Night and the City Page #2
- NOT RATED
- Year:
- 1950
- 96 min
- 420 Views
a friend of his called Lamont he must write to.
This here Lamont's in the motor supply business
in something he called "the loop."
- Good evening, sir.
- Good evening.
- The usual?
- If you please.
- It's good to have you back in London, sir.
- Thank you, Charles.
Good evening.
Uh-oh.
I beg your pardon. Does this wallet
belong to one of you gentlemen?
Why, no, it doesn't.
- Good evening, Mr. Fabian.
- Good evening, Emil.
Someone must have
dropped this.
- Soon come running for it, no doubt.
- Thank you, Mr. Fabian.
Happened to me once
back in the States.
Traveling from New York to San Francisco,
changed trains in Chicago.
- Darned if I don't lose my wallet.
- No!
Luckily I knew a chap in the loop--
motor supplies. Fella named Lamont.
- Lamont? Did you say Lamont?
- Why, yes.
- You mean Stubby Lamont?
- Why, yes!
- Well, what do you know? We were just talking about him!
- No!
- Oh, wait till I tell Stubby!
- Yes, just wait.
- It's like meeting someone from home.
- It's quite a coincidence.
- Yes! Have a cigarette.
- Yes, have a cigarette.
No, thank you, gentlemen.
Thank you very much.
- Been in London long?
- Just two days.
- On business?
- Well, you know.
Yes, I know.
Well, I'm sure your business will be
a great success. Good night, gentlemen.
- Good night.
- Good night.
Say, uh, you boys surely don't plan
to spend the entire evening here.
- Always open to suggestions.
- Yeah!
As a matter of fact, I do know of a place.
- Yeah?
- It's a bit naughty.
But great fun.
Silver Fox.
Private club.
- Private club?
- Here, take my card.
- You'll be well taken care of.
- Thanks. That's swell!
- It's a pleasure. Might see you there.
- Yeah!
When you write to Stubby,
give him my best, will ya?
- You bet!
- Sure! You bet!
- Good night.
- Good night, Harry.
- Good night, gentlemen.
- Good night.-- Good night.
Break his neck, Strangler!
Come on, Strangler!
Uh-oh.
Pardon me. Does this wallet belong
to one of you gentlemen?
Out.
- I beg your pardon.
- Out.
- What do you mean? This is a public place.
- So's the morgue. Move.
Well, evidently
you don't know who I am.
Mr. Kristo don't like club touts
hustling suckers in his arena. Get out!
- Pigs! Pigs! Pigs!
- Gregorious!
- Gregorious!
- Let 'em hear! Pigs! Come on.
Why, that--
that's Gregorious!
- Who?
- Finest wrestler the world's ever known.
Papa, please.
Where are you going?
Is it for this you brought me
from Athens? This circus?
What have you done to wrestling?
Do you think I'd permit Nikolas
to wrestle with such filth?
Now, now, now,
take it easy, old boy-
You do not talk like that
to my father. Get out!
For this I do not
thank you, my son.
Please, Papa,
listen to me.
You must understand
that times have changed.
Tastes, people--
everything changes.
Tomorrow morning
I'll take you and Nikolas to Liverpool.
Tomorrow
I go back to Athens.
See here!
I demand my money!
How dare you call this
filthy exhibition wrestling?
- I beg your pardon.
- Easy on. Easy on. Where's your ticket?
- It's right here.
Disgusting.
I've never witnessed such a spectacle.
No.
No, it can't be.
You're not Gregorious.
- Gregorious the Great.
- You see, Nikolas?
There are people
who do not forget great wrestling.
Forget? Forget the greatest wrestler
the world has ever known?
I was just a kid, but how can one
ever forget your glorious struggle...
- with, uh, uh--
- Heiterschmidt?
Heiterschmidt!
Yes, of course! Heiterschmidt!
- I thank you, sir.
- My name is Harry Fabian.
- This is Nikolas.
- A fine-looking lad.
- Thanks.
Uh, do you suppose you could
pin a man like the Strangler, say?
- Yes.
- Oh.
Strangler?
Nikolas
pin 10 Stranglers...
all in same ring,
same time.
Well-- Well, yes,
I would consider it a great honor if you
and Nikolas would have a drink with me.
Mr. Fabian,
you're a fine young man. I like you.
We'll drink to your great contemporary,
Heiterschmidt.
Young man,
you are too charming.
- Very well, young man.
- Fine. Fine.
You know, I have
a strange feeling...
that our meeting tonight
is, uh--
- Well, we'll talk over our drinks.
- Yeah, all right.
- Raise your elbow
- Raise your elbow! Raise your elbow!
Down she goes
Here's to La France
Here's to champagne
Empty your glass
Fill it again
Here's to the Frenchmen who knew
What to do with the grapes
that he grew
Here's to the sun
ripening the vine
Here's to the bottles
Holding the wine
Drink till the daylight
is dawning
Here's to
Tomorrow morning
- Like it, my love?
- Yes.
Yes, it's nice.
Thank you, Phil.
I've long thought it
appropriate...
that the wife of the owner
of the Silver Fox...
should wear
silver fox.
Not only generous,
but a sense of humor.
Then you won't mind rewarding
my generosity and wit...
with a kiss?
Yes, I--
I do have need
of humor, don't I?
Phil! Phil!
Phil. I hit it.
I hit it, I hit it, I hit it!
Hundreds! Thousands!
A fortune! Fabian Promotions!
Here, now.
What's all this?
- Wrestling. All-in wrestling.
- Eh?
I hold in the palm of my hand the means to
control wrestling in all London!
- Control wrestling?
- In all London.
- You?
- Me.
Dear fellow,
have you ever heard of a citizen called Kristo?
Know what I got in here, Phil?
Kristo!
No, you don't understand.
I've got Kristo where I want him.
Gregorious. See?
I've got Gregorious.
Oh, dear boy,
you'll be the death of me!
Listen, Phil! Hear me out! I've got Kristo stopped!
Gregorious-- Kristo's his son.
Don't you see?
Gregorious'll protect me from Kristo.
I only need a few hundred quid.
Just listen to me! You give me 400 quid,
I'll make you a rich man!
- Make me a rich m--
- Throw him out. Throw him out!
Oh! No.
Mustn't be unkind
to the dear boy.
I haven't laughed
so much in years!
You, big businessman,
Mr. Financial Wizard.
Do you know what it means
to earn 400 quid?
Let me see you
get it.
Get 300. 200.
Yes, why don't you get 200 of your own
and put it on that desk?
Right, Phil?
That's right.
Put 200 in and I'll match it.
All right, I'll get it! I'll get twice,
three times 400 and I'll fling it in your face!
Go on! Laugh!
Shake yourself to pieces!
I'll show you both!
I'll show everybody!
I'll be back with 200,
and you match it! I'll show you!
Harry, Harry, Harry. Can't you see
this is checking-out time?
I've got a dozen workers
waiting.
- But you don't understand, Figler. I've got--
- Here. Strap this on.
- You look like a good type for a stump.
- Figler, listen to me--
Harry, apart from my beggars
I'm all alone in the world.
I've got no wife,
no kids, no family.
That's right.
All you need now is these specs.
- You look lovely.
- Look, I've got an angle that can't be beat.
Don't forget to tuck your trouser legs in.
You'll give the game away.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Night and the City" Scripts.com. STANDS4 LLC, 2024. Web. 22 Dec. 2024. <https://www.scripts.com/script/night_and_the_city_14755>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In