Night Has Settled

Synopsis: In 1983, Oliver Nicholas, at thirteen, is well-poised to enter the precocious teenage world of first-sex, vodka and possible-love in New York City when he is traumatized by the stroke of his housekeeper (and only true maternal figure), a sixty-five-year-old Chilean woman named Aida. What was supposed to be an exhilarating and somewhat fearful rite of passage - diving into the exciting, fast-paced world of first experiences - quickly becomes skewed by an incomprehensible depression, and a house of interior horrors. Surrounded by women - his untraditional, Spanish, photographer mother (more interested in the role of confidante than mother) his sister, a comedic, door-slamming tormentor, marked by her parent's divorce; and Aida, his silver-haired emotional focal point on the verge of death in Lenox Hill Hospital - Oliver struggles to maintain his role as "man of the house" and his sanity. With his best friends, Valerio, a chain-smoking, nunchucking, grandiose artist; and Nick, a cynical,
Genre: Drama
Director(s): Steve Clark
Production: Black Note Films
  2 wins & 2 nominations.
 
IMDB:
6.3
NOT RATED
Year:
2014
90 min
64 Views


ADRIANA?

ARRIBA, ARRIBA.

LEVANTATE.

DESPIERTA.

LEVANTESE.

ARRIBA, NIO.

AQUI, AQUI!

UP!

CUCKOO!

CUCKOO!

HOLD ON, WOMAN.

HELLO, MAMA.

YOU SEE WE ARE:

EXACTLY THE SAME.

WE EVEN GO TO THE BATHROOM

AT THE SAME TIME.

OKAY, CLOSE THE DOOR,

I GOTTA GO.

WAIT, WAIT, WAIT.

PASS ME SOME TOILET PAPER.

FART FACE,

HERE YOU GO.

REACH FOR IT.

COME ON.

YOU CAN DO IT.

REACH WITH YOUR TINY,

LITTLE LADY ARMS.

YOU LITTLE F***ER.

CLOSE THE F***ING DOOR.

LATER LOSER.

AND TELL ADRIANA

NOT TO TAKE MY BRUSH.

DID YOU HEAR ME?

TELL ADRIANA NO TO TAKE MY HAIRBRUSH.

I'VE ORDERED DOZENS

OF BRUSHES,

AND SHE TAKES MINE

EVERY SINGLE MORNING.

THIS IS MY TOOTHPASTE.

MOM, I'M F***ING NAKED.

FINE, JUST TELL HER.

ALL RIGHT,

GET OUT, WOMAN.

I'M GOING BACK TO SLEEP.

MOM, YOU TOOK THE TOOTHPASTE,

SERIOUSLY?

HAVE YOU SEEN MY MAKEUP?

NO.

GET OUT OF HERE.

ARE YOU KIDDING ME?

MOVE!

AIDA?

STOP,

YOU'RE GONNA WAKE UP MOM.

OH, YOUR LITTLE,

PRECIOUS POOR, LITTLE MOMMY.

WILL YOU GET OFF MY MIRROR,

PLEASE?

LITTLE MAMA'S BOY.

THANK YOU.

AIDA, DONDE ESTA

MI MAQUILLAJE?

SHUT UP!

DON'T TAKE HER BRUSH.

BIG WHOOP,

I DON'T CARE

IF THAT LOSER'S

GOING TO BE THERE.

HE LOOKS LIKE A TATER TOT.

YEAH, A SHORT,

OVER-TAN POTATO HEAD.

AH, SHE FOUND IT.

THANK YOU.

WHAT?

YEAH, NO, I TOLD YOU

I'D MEET YOU AT THE CORNER.

NO, NO, NO.

ADRIANA, ADRIANA.

I NEED IT.

JESUS CHRIST,

GIVE ME THE DAMN BRUSH.

FINE, I'LL GIVE IT TO YOU.

JUST LET ME FINISH

BRUSHING MY HAIR.

I MEAN, STOP

BEING SO RIDICULOUS.

IT'S A F***ING HAIRBRUSH.

JUST GIVE IT TO ME.

STOP!

STOP, MOM, STOP!

ARE YOU SERIOUS?

STOP!

LET GO!

OH, AH! AH!

I CAN'T BELIEVE YOU'D HI A WOMAN LIKE THAT, OLIVER.

A REAL MAN:

WOULD NEVER DO THAT.

NOW SHE'S DEFINITELY

GONNA LEAVE.

AY, AY.

HEY, WATCH IT!

WATCH-- I'M A BAD MAN.

COME ON, BRING IT,

BRING IT, BRING IT.

WHOA, WHOA, WHOA.

UH!

GOOD MORNING.

HELLO?

ANYBODY HOME?

ANYBODY HOME?

NO, JUST OLLIE.

NOBODY HOME.

MORNING, MRS. BURNS,

HOW ARE YA?

