Night Pulse Page #9

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is to wake people up,

it's just the opposite.

These films are, this

is a five alarm fire.

I don't know why you would say that Trent.

(suspenseful music)

- The thing I like about

You William Friedkin

is that you're a director

who's willing to play ball.

- Well let's not get

to carried away Trent,

I like the support from up top

but I'm not one of these people

that's ready to throw I the towel,

that the age of the maverick director.

(suspenseful music)

And Trent I can't help but

wonder if you've completely

sold your soul to this

illuminati construct of money.

(suspenseful music)

And you can literally walk in to

some of these gay clubs and

it would be pitch black.

- I remember that.

- [William] You're to young.

(suspenseful music)

It dealt with all the things

we're dealing with now,

the corporate ownership of America,

the corporatization of culture.

- [Woman] I can't believe that.

- [William] The emerging police state.

And I wrote Bill, I

said how soon can we get

a script drafted and make a

f***ing movie out of this?

(suspenseful music)

(laughing)

- [William] He introduced me

to a group of producers

and all they kept talking

about was the reptilian illuminati.

I'd never heard of these concepts,

I didn't know what the hell

they were talking about.

(suspenseful music)

Credit Bill Blady with

turning the envelope.

- That's funny.

In the mean time we're staying back here

and we are shutting down all

of the single house movie theaters.

- Why?

- Which of course you're

in agreement with.

- No, why?

Are you looking to kill the spirit

of cinema which this entire

industry was founded upon?

- [Trent] The spirit of cinema?

- Trent are you in league

with this effort to destroy.

- It's required.

- [William] The individual

auteur authorship of.

- Hey, no, no, no, no, we're trying

to make some money here, cineplex odeon.

- [Tessa] Calm down.

- It's okay, cineplex odeon,

multiplexes are the future.

- [TV] Rated R, starts

tomorrow at theater everywhere.

- Trent I didn't sign up for this,

when I was making The

People vs Paul Crump,

before you were in

diapers my good young man.

- [Trent] Uh huh, uh huh.

- The zaikaist of the time was

that american film makers would have

the opportunity to become auteurs,

do you now the auteur theory?

- Oh that opportunity

has passed my friend.

No, no, no, the single

house movie theaters

are the past, multiplexes are the future.

Okay?

- [Lady] Yes.

- It's very simple, the more

screens, the more money.

We're going to over see it all,

we're going to make sure

that we give the people what they want.

And we're gonna get what we want,

you're with me on this right?

- I'm gonna have to think about it Trent.

- William Friedkin, I know

you're with me on this.

The 90s are gonna be a

great time my friend,

just get on board.

Multiplexes.

- I'm in.

- Hey, we're manipulating reality.

- To The Guardian.

- [Women] The Guardian,

the Guardian was great.

- [Trent] Block buster.

(suspenseful music)

(chattering) (eerie music)

- [Woman] Oh my God.

Oh my God.

- [Trent] Really guys?

Now?

(dramatic chord)

(guns firing)

(suspenseful music)

- [TV] 1-900-867-3007,

three dollars per minute.

Stay on as long as you'd

like, for adult only.

(chocking)

(dramatic music)

(coughing)

- Where, where am I?

What's going?

- The hell?

- Why do I sound like this?

- (coughs)

This doesn't make any sense.

- Well, what a little sh*t, what the hell?

- Where's Friedkin?

Where's Billy Friedkin?

Where is everybody?

Why am I here.

What?

(dramatic chord) What is this?

- Oh no.

- Man.

- [Trent] This can't be happening.

No! (Screaming)

I, I've gotta get home.

What the, what the hell are you?

So what, what do you think

you're looking at, stop it.

Stop it, no, no, no don't look at me,

this is not the real me.

Leave me alone, don't look

at me, don't look at me.

- This is not, this is not me.

- New Jack city.

- I don't look like this.

- Everybody crowd around,

- Follow us, this is where the party's at.

Yeah I see you.

- New Jack city?

New Jack city?

- [Guys] New Jack city.

(booms)

- F*** me, Jack city.

I'm not interested, I don't care.

- New Jack city.

- Shut up, it must be a terrible movie.

Mario Van Peebles is over rated.

(coughs) (radio chatter)

- Why are you so obsessed

with these glass bricks?

God you're disgusting.

And what's with this novel

that you took from the house?

Is this some kind of mystery

that your building, you

need to keep me in on this.

I'm your partner.

I out rank you you know?

And when are you gonna clean

up this f***ing pigpen?

This is a f***ing pigpen!

This is a company car, not your house.

I don't even know how you got hired.

I can't believe you're a police officer.

Much less a f***ing detective.

How the hell did you get hired anyway?

- Do you remember those glass bricks

in the bathroom back at the house?

- Ya.

- Every time I touched one

it was like touching jelly.

It was f***ing weird.

- Huh?

- Look.

Let's go.

- Where?

- We're gonna go see detective Matsahiro.

- Who?

- Detective Matsahiro.

(car dinging)

- So where is this guy?

- Hey get your gun tucked

into your bun alright?

He's gonna be right

here, he's expecting us.

- What is that supposed to mean?

- There he is.

Pleasure officer.

Matsahiro, special officer Chasuhaga

from the stock division.

- Stockade?

- Yeah he's from Tokyo, from on

the black reign division, down long.

- Black reign division?

- Yeah like the movie, Black Reign.

- Micheal Gagain.

- Yeah I know the movie guys

but what the hell is going on?

- She knows a little bit,

she's a little confused,

why don't you tell her.

Investigation.

It's a very strong connection,

I've been telling ya.

- No this is insane,

is this some kind of practical joke Chuck?

- You are named Chuck Chooford?

- Yes, I gave him a

different name from before,

yeah I'm Chooford.

- [Chasuhaga] What the heck is going on?

- When the glass brick freezes.

- What?

- Time freezes, I've been telling ya.

- We need to find baby

shitter, how you say?

- [Chooford] Sitter.

- Baby what?

- [Chooford] Babysitter,

through Japanese, babyshitter, babysitter.

- Okay, the babysitter in the house?

- [Chooford] Yes.

- [Chasuhaga] Alright so, time

freezes, what does that mean?

What is going on guys?

(chattering)

- I am the foulest of them all.

Hold out your palm, I'll

leave my ink stain on you.

(chatter)

(booming)

Nobody cares, nobody's interested unless.

(booming)

- Who is this guy?

Kim Fowley?

Give me a break, that guy's all washed up,

I'm bigger than Kim Fowley.

No, I'll never accept it,

I'll never accept this,

I killed Duke Connor, I'm within control.

I bent the laws.

This is terrible, noise,

this is not working.

This is not the reality

that I'm gonna live with.

What are you talking about?

- [Man] All I want is my

f***ing money forward.

- That guy's lucky to sell

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