Night of the Living Dead: Resurrection Page #3

Synopsis: In 2012,the deceased have risen from their graves with only one instinct-to feed on the living. As academics speculate on the scientific cause of the phenomena, theologians point to the Armageddon foretold in the Book of Revelation. As the cities are over run and civilization crumbles, a family take refuge from the undead army in an isolated farmhouse in West Wales. But the greatest threat is already among them.
Genre: Horror
Director(s): James Plumb
Production: LionsGate Entertainment
 
IMDB:
2.7
R
Year:
2012
86 min
80 Views


but you know you always have me.

Just stop!

I thought you were getting

a fresh bowl of water.

Jennifer needs you sober.

I'm not drunk yet.

Then stop now

and get upstairs to see your wife!

Maybe...

we'd be better off in the basement.

You kidding?

It's a death trap.

We'd be cornered down there.

Then what about... the attic?

Same problem.

Plus how are we going to get my

heavily pregnant wounded wife up there?

We need to get out of here.

Jennifer could die.

Maybe you're right.

Let's go.

No. We'll never get

all of us in one car,

especially with Jen

in the state she's in.

Fine, I'll go get help,

bring it back here.

Kevin, I...

I want you to stay here.

Look after my family... and yours.

I'Il... I'll go and get help. L...

I know the countryside

around here better than you.

I grew up around here.

Take the gun.

Keep the girls safe.

And do not harm Bill or Sam.

Just go get help.

We'll all still be here

when you get back.

I'll try and get to Gareth's farm.

I'll take the car.

If he's not there...

I'll try for his rifle

before...

before the trailer.

Then I'll get back here

and get us all to safety.

- Dad, please don't go.

- Shh shh shh shh now.

They're slow.

Slower than your old man, eh?

Kevin,

you look after my girls.

I'll see you off.

I hope so.

You're the one with the gun.

Where is he?

I think he's made it

on the road to Gareth's.

- When?

- About two seconds ago.

He's going really slowly.

We should be able to see him in a bit.

- Shh! Get down, love.

- Shh. Get down.

We should be able

to see him by now.

He's okay.

He's driving in the dark.

We might have missed him.

No, we should see him in the clearing.

You can see cars there, even at night.

Me and Jen used to sneak over there

all the time and get caught.

But your father's going so slow,

he might not even be

at that spot yet.

Something's wrong.

We should go after him.

No, look after your sister.

Your dad will be fine.

Don't hurt the car.

But the c*nt inside...

we're gonna get

"World of Warfare" on his ass.

Look after the baby, Kev.

Don't let them get the baby!

I'll protect you both.

I don't want us to end up like Sam!

Shh, you won't.

You won't.

Can we save the baby?

Kevin, we...

Jennifer lost the baby

almost immediately.

What?

I don't understand.

I think her body rejected it

after the bite.

We're trying to save Jenny now.

Where is it?

What have you done with my child?!

Kevin!

Kevin! Kevin!

- Kevin.

- Help me hold her down.

Shh.

Was it a girl or a boy?

- Grab him!

- Whoo-hoo!

- That's it!

- Come on!

Come on!

Mom, I'm bleeding on the inside.

Mom.

Did you see that?

Yeah, back it up!

Back it up!

Come on, more! More!

Ready?

Save the baby!

Save...

Ready?

Back it up! Back it up!

Come on, let's do it!

Come on, go!

Get that fat f***!

That's it! Whoo!

Jennifer's dead.

But you're not gonna shoot her.

Jesus, Mom!

Jen's gone?

You cheated on my little girl

with my other little girl.

You said she'd be fine.

You've been

slowly poisoning this family.

And now you've torn it apart.

When you killed my child,

did you happen to see

if it was a boy or a girl?

I want you to leave.

Mom, you can't kick him out now.

Kevin, I am asking you

to leave.

Why don't you just kill me now?

I am asking you to leave.

I've lost my whole family...

my wife...

my baby.

Mom, let's just calm down.

I am calm, Mandy!

I'm disappointed in you too.

How could you do that

to your sister?

You're family and I'll stick with you,

but he has to leave.

Mom, you're killing him

if you send him out there.

I want everyone out of this room.

We're locking it

and we're waiting for your father.

Look, Karen, what you're doing

is no different from killing me.

Make sure you tell Gerald

what you did, yeah?

Don't forget me.

I'll come back.

I'm gonna come back for you.

I'll remember.

I'll remember

the way you killed me.

Is that Dad?

Dad?

Nice place.

Get in there, Mandy!

Just like C.O.D.

Here, come on.

Come on.

You were right.

She's beautiful.

I'm sorry.

F***ing hell!

Mom, there's too many of them!

Are these all the shells

you could find?

Unless Dad started

keeping them somewhere else.

Mandy, take this.

Go in the utility room,

lock the door.

Aren't you coming with me?

I'm going to let

your brother and Bamps out.

- Mom, they're... what if...

- They're family!

They don't deserve

to be cooped up.

I'm gonna give them

a fighting chance.

Go.

I'm sorry, love.

I couldn't protect you!

Open up, sweetheart.

Sh*t. They're just kids.

And?

Not zombie kids, kids kids.

Okay, that is sick.

F***, this one can't be

any older than 13.

Hello?

Anybody there?

Gibbs, West,

you two go in, scout out.

Down the deads,

bring out any unfriendlies.

There's someone in here!

Who are you?

This is our home.

Why did you kill these kids?

- They attacked us.

- These children attacked you?

- She's been bitten.

- Which one?

The old one.

Mom!

What about this one?

She looks clean. Very clean.

Fine.

Stick her in the rape van.

Let's get out of here.

008, clear to runway 04,

wind at 030 at 2.

Secondary

guidance systems engaged.

Okay, if your tape G fails

after launch, go to the stand...

Okay, if your tape G

fails after launch,

go to the standby G and it will not

affect your boost guidance.

008, clear to runway 04,

wind at 030 at 2.

Altimeter... secondary

guidance systems engaged.

008, clear to runway 04,

wind at 030...

secondary

guidance systems engaged.

008, clear to runway 04,

wind at 030 at 2.

Altimeter 3011.

Rate this script:0.0 / 0 votes

Andrew Jones

All Andrew Jones scripts | Andrew Jones Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Night of the Living Dead: Resurrection" Scripts.com. STANDS4 LLC, 2024. Web. 26 Jul 2024. <https://www.scripts.com/script/night_of_the_living_dead:_resurrection_14783>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is a "MacGuffin" in screenwriting?
    A A type of camera shot
    B A character's inner monologue
    C A subplot
    D An object or goal that drives the plot