAID I DIDN' HAVE AN OPPORTUNITY
TO RECORD MY THOUGHTS YESTERDAY.
BUT THINGS HAVE BEEN
QUITE HECTIC.
I'VE COME TO KNOW
THERE SEEMS TO BE NO END
TO THE AMOUNT OF HOSPITALITY
THEY'RE WILLING TO SHOWER ON ME.
I MUST FIND SOME WAY
TO REPAY THEM FOR THEIR KINDNESS
IN THE TWO DAYS I HAVE LEFT.
THOUGH I DON'T KNOW WHETHER
OR NOT I REALLY MISS IT...
THINGS ARE MOVING
AROUND ME SO FAST.
IT'S DIFFICULT TO KNOW
EXACTLY WHAT I FEEL.
FOR THE MOST PART,
I'VE BEEN QUITE HAPPY.
THOUGH WITH TIME,
IT'S ALL BECOME...
SOMEWHAT... OVERWHELMING.
WHAT TIME DOES SHE
USUALLY GET OFF?
-FOUR. LET'S CHECK THOUGH.
SOMETIMES SHE FINISHES EARLY.
SO WHY WON'T YOU
LET ME SEE THEM?
PLEASE.
-LOOK AT THE PICTURES.
-OKAY. OKAY.
( Armenian )
-HEY! HEY!
HEY! HEY!
THIEF! THIEF! HEY!
THIEF! HEY!
JESUS CHRIST!
-APRIL FOOL'S!
-HEY! GEORGIE BABY! JUST CAUGH THIS GUY OUTSIDE WITH THESE CLOTHES.
THEY WOULDN'T HAPPEN
-GEORGE! GEORGE!
WHAT'S THE MATTER?
GEORGE!
OH, MY GOD, GEORGE!
GEORGE.
-AZAH. AZAH.
-GEORGE. GEORGE.
-WHERE IS... WHERE IS BEDROS?
-HE'S CALLING AN AMBULANCE.
-WHERE IS...
WHERE IS YOUR MOTHER?
-SHE'S RIGHT BESIDE YOU.
-AH, SONYA. SONYA.
DON'T CRY, SONYA.
AZAH. AZAH...
TELL YOUR MOTHER TO NOT CRY.
-DO NOT CRY, MOTHER.
-OH, AZAH.. I LOVE YOU.
YOU KNOW I LOVE YOU.
-SURE I DO.
-YOU WON'T DIE, PA.
-AZAH...
AZAH, MAKE ME A PROMISE.
-WHAT?
-DO NOT MAKE YOURSELF CHEAP.
EVEN YOU DON'T HAVE ONE CENT.
WORK LIKE A DISHWASHER,
WAITRESS...
BUT DON'T LOSE YOUR RESPECT.
PROMISE ME, AZAH, PROMISE.
-PROMISE, AZAH, PLEASE!
-I PROMISE.
-THAT'S GOOD. THAT'S GOOD...
BEDROS.
BEDROS, TAKE A PICTURE.
-A PICTURE?
-YES, YES, PICTURE.
-NOW?
-TAKE A PICTURE NOW. DON'T ASK
QUESTIONS, TAKE A PICTURE.
BEDROS, TAKE A PICTURE.
TAKE... LOOK AT THAT.
TAKE IT NOW. TAKE IT. TAKE IT.
THAT'S GOOD.
-DR. THOMAS CRANE.
DR. THOMAS CRANE.
( Armenian )
-LET'S GO. I'M OKAY.
LOOK AT ME.
-WHAT DID THE DOCTOR SAY?
-NOTHING WRONG.
IT'S ALL IN HERE.
HEY, WHY YOU DON'T HUG
YOUR PAPA?
APRIL FOOL TO YOU.
( humming )
Peter:
EVERY BIT YOU EARN
FILLS YOU WITH PRIDE.
IT IS YOURS.
NO BRIBES.
NO LIES.
NO FEAR.
-HELLO? HELLO!
-SURPRISE!!!
HAPPY BIRTHDAY TO YOU
HAPPY BIRTHDAY TO YOU
HAPPY BIRTHDAY DEAR BEDROS
ALL OUT IN ONE BREATH.