HOO, HOO.

WHOA, WHOA.

HEY, OLLIE.

OLLIE?

LILA.

LILA.

WHATEVER.

LILA.

WHAT'S UP, OLIVER?

CHECK IT OUT.

TESORO'S BEEN BUSY.

WHAT DO YOU THINK?

I LIKE IT.

IT'S PRETTY SWEET, HUH?

HE WAS UP ALL NIGHT,

OUT TAGGING TRAINS.

DO YOU THINK IT'S GOOD?

F*** YOUR

IMAGINARY FRIEND.

WHAT'S THE--

YOU WANT SOME OF THIS?

KICK HIS ASS.

YO MAMA, YO MAMA, YO MAMA.

DON'T F***

WITH TESORO, MAN.

HE'S NOT REAL.

OH, SH*T.

GET OFF ME, FAT ASS.

OOH!

HOW'S THE POETRY GOING,

FAG BOY?

YOUR MOM SEEMED TO LIKE IT.

MILD.

WHATEVER.

SH*T.

LET'S GO.

YO, WAIT UP.

I GOTTA GET MY NOTEBOOK,

YOU A**HOLES.

HOLD UP.

"ODYSSEUS MUST HAVE FEE AND HANDS LIKE THIS BY NOW.

HARDSHIP CAN AGE A PERSON

OVERNIGHT.

YOUR MAMA'S...

WITH THAT NAME--"

NICK, FOCUS.

"AT THAT NAME, THE OLD RETAINER

BURIED HER FACE AND BOTH HANDS,

"BURST INTO TEARS,

WAILED OUT IN GRIEF,

'OH, MY CHILD.'"

OKAY, GENTLEMEN,

SOON CARNAGE.

I'M LATE FOR HOOPS PRACTICE.

MR. PARSNAN WILL BE IN HERE

IN FIVE MINUTES.

BEHAVE FOR ONCE, HUH?

JUST RELAX,

THANK YOU.

YAH!

YAH!

AH!

YAH!

YAH!

YAH!

SOMEONE'S COMING.

CHRIST ALMIGHTY.

WHO DID THIS?

OH, JESUS CHRIST, OKAY.

WHO DID THIS?!

SOMEONE'S PISSED.

YOU'RE F***ING CRAZY.

ALL RIGHT, ALL IN.

YOU ARE MY ANTS.

YO, NICK,

WANT SOME CHIPS?

DUDE, DON'T MAKE I LOOK OBVIOUS.

DUDE, CLOSE THE BAG.

LET'S JUST GET A F***ING 40

OR SOMETHING.

WHAT'S UP,

YOU LITTLE SMACKS?

YO, VAL, GIVE ME SOME MONEY,

I NEED A YODEL.

JESUS CHRIST.

GET OFF OF ME, BILLY.

YO, YODEL-AY-HEE-HO.

COME ON, GUYS, I GOTTA GE ME SOME KILL JUICE,

'CAUSE THIS

CHINESE HOOK GAVE ME CRABS.

MOM GAVE US OUR ALLOWANCE

YESTERDAY, BRO, SO COME ON.

ALL I WAN IS A YODEL-AY-F***IN'-HO.

BULLSHIT,

YOU BANGED A HOOKER.

WITH MY EIGHT-INCH BAT.

YOU PROBABLY GO EIGHT INCHES, EH?

EH? YOU DON'T BELIEVE--

YOU WANNA SEE IT?

YO LONG, THESE BOYS

WANNA SEE MY DONG.

BILLY, DON'T DO IT.

WHY DON'T YOU

BEHAVE YOURSELF?

LONG-LONG, I NEED ME

SOME EATS, MAN.

YEAH, I'M SURE YOU DO.

THAT'S RIGHT,

YOU LITTLE HEBREWS.

COME ON, GIVE ME SOME--

YOU DON'T KNOW HOW

TO BEHAVE YOURSELF--

I JUST WANT A YODEL, MAN,

COME ON, COME ON.

YO, CALM THE F*** DOWN,

DUCK SAUCE.

IF YOU DON'T BEHAVE YOURSELF,

YOU STAY OUT OF MY STORE.

WHAT A LOSER.

SON-OF-A-B*TCH.

MY ONLY PIECE OF ADVICE FOR YOU

TWERPS IS START SMOKING HEAVILY.

YO, CHILL OUT!

HEY, GET SOME SMOKES.

HURRY UP.

I GOT THIS.

HEY, HOW MUCH

FOR THIS YODEL?

FIFTY-FIVE CENTS.

COOL.

THANKS, LONG.

GIVE THESE:

TO YOUR F*GGOT BROTHER.

LET'S GET OUT OF HERE

AND LIGHT UP:

ONE OF THOSE F***ERS.

YOU KIDS,

BEHAVE YOURSELVES.

ALL RIGHT.

