Night and the City Page #2

Synopsis: Harry Fabian is a London hustler with ambitious plans that never work out. One day, when he encounters the most famous Greco-Roman wrestler in the world, Gregorius, at a London wrestling arena run by his son Kristo, he dreams up a scheme that he thinks will finally be his ticket to financial independence. As Fabian attempts to con everyone around him to get his scheme to work, he of course only ends up conning himself. This is an interesting tale of blind ambition, self-deception, broken dreams, and how a man who always thinks he's ahead of the game ends up tripping himself very badly.
Director(s): Jules Dassin
Production: Criterion Collection
 
IMDB:
8.0
Rotten Tomatoes:
79%
NOT RATED
Year:
1950
96 min
420 Views


a friend of his called Lamont he must write to.

This here Lamont's in the motor supply business

in something he called "the loop."

- Good evening, sir.

- Good evening.

- The usual?

- If you please.

- It's good to have you back in London, sir.

- Thank you, Charles.

Good evening.

Uh-oh.

I beg your pardon. Does this wallet

belong to one of you gentlemen?

Why, no, it doesn't.

- Good evening, Mr. Fabian.

- Good evening, Emil.

Someone must have

dropped this.

- Soon come running for it, no doubt.

- Thank you, Mr. Fabian.

Happened to me once

back in the States.

Traveling from New York to San Francisco,

changed trains in Chicago.

- Darned if I don't lose my wallet.

- No!

Luckily I knew a chap in the loop--

motor supplies. Fella named Lamont.

- Lamont? Did you say Lamont?

- Why, yes.

- You mean Stubby Lamont?

- Why, yes!

- Well, what do you know? We were just talking about him!

- No!

- Oh, wait till I tell Stubby!

- Yes, just wait.

- It's like meeting someone from home.

- It's quite a coincidence.

- Yes! Have a cigarette.

- Yes, have a cigarette.

No, thank you, gentlemen.

Thank you very much.

- Been in London long?

- Just two days.

- On business?

- Well, you know.

Yes, I know.

Well, I'm sure your business will be

a great success. Good night, gentlemen.

- Good night.

- Good night.

Say, uh, you boys surely don't plan

to spend the entire evening here.

- Always open to suggestions.

- Yeah!

As a matter of fact, I do know of a place.

- Yeah?

- It's a bit naughty.

But great fun.

Silver Fox.

Private club.

- Private club?

- Here, take my card.

- You'll be well taken care of.

- Thanks. That's swell!

- It's a pleasure. Might see you there.

- Yeah!

When you write to Stubby,

give him my best, will ya?

- You bet!

- Sure! You bet!

- Good night.

- Good night, Harry.

- Good night, gentlemen.

- Good night.-- Good night.

Break his neck, Strangler!

Come on, Strangler!

Uh-oh.

Pardon me. Does this wallet belong

to one of you gentlemen?

Out.

- I beg your pardon.

- Out.

- What do you mean? This is a public place.

- So's the morgue. Move.

Well, evidently

you don't know who I am.

Mr. Kristo don't like club touts

hustling suckers in his arena. Get out!

- Pigs! Pigs! Pigs!

- Gregorious!

- Gregorious!

- Let 'em hear! Pigs! Come on.

Why, that--

that's Gregorious!

- Who?

- Finest wrestler the world's ever known.

Papa, please.

Where are you going?

Is it for this you brought me

from Athens? This circus?

What have you done to wrestling?

Do you think I'd permit Nikolas

to wrestle with such filth?

Now, now, now,

take it easy, old boy-

You do not talk like that

to my father. Get out!

For this I do not

thank you, my son.

Please, Papa,

listen to me.

You must understand

that times have changed.

Tastes, people--

everything changes.

Tomorrow morning

I'll take you and Nikolas to Liverpool.

Tomorrow

I go back to Athens.

See here!

I demand my money!

How dare you call this

filthy exhibition wrestling?

- I beg your pardon.

- I demand my money back.

- Easy on. Easy on. Where's your ticket?

- It's right here.

Disgusting.

I've never witnessed such a spectacle.

No.

No, it can't be.

You're not Gregorious.

- Gregorious the Great.

- You see, Nikolas?

There are people

who do not forget great wrestling.

Forget? Forget the greatest wrestler

the world has ever known?

I was just a kid, but how can one

ever forget your glorious struggle...

- with, uh, uh--

- Heiterschmidt?

Heiterschmidt!

Yes, of course! Heiterschmidt!

- I thank you, young man.

- I thank you, sir.

- My name is Harry Fabian.

- This is Nikolas.

- A fine-looking lad.

- Thanks.

Uh, do you suppose you could

pin a man like the Strangler, say?

- Yes.

- Oh.

Strangler?

Nikolas

pin 10 Stranglers...

all in same ring,

same time.

Well-- Well, yes,

I should think he could!

I would consider it a great honor if you

and Nikolas would have a drink with me.

Mr. Fabian,

you're a fine young man. I like you.