-BUT THERE AREN'T ANY CANDLES.
-SURE THERE IS.
TAKE A CLOSER LOOK.
COME ON. COME ON...
-WHERE?
-COME ON, COME ON...
-DERYAN! DERYAN & SON!
SMILE. SMILE. SMILE.
-I'M SMILING.
-SPEECH! SPEECH!
SPEECH! SPEECH!...
-WELL, FIRST OF ALL,
I'D LIKE TO SAY
THAT THIS WAS A TOTAL SURPRISE.
I'D TOTALLY FORGOTTEN
THAT TODAY WAS MY BIRTHDAY.
HOW EXCITING:
THIS WEEK HAS BEEN FOR ME.
I DON'T KNOW QUITE KNOW
HOW TO PUT THIS,
BUT I'VE LEARNED SOMETHING
VERY, VERY IMPORTAN
AND THAT'S THAT...
IN A WAY, IT'S A PITY THA YOU'RE BORN INTO A FAMILY.
IF YOU'RE RAISED WITH A GROUP,
YOU'RE OBLIGED TO LOVE THEM,
AND THAT REALLY DENIES YOU
THE POSSIBILITY:
OF GETTING TO KNOW THEM
AS PEOPLE OUTSIDE OF THAT GROUP.
NOW... IN A WAY,
THAT MEANS THAT YOU CAN NEVER
REALLY LOVE YOUR FAMILY.
AND THAT'S BECAUSE
YOU'RE DENIED THE FREEDOM
THAT SORT OF COMMITMENT,
I GUESS WHAT YOU CALL
THE FREEDOM OF CHOICE.
AND FINALLY, UH, I'D LIKE TO...
-HURRY UP!
-SHHT!
-BRAVO. BRAVO.
-AND FINALLY,
I'D LIKE TO SAY THAT...
TO HAVE A GOOD TIME TONIGHT.
( singing in Armenian )
-THAT WAS A GREAT SPEECH.
-THOUGH ALL HE UNDERSTOOD
WAS THE PART ABOU ''HAVING A GOOD TIME.''
MMM, THAT'S MESS Y.
-OF WHAT?
-PLAYING THE PERFECT DAUGHTER.
-IT'S NOT EAS Y.
UNCLE TOLD ME THAT MY THIGHS
WERE ''RIPE FOR BABIES''.
-WELL, YOU'VE GOT THEM
ALL CONVINCED.
-SO DO YOU.
-WHAT DO YOU MEAN?
-THAT YOU'RE THE PERFECT SON.
JUST CLOSE YOUR EYES.
-WHY?
-JUST CLOSE THEM.
IT'S A SURPRISE.
-I DON'T WANT ANYMORE SURPRISES.
-ONE MORE. IT'S A GIFT.
-OKAY.
-TADAM!
COME ON. HURRY UP.
-OKAY. OKAY...
HEY, HAVEN'T I
SEEN HIM SOMEWHERE?
-DO YOU LIKE IT?
-GOOD MORNING.
-GOOD MORNING.
GOOD MORNING, CHILDREN.
GOOD MORNING.
YOU HAVE HANGOVER?
-I FEEL LIKE I'VE BEEN
WALKING AROUND ON MY EYES.
-DID YOU LIKE YOUR RELATIVES?
-THEY'RE GREAT.
-THEY THINK THA YOU LOOK LIKE GEORGE.
-I SURPRISED YOU,
HEY, YESTERDAY?
WITH MY CAKE?
I SURPRISED YOU?
-LOOK. UH...
-WHAT?
-I HAVE TO LEAVE.
-WHY?
-WHEN?
-YESTERDAY.
-I DIDN'T WAN TO SPOIL THE PARTY.
-WHEN YOU HAVE TO LEAVE US?
-AS SOON AS POSSIBLE.
THERE'S A FLIGHT OU THIS AFTERNOON.
-DO YOU HAVE TO GO?
WHY?
-THEY'RE MY PARENTS.
-WAS IT FATAL?
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Next Of Kin" Scripts.com. STANDS4 LLC, 2025. Web. 22 Feb. 2025. <https://www.scripts.com/script/next_of_kin_14735>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In