Night After Night Page #6
- PASSED
- Year:
- 1932
- 73 min
- 135 Views
It's too enchanting! | I- I can't grasp it.
Can I have some of that stuff that | makes Miss Prinny go to the woods?
You bet you can. | Oh!
I thought you were so | sure she was comin' back.
Well, I'm not takin' any | chances. Call up all the Healys.
But there's 1,700 of'em. I don't | care if there's a million. Find her.
I got Bolton's office | on the phone for you,Joe.
Hello. Mr. Bolton there?
Joe Anton.
You think he'll be there | this afternoon?
You know where I can | locate him? Aw, never mind.
Here's the | city directory,Joe.
Oh, here | he is,Joe.
Well, did you find | her? We never fail, kid.
Yes, in a way she does. | I'll see if she's home.
Your name again, please? Mr. Anton.
Wait in here.
Hello.
Oh, hello.
Well, this is a surprise! | Anymore exciting times?
Yeah, uh, this really | excites me.
What does? | This view.
Oh, yes, the buildings | are rather exciting.
But that view's nothing | compared to- Come here.
You can see the harbor | from here.
Look.
Say! | Well, say it.
I wouldn't know how | to say it. Gee!
What a place | to live in.
Yes, it is nice.
This bedroom's got it | all over your old one.
I'll bet the moonlight | comes in there, all right.
I suppose it does. I don't | notice it as I used to.
That's a picture of | Bolton, ain't it? Uh-huh.
That's another one, huh?
Yes, that's | his favorite pony.
Some nag, all right.
You and Mr. Bolton are old | friends, ain't you? Of course.
By the way, what happened to | your friends? What friends?
Miss Jellyman and Miss Trip | - What was her name?
Triplett? | Yes, that's it.
Oh, nothing. I thought | they were so nice.
Mr. Anton!
What? | Please!
What do you mean?
Well, it's | rather sudden.
What's sudden about it? Isn't it?
Didn't you kiss me | last night?
Oh! | Didn't you?
Well, yes, of course.
But that was last night. I was | thrilled. I had to do something.
Oh, you were thrilled, | eh? Yes, terribly.
So that's all it meant. | Well, but of course.
What did you think | it might mean?
I'll tell you what I thought.
I thought you might be in love with | me, see. Now you know how dumb I am.
Oh! Believe it or not, I come | over to ask you to marry me.
Oh, I'm terribly sorry | you took it that way.
Don't be sorry. | I get it all right, now.
You would have kissed any | guy that done the same thing.
Well, I don't know | about that. I-
Anyway, it didn't | mean nothin'.
Yeah, the pirates of today | are pretty dumb.
So long.
Oh, Mr. Anton, | wait.!
I don't know what to say.
But I do know I don't want you | to go away thinking badly of me.
No hard feelings.
And you'll drop in to | ''55'' again, maybe.
Well, I don't know. Mr. Bolton | and I are going abroad Thursday.
Mr. Bolton? We're going to be married.
Oh! | See?
Yeah. I didn't know you | was in love with him.
I'm not. | You're not?
Well, what are you | marrying him for?
Don't | - Don't tell me you're marryin' him for his dough?
Would that | surprise you very much?
So that's it! | Well, well.
Well, what? | Nothin'.
Dough's pretty good stuff, | and he's got his share.
I certainly | congratulate you.
Why, you talk as if | that's all he had.
No, I got | no quarrel with him.
And I'm sure you're gonna be very | happy. You've got all you need.
What did you think I wanted? | Something you had?
Now, now, don't pay no | attention to anything I say.
But I had an idea, see? I had an idea | that up in this part of the worid...
there was somethin' worth the | gettin', and I went after it.
But I see now | it was just my imagination.
In other words, you're | telling me what you think of me.
I'm tellin' you, as I look at you now, | you're just another dame with a skirt.
And there's no difference between you and | Iris, except the way you manicure your nails.
Why, how dare you | speak to me like that!
Well, my dear Miss Park | Avenue, I suppose I dare to,
because I got nothing | but contempt for you.
Contempt!
No, I wouldn't | even say that.
You'd better | take that back!
I ain't even got that. You're | nothin' to me, just nothin' at all.
And if I was a pirate, | and had you on my ship,
I wouldn't | toss you to the crew.
Get out of here! | Get out of here!
I'm on my way.
So long, baby.
I don't get you. You understand | English? I'm not sellin'.
You can't change your | mind like that,Joe.
You're goin' to tell me | what to do, huh? You know it.
You'd better change that tone in | your voice, or I'll change it for you.
Keep your hands out | of your pockets.
Okay,Joe, but you ain't | goin' to be here long.
What you gonna do? Make another | speech and tell me how tough you are?
No, I'm through talkin'.
That's great. | Come on, boys.
See that the boys get out | all right, Blainey. Okay,Joe.
How's business upstairs? Great.
What's the matter? | She let you down?
Never mind that. Did | Hennessey pay his bill?
Atta boy! Back in your own | backyard, huh? You said it!
Number 55 West | - I know the place, lady, I know.
Okay, Tom.
But my good fortune need not | interfere with your lessons, Mr. Anton.
No more lessons, Miss | Jellyman. They're out.
Out? | Out like a light.
And you were | getting on so nicely.
No more gentleman stuff | for me. He's right, Mabel.
What's the sense of trying | to be something you're not?
This guy was all right in the first | place. You only thought you were wrong.
Come on, snap out of it, | ya dog!
Always a pal, eh, Maudie? What do | you think of her, Miss Jellyman?
Wait for me.
Where's Mr. Anton? | He's around.
Something I can do for you? | Yes, tell me where he is.
Sit down. I'll find | him. I won't sit down.
Then stand up, and I'll | see if I can find him.
No man can say the things he | said to me and get away with it!
Oh!Just a minute! | Just a minute!
So long, kid. I know what | to do if the worst happens.
Notify your uncle. | Scram. I'm busy.
There's a tiger in the lobby. | What are you talking about?
The lady, Miss Healy, | the classy gal.
Did you ever see her | with her Irish up?
Where is she? | Down in the lobby.
All right, chief.
Hide your guns | and take it easy.
Buy you a drink, | Joe?
It looks like | you're doin' all right.
So there you are! Go ahead, | don't let me stop you.
Well, you were right, | weren't you? I don't get you.
You said I was a lot of things. | You can see you were right.
There's nobody as bad | as I am, nobody!
You wouldn't throw me | to the crew, huh?
You said I was like Iris | and I'm here to prove it.
This only proves | something very different.
What do you mean?
It proves that you are a lady, | and a little stuck on me at that.
What are you talking | about? What do you think?
Do you think you'd come over | here if you didn't want me?
This roughhousing the place is | just a fancy way of puttin' it.
Now you're boring me.
If I'm boring you, it's because | I'm talkin' instead of takin' you,
and that's what | you came here for.
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"Night After Night" Scripts.com. STANDS4 LLC, 2024. Web. 19 Dec. 2024. <https://www.scripts.com/script/night_after_night_14754>.
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