VAL, IS IT TRUE

YOU CAN SUCK YOUR OWN DICK?

NO.

YEAH.

BUT IT'S NOT BECAUSE

I HAVE A BIG DICK,

IT'S BECAUSE

I HAVE A FLEXIBLE BACK.

OH, MY GOD.

BULLSHIT.

YOU REALLY CAN:

BLOW YOURSELF?

YEAH, I JERK OFF TILL

I'M ABOUT TO CUM,

AND THEN I STICK I IN MY MOUTH AND I FINISH.

DO IT, DO IT, DO IT.

NO F***ING WAY.

DO IT!

I'M GONNA SHOW YOU.

WAS IT--

I GOT F***ING SKILLS.

DOESN'T THIS MAKE HIM GAY?

I MEAN HE SWALLOWS CUM,

HE'S GAY.

I DON'T THINK SO.

YOU'RE F***ING GAY.

YOU'RE NOT ALWAYS

AT MY HOUSE.

WHAT AM I SUPPOSED TO DO.

OH, MILD.

I'M KIDDING, I'M KIDDING,

I'M KIDDING.

I SEE THE WAY:

YOU LOOK AT ME.

YEAH, IT'S-- I MEAN,

I DON'T RETURN IT, BUT STILL.

I WANT YOU SO BAD.

AND THINKS OF ME,

THOUGH, EVERY NIGHT.

OH, HE WISHES.

SORRY, I DIDN'T KNOW I WAS

A GAY MAN 'CAUSE SHE KISSES YOU,

AND YOU HAVE CUM IN YOUR MOUTH,

AND IT LIKE SWABS,

SO SHE'S GAY?

WHERE THE F***

IS HE GOING?

RIGHT SIDE.

ALL RIGHT.

WHAT'S IT TASTE LIKE?

SALTY.

OH, MY GOD.

UH-HUH, UH-HUH.

HEY.

AIDA.

OKAY?

AY, YI, YI, YI.

WHAT DO YOU THINK?

THE SKULLS ARE TOO DARK.

DON'T LOSE MY TIE.

I CAN HEAR YOU, TOO.

YOU KNOW THE CODE.

NO.

YEAH, COME ON,

LET'S HEAR IT.

NO, I'M NO DOING THAT AGAIN.

YES, YES,

YOU LOVE IT.

FINE, OH, GOD,

I'M DOING IT.

OKAY, OLIVER NICHOLAS

IS THE LOVE OF MY LIFE,

AND I CAN'T HELP IT.

EVEN IF I TRIED AND TRIED,

I CAN NEVER HELP IT.

NOW, LET ME IN, SCHMUCK.

HI, WITCH.

KIMO SAID YOU HAD

A GIRL UP HERE.

KIMO?

WHERE'S YOUR MOMMY?

THERE ARE NO MOMMIES HERE.

I WANNA SAY HI.

SHE'S NOT HOME.

YOU STILL DIDN' PUT IN A FRAME.

I'LL DO IT.

I'LL DO IT.

I'M GETTING BRACES.

YOU STILL WANNA KISS ME

WHEN I HAVE BRACES?

I DON'T KNOW,

IT DEPENDS.

ON WHAT?

ON WHETHER YOU LOOK LIKE

A MONSTER IN THAT.

ERGH, GIVE ME THAT BRA.

OLIVER, YOU'RE A HORRIBLE

PERSON, YOU KNOW THAT?

YES.

HI, RATONCITOS.

HI, MRS. NICHOLAS.

HI, LILA.

TELL ME,

WHAT DO YOU THINK?

THEY'RE SKULLS.

MM-HMM.

BEAUTIFUL, MM?

I GUESS SO, YEAH.

WHAT ARE YOU DOING?

WHEN DID YOU START SMOKING?

I DON'T KNOW,

A YEAR AGO.

YOU JUST LOOK--

SEXY?

SILLY.

THANKS.

I DON'T THINK HE SHOULD BE

SMOKING EITHER.

SO, YOU'RE GONNA BUG ME

WITH THE SMOKE NOW, HUH?

YEAH, SURE.

LILA AND I ARE GONNA

FOOL AROUND A LITTLE BIT.

OH, OH.

YES, NOW GET OUT,

CIAO.

OKAY, THAT'S NOT TRUE.

WE DON'T--

WE DON'T FOOL AROUND.

YES, WE DO, WE DO I ALL THE TIME, AND YOU LOVE IT.

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Steve Clark

Stephen Maynard Clark (23 April 1960 – 8 January 1991) was an English musician. He was the principal songwriter and lead guitarist for the British hard rock band, Def Leppard, until 1991, when he died from alcohol poisoning. In 2007, Clark was ranked No. 11 on Classic Rock Magazine's "100 Wildest Guitar Heroes". more…

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Submitted on August 05, 2018

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