Nightwatching Page #2
Your ambition does not sound
to be so very patriotic.
- Patriotism is a currency
of fluctuating value
in the marketplace.
The Dutch abroad
are not the Dutch at home.
- You could go to England.
You must know the King of England
owns a portrait of your mother.
- My son, Carl.
- Ah.
- His mother
collects your paintings.
My son collects your prints.
- My mother bought
the "Stoning of St. Stephen"
that you painted in Leiden.
- Uli! Ahem.
I hear I'm charging 80
a full-length now?
Would that be to give yourself
a useful profit?
- Come on, Rembrandt,
be more gracious.
I recommended you.
I am an honest businessman,
even in my dishonesty.
If I benefit -
and it's for me to say how
and for you to find out -
Push up your price.
- Inclusive or exclusive of your fee?
- Well, I obviously don't expect
extras from you.
Those days are over, I think.
I feel, I know, I'm sure...
- Cousin, you promised me
a man of talent,
and as you can see,
I now have him.
He lives in my kitchen.
With servants from Leeuwarden
all around him.
I have his replica in my belly.
- Saskia!
- And you promised after
you trapped him with my smile
and my body as bait...
- Saskia, Saskia...
and I was certainly
to think of myself.
Rembrandt therefore left you,
through me,
on your recommendation.
You benefited...
from this little provincial
for eight profitable years.
Time enough
to make a little fortune.
Now it's my turn...
to make a little fortune,
for my son.
And I believe
you still owe us money.
- Saskia.
- Rembrandt,
allow me to introduce
Rombout Kemp,
our sergeant.
You may know him as the Keeper
of the Resselwart Orphanage.
- Van Rijn.
We are neighbours
in the Breestraat.
How about making a contribution
to the orphanage?
We have many new children,
orphaned by the Spanish wars.
- Then I think
they must all be touching 30.
- Hmm.
The governing body is now six.
Perhaps as a neighbour
you might like to join us,
a man of means
doing charitable works,
and we may need
a group portrait soon
to remind us
of our responsibilities.
of your responsibilities.
(dogs barking)
- I, Rembrandt,
will be your commanding officer.
Are you ready, Mr. Painter?
Then aim...
...fire!
(gunshot)
(crowd exclaiming)
- Rembrandt!
Oh, what's happening?
- Oh, she's fainted!
Fetch some water!
Can you hear me?!
Saskia! Saskia!
Never again! Saskia!
- Look at this.
Bloody burghers.
Gawking and smiling.
Poncing and posing.
I can do better than that.
- There's Benjamin.
He had a most desirable wife.
Dimples and curls everywhere.
- He couldn't sit still.
He had a bladder complaint.
We had to keep the chamber pot
by his chair.
They all look so stiff.
- They all look like conspirators.
- Or worse -
thieves, pickpockets.
Child-molesters, murderers...
- His head's too big.
- Well, maybe the painter
wanted you to say that.
He didn't like him
or approve of his character,
so he made him absurd.
Not enough to spoil
his own reputation,
of course,
but certainly enough
to spoil his.
Legitimate painter's armoury.
Flatter, praise,
insult, abuse, accuse.
- Accuse?
Are you going to do the same?
- I might. It depends.
- On what?
- The price,
the state of our friendship,
the angle of the light,
the smell of his armpits,
the beauty of his wife,
whether I've eaten or drunk,
whether, indeed, I am drunk,
does he know Titian,
has he been to Cadiz,
does he have big feet?
Context, context, context.
- God,
I'd like to watch you
do those things.
I really think
you ought to do it.
- You do?
Well, the boy says
I should do it.
Then I'll do it!
(laughter)
No, I won't.
At least, not for nothing.
I want 100 guilders for a full-length,
half the money up front.
Now, how much did van der Helst
get for this one?
- 2, 3, 6, 7, 8...
full-lengths at 100.
2, 3, 6, 7...
half-lengths at 50.
2, 4, 6, 8...
nine heads-and-shoulders at 25.
Which is 1,375.
- Not bad.
- Well, he should've subtracted 100
for that stale duck,
50 for the vulgar drinking-horn,
and 25
for that dried-up vegetation.
- Hello!
Looks like
they're making certain
that you don't have a choice,
Rembrandt.
Ah, they've already reserved
you a space,
Rembrandt.
You have been named.
- I want to draw everyone
beforehand.
That's essential.
And I'm not doing long rows
of pompous faces,
but anyway, I have other
things to do first,
and I want nine months.
Human gestation period.
If it takes that long
to make a baby,
it will certainly take that long
to make a painted army.
- It doesn't take that long
to make a baby.
Ten seconds, at the most.
- For you, maybe,
but for me, with the right
dimples and curls,
five seconds.
- Ah.
(laughter)
- This is me with Saskia.
Saskia van Uylenburgh.
Hendrick Uylenburgh's cousin.
Now, Hendrick was my dealer
How was she?
Well, she was
my dealer's cousin,
and the three of us knew
what we were doing.
A business proposition.
Keep it in the family,
so to speak.
A dynastic marriage.
Twenty when I met her.
I was... 25.
I admit that I was, at first,
not so much taken with her.
A little insipid, I thought.
And she was also hoity-toity.
An accent.
She kept eating almonds,
which she hid
in a pocket somewhere.
Maybe in her underwear,
close to her skin.
And...
and perhaps
that excited me a little.
Out of her armpit...
into her mouth.
We met for the first time
in a church.
The Old Church, Amsterdam.
You don't normally think
of armpits in a church.
Her first question
she ever asked me
was how the mills
were turning in Leiden.
- So how do the mills turn
in Leiden?
- Cheeky cow.
I said, "Well enough.
As well as they turn
in Friesland.
The wind blows in Leiden
as much as it does
in Leeuwarden,
or, for that matter,
out of any miller's arse,"
and she smirked again.
So I could see
it was going to be possible
to share a dirty joke with her.
God, she had big feet.
And, I must admit,
the most delightful,
tight little arse.
We married,
and it worked.
We rousted about.
Did she love me?
Hmm...
I don't know.
Did I love her?
I don't know.
She was more like a relative
I had known all my life.
Perhaps even like a... sister,
but legitimate in bed,
so to speak.
How do babies grow
in your family?
- Like tulips.
- Let's make a baby.
- Very well.
- Very well?
What's that mean?
- No more than it says.
- Get Geertje!
- Let me look!
- No, you don't want to look!
Geertje?!
- Let me draw you.
- No.
- Then let me stay.
- You must go!
This is a private time.
No drawing or painting!
Now, what the hell am I,
just an excuse
for a bloody drawing?!
- How can it be a private time?!
It's our child! We made it!
- I and my stretched
are not just an excuse
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"Nightwatching" Scripts.com. STANDS4 LLC, 2024. Web. 22 Dec. 2024. <https://www.scripts.com/script/nightwatching_14817>.
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