We'll drink to your great contemporary,

Heiterschmidt.

Young man,

you are too charming.

- Very well, young man.

- Fine. Fine.

You know, I have

a strange feeling...

that our meeting tonight

is, uh--

- Well, we'll talk over our drinks.

- Yeah, all right.

- Raise your elbow

- Raise your elbow! Raise your elbow!

Down she goes

Here's to La France

Here's to champagne

Empty your glass

Fill it again

Here's to the Frenchmen who knew

What to do with the grapes

that he grew

Here's to the sun

ripening the vine

Here's to the bottles

Holding the wine

Drink till the daylight

is dawning

Here's to

Tomorrow morning

- Like it, my love?

- Yes.

Yes, it's nice.

Thank you, Phil.

I've long thought it

appropriate...

that the wife of the owner

of the Silver Fox...

should wear

silver fox.

Not only generous,

but a sense of humor.

Then you won't mind rewarding

my generosity and wit...

with a kiss?

Yes, I--

I do have need

of humor, don't I?

Phil! Phil!

Phil. I hit it.

I hit it, I hit it, I hit it!

Hundreds! Thousands!

A fortune! Fabian Promotions!

Here, now.

What's all this?

- Wrestling. All-in wrestling.

- Eh?

I hold in the palm of my hand the means to

control wrestling in all London!

- Control wrestling?

- In all London.

- You?

- Me.

Dear fellow,

have you ever heard of a citizen called Kristo?

Know what I got in here, Phil?

Kristo!

No, you don't understand.

I've got Kristo where I want him.

Gregorious. See?

I've got Gregorious.

Oh, dear boy,

you'll be the death of me!

Listen, Phil! Hear me out! I've got Kristo stopped!

Gregorious-- Kristo's his son.

Don't you see?

Gregorious'll protect me from Kristo.

I only need a few hundred quid.

Just listen to me! You give me 400 quid,

I'll make you a rich man!

- Make me a rich m--

- Throw him out. Throw him out!

Oh! No.

Mustn't be unkind

to the dear boy.

I haven't laughed

so much in years!

You, big businessman,

Mr. Financial Wizard.

Do you know what it means

to earn 400 quid?

Let me see you

get it.

Get 300. 200.

Yes, why don't you get 200 of your own

and put it on that desk?

My husband will match it.

Right, Phil?

That's right.

Put 200 in and I'll match it.

All right, I'll get it! I'll get twice,

three times 400 and I'll fling it in your face!

Go on! Laugh!

Shake yourself to pieces!

I'll show you both!

I'll show everybody!

I'll be back with 200,

and you match it! I'll show you!

Harry, Harry, Harry. Can't you see

this is checking-out time?

I've got a dozen workers

waiting.

- But you don't understand, Figler. I've got--

- Here. Strap this on.

- You look like a good type for a stump.

- Figler, listen to me--

Harry, apart from my beggars

I'm all alone in the world.

I've got no wife,

no kids, no family.

That's right.

All you need now is these specs.

- You look lovely.

- Look, I've got an angle that can't be beat.

Don't forget to tuck your trouser legs in.

You'll give the game away.

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Jo Eisinger

Jo Eisinger (1909 - 1991) was a film and television writer whose career spanned more than forty years from the early forties well into the eighties. He is widely recognized as the writer of two of the most psychologically complex film noirs: Gilda (1946) and Night and the City (1950). His credits also include The Sleeping City (1950) and Crime of Passion (1957), a coda to the films of the noir style, for which he wrote the story as well as the screenplay. Starring Barbara Stanwyck, it is a strikingly modern commentary about how women were driven mad by the limitations imposed upon them in the postwar period. Jo Eisinger started writing for radio penning numerous segments for the Adventures of Sam Spade series. He returned to thriller and private eye adventure series writing for the ITC television series Danger Man (1960–61) and the mid-1980s HBO series Philip Marlowe, Private Eye. His script for an episode of the latter show, "The Pencil", earned him a 1984 Edgar Award. Eisinger's credits also include several films that departed from his accustomed genres of mystery, adventure and crime. Among them are Oscar Wilde (1960), starring Robert Morley and Sir Ralph Richardson, The Rover (L'Avventuriero, 1967), from the novel by Joseph Conrad and starring Rita Hayworth and Anthony Quinn, and The Jigsaw Man (1983), starring Laurence Olivier and directed by Terence Young. Eisinger wrote the books on which the Broadway plays What Big Ears! (1942) and A Point of Honor (1937) were based. His novel The Walls Came Tumbling Down (1943) was adapted for the long-running radio drama program Suspense in 1944; the episode featured screen and radio actors Keenan Wynn and Hans Conried. A film version of The Walls Came Tumbling Down starring Edgar Buchanan and George Macready was released in 1946. Jo Eisinger's second marriage was to Lorain Beaumont. Eisinger used his wife's maiden name for Mr. Beaumont, one of the characters in The Walls Came Tumbling Down. more…

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Submitted on August 05, 2018

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