Nightmare Alley Page #10

Synopsis: The ambitious Stanton "Stan" Carlisle works in a sideshow as carny and assistant of the mentalist Zeena Krumbein, who is married with the alcoholic Pete. The couple had developed a secret code to pretend to read minds and was successful in the show business before Pete starts drinking. Stan stays with them expecting to learn their code and leave the carnival to be a successful mentalist. Stan also flirts with the gorgeous Molly that lives in the carnival with the strong Bruno. Zeena and The Savage, an alcoholic man that eats live chickens that the audiences believe that is a savage, are the greatest attractions of the sideshow. When Stan gives booze to Pete and he dies, Stan finds that Pete had drunk methyl alcohol and not his booze, but he feels guilty for the death of him. Zeena teaches the code to him and Molly helps Stan to learn them. After an incident, Stan is forced to marry Molly and he decides to move to Chicago with her to become a sensation in a night club. One day, he meets
Genre: Drama, Film-Noir
Director(s): Edmund Goulding
Production: 20th Century Fox
 
IMDB:
7.8
Rotten Tomatoes:
100%
NOT RATED
Year:
1947
110 min
1,877 Views


All aboard.!

Get aboard, honey.

Don't miss the train.

Stan!

Take care of yourself.

Who is it?

Joe. Bellboy.

- Pick up the tray.

- Come in.

- Something wrong?

- What do you mean "something wrong"?

- The food... you haven't touched it.

- Well, I'm not hungry.

Hey, uh, look, mister,

it ain't none of my business...

but we got a pretty good doctor

down the street there.

- You want me to call him?

- What makes you think I want a doctor?

Nothing. Only, you haven't touched a mouthful

in about three days. I just...

Well, I don't want a doctor

and I'm all right.

Say, uh, you know

where I can get a drink?

No, not at this hour in this state,

unless you want gin.

Sure, sure.

Anything. Anything.

Two bucks.

- If there's anything else you want...

- No. Good night.

Since the dawn of history,

man has sought to see behind the veil...

which hides him from tomorrow.

Through the ages, certain men

have gazed into the polished crystal...

and seen.

Is it some quality

of the crystal itself...

or does it merely serve

to turn the gazer's vision inward?

Who can tell?

But visions come,

slowly shifting their form.

Visions come.

Wait.

The shifting shapes begin to clear.

I see fields of grass...

and rolling hills and a boy.

A barefoot boy

is running through those hills.

A dog is with him.

A dog is with him.

Yeah, his name is Don.

Go on.

Your mother.

Your mother is waiting at the gate for you.

A beautiful, gray-haired old lady.

That's right, buddy.

You're pretty good.

She was always standing there waiting.

Even when I come home

a couple of years ago.

Hey, you see how easy

it is to hook 'em?

Stock reading, fits anybody.

Never misses.

Ah, what's youth?

Happy one minute,

hungry and heartbroken the next.

Every boy has a dog.

Every boy has a beautiful,

old, gray-haired mother.

- Everybody except maybe me.

- What happened to her?

- Oh, what do you care?

- Hey, don't cry in that good liquor.

You know,

I had a mother once.

She wasn't so good-looking,

but she was mighty good to me.

Hey, hey, you fellas take it easy.

There's not gonna be any left for me.

Buddy, you're sure a good mind reader.

Oh, excuse me, mister.

Are you the boss?

That's right.

What do you want?

1l- I, uh... I wanted to talk to you

about an attraction.

An added attraction, so to speak.

It's, uh, an attraction that...

- An attraction.

- Yeah? What kind of an attraction?

- Come on. Hurry up. I'm busy.

- Well...

Of course, I understand,

a man in your position.

Allow me to introduce myself.

I'm... I'm Sheik Abracadabra.

A top-money mint reader.

Sorry, brother.

I'm all full up.

- Anyway, I don't hire no boozers.

- Me?

You smell like you just climbed

out of a beer vat.

- Go on, beat it.

- Um...

Please, j-just give me

a chance, mister.

I'm an old carny hand

and I'll tackle anything.

Come here.

Sit down.

Would you like a snort?

Oh, y...

Oh, that's very refreshing.

Thank you, sir.

All I need is a fly

and a bridge table.

I can hang my banner

on the edge of the fly.

If I could have a small advance

to purchase the necessary...

That show is too high class

for a mid-camp.

Besides, palmistry always

gets you in trouble with the law.

Well, I'm pretty good

at magic too, sir. I...

Magicians are a dime a dozen

nowadays.

- Would you like another?

- Yeah.

Go ahead.

Anyway, I never fool with an act,

unless it's got something sensational.

Yeah. Yeah, sure.

- Wait.

- Yeah.

I just happened

to think of something.

I might have a job

you can take a crack at.

Course, it isn't much, and I'm not

begging you to take it, but it's a job.

Yeah, well,

that's all I want.

And we'll keep you

in coffee and cakes.

Bottle every day.

Place to sleep it off in.

What do you say?

Anyway, it's only temporary.

Just until we can get a real geek.

- Geek?

- You know what a geek is, don't you?

Yeah.

Sure, I-I know what a geek is.

Do you think

you can handle it?

Mister...

I was made for it.

Jimmy!

Hey, Jimmy!

- Jimmy!

- What's wrong, Ed?

- Have you seen the handcuff key?

- No.

Come on. Come on.

Where's the straitjacket?

- Who wants it?

- The boss.

- Is anything wrong?

- The geek's gone nuts.

- The geek?

- The one McGraw hired today.

Grab him, boys.!

You better get inside

and stay there.

Let's get him!

Watch him now. Don't hurt him.

Where...

Where did he go? Huh?

Stan. Stan.

Son, nobody's gonna hurt you.

Come on!

Hey, George!

- Mark, you go around the back.

- Okay, Charlie.

- Stan!

- Hey, look out, kid.

- That guy's liable to kill somebody.

- Stan!

It's me, Molly!

Stan.

It's me, Molly.

I've looked everywhere for you.

Everywhere.

I've been waiting for you.

Don't you know me, honey?

It's me, Molly.

Everything's gonna be all right now.

I'll look after you.

Molly?

Well, he certainly fooled me.

I never recognized him.

Stanton.

Stanton the Great.

How can a guy get so low?

He reached too high.

- Good night, boys. Lock up.

- Good night.

Rate this script:0.0 / 0 votes

Jules Furthman

Jules Furthman (March 5, 1888 – September 22, 1966) was a magazine and newspaper writer before working as a screenwriter. more…

All Jules Furthman scripts | Jules Furthman Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Nightmare Alley" Scripts.com. STANDS4 LLC, 2025. Web. 19 Jan. 2025. <https://www.scripts.com/script/nightmare_alley_14806>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Nightmare Alley

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is the purpose of "action lines" in a screenplay?
    A To provide character dialogue
    B To outline the character arcs
    C To list the plot points
    D To describe the setting, actions, and characters