![Find Nightcrawler on Amazon](https://m.media-amazon.com/images/M/MV5BN2U1YzdhYWMtZWUzMi00OWI1LWFkM2ItNWVjM2YxMGQ2MmNhXkEyXkFqcGdeQXVyNjU0OTQ0OTY@._V1_SX300.jpg)
Nightcrawler Page #6
It's the same argument, man.
I said this route.
If you wanted to
take Laurel,
you should have
said something.
I thought that you
worked in other factors.
If I didn't think
that you could do better,
Iwouldn't ride you so hard
about the routes.
I think
you know that, Rick.
I think it may
just be possible
that I have a higher opinion of
you than you have of yourself.
RICK; What the f***?
God damn it!
Seriously?
To get to a van crash
on Moorpark?
Who cares?
What's the rush?
Why aren't we at the rape at
Griffith Park like everybody else?
Oh, f***! Oh, f*** me.
Oh, God! That's the f***ing
Mayhem van.
Joe Loder
and the other dude.
What's his name?
F***ing Marcus.
Park the car
and get your camera.
Now, let's get one guy inside.
Hold the seats back.
You can't get
that in right there?
No, there's no room.
Here we go.
What the hell happened?
According to witnesses, they
were driving at a high rate of speed,
probably toward
Griffith Park,
when, apparently, they ran
head-on into this light pole.
No other car.
Single vehicle.
How did they just
run into a pole?
Get that backboard
right up against him.
Gas? -.
Hey, don't film that, man.
He's one of us.
Not anymore, Rick.
We're professionals.
He's a sale.
Got facial trauma. Got
lacerations all the way down...
Yeah,
I'm calling it in.
Minimize
that movement.
Get him back in the ambulance
and put some oxygen on him.
Drop him down.
Keep pressure on him.
Back that unit off.
Yeah, let's get some
four-by-fours on there.
Bring the gurney
all the way up.
Come on, let's go.
Stay with me.
I got him,
Igot him.
Make sure you size him right.
All right.
Man, we are way
the hell out here.
Any Mission unit.
Residential 211 in progress.
37 Bonhi Road.
Receiving 211
siren activation.
Armed response
on a home invasion.
We're five blocks away.
Pull a U-turn.
At the end of the street.
Coming up.
4808. Here!
We beat the police.
What do you want me to do?
You know what to do, Rick!
3-X-21.
Go ahead.
3-X-21, confirm address
on the 211 at Bonhiil Road.
What is going on?
We're leaving.
What?
What's in there?
What's going on?
What happened in there?
You should have walked
in and looked, Rick,
if you're that curious.
That's what
I'm paying you to do.
You need to
show initiative.
There is no better way
to achieve job security
than by making yourself
an indispensable employee.
I heard gunshots!
All the more reason you
might have helped me.
skill that made you more useful
and put us on
Stay in the car.
Why?
Because I said so.
We have a hit-and-run
in Beverly Hills,
a car versus pedestrian
incident and a robbery.
Do we have
footage of the crash?
Surveillance footage.
I've been trying to reach
you for the last hour.
In the future, when you
don't have anything,
man up and don't dodge
my f***ing calls.
I do have something.
What?
Home invasion, triple
murder in Granada Hills.
That's just breaking now.
We got there
before the police.
You have it?
I'm not going to list the
many benefits of this piece.
you just watch it for yourself.
I could have had
someone out there by now.
Why didn't you call it in?
To increase your need, and
improve my bargaining position.
Frank, Jenny!
Bay 2, now!
Get Linda in here.
Home invasion in Granada.
He got there
before the cops.
We have 10 minutes
to airtime.
How much of this
can we show?
You mean, legally?
No, morally.
Of course, legally.
Have they been identified?
It just happened,
so you have to assume no,
and that's just
one of the issues.
We can't broadcast
their identities
without notifying
the next of kin.
We're not identifying them.
You are by proxy,
We pixelate the faces.
Where did you get this?
Stringer.
Hi, Linda. I'm Lou.
Um, Jesus. Is there a dead
baby inside of there?
No. The crib was empty.
Oh,
for Christ's sake.
Are we breaking the law
by showing this?
Block the faces, don't give
out the exact address.
Do that, I guess.
I don't know.
I wouldn't think so, no.
Journalistically
and ethically?
This isn't Hartford.
We are beyond
all broadcast standards.
Have you seen
the overnights?
I'll risk the fine.
What did you pay for this?
The price hasn't been
negotiated yet.
Give us a minute.
Thanks.
How much?
$100,000.
How much'?
$50,000.
I need a number. Nine minutes.
I need a number.
I just gave you two.
$3,000.
I got $3,000 for the
food truck stabbings.
There were more dead.
Those were poor Mexican
people in a roach coach.
Two of them
were illegals.
These are three
wealthy white people,
shot and killed
in their mansion.
Including a suburban housewife
shotgunned in her bed.
I know you, Nina.
I know your interest and
excitement in this product
is greater than the
amount you're offering.
$5,000.
$30,000.
$7,000.
$25,000.
$8,000.
$15,000.
$9,000.
$15,000.
$10,000.
$15,000.
Give me a serious number.
$15,000.
Can't do it. Never happen.
There's a matter of precedent.
Ten is my last best offer.
OK3'! -
Really?
Where are you going?
Seven has approached me
The ND there
gave me his number.
They'll make me a better offer.
It's a five-minute drive.
Hold on!
Twelve.
Fifteen.
I can't spend a month's
budget on a single story.
What if the story's
not over?
The people who
did this escaped.
They're still out there, walking
around with the rest of us.
If I had a family and I lived in a
home, that might make me nervous.
I'd want updates
on what was going on.
With this footage, people would
turn to your channel for the story.
I like you, Nina.
And I look forward
to our time together.
But you have
to understand.
$15,000 isn't
all that I want.
From here on,
starting now,
I want my work to be credited
by the anchors and on a burn.
The name of my company is
Video Production News, a
professional news-gathering service.
That's how
it should be read
and that's how
it should be said.
I also want to go to the next
rung, and meet your team.
the director and the anchors.
And start developing my own
personal relationships.
I'd like to start meeting
them this morning.
You'll take me around, you'll introduce
me as the owner and President
of Video Production News
and remind them of some
of my many other stories.
I'm not done.
I also want to stop our
discussion over prices.
This will save time.
When I say that
a particular number
is my lowest price,
that's my lowest price.
And you can be
assured that I arrived
at whatever that number
is very carefully.
Now, when I say that
I want these things,
I mean that I want them.
And I don't want to
have to ask again.
And the last thing
that I want, Nina,
is for you to do the things
that I ask you to do
when we're alone together
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Nightcrawler" Scripts.com. STANDS4 LLC, 2024. Web. 29 Aug. 2024. <https://www.scripts.com/script/nightcrawler_14801>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In