No Country for Old Men Page #14
WELLS:
You go to hell.
A beat.
CHIGURH:
Let me ask you something. If the
rule you followed brought you to
this, of what use was the rule?
Another beat.
WELLS:
Do you have any idea how goddamn
crazy you are?
CHIGURH:
You mean the nature of this
conversation?
WELLS:
I mean the nature of you.
Chigurh looks at him equably. Wells holds his look.
WELLS:
...You can have the money. Anton.
The phone rings.
Wells looks at the phone. Chigurh hasn't moved.
Wells looks at Chigurh, waiting for a decision.
The low chug of the shotgun.
Aside from his finger on the trigger, Chigurh hasn't moved.
He sits staring at Wells's remains for a beat.
Now his look swings onto the phone. He watches it ring twice
more.
He picks it up and listens without speaking.
After a beat:
MOSS'S VOICE
...Hello?
CHIGURH:
Yes?
Another beat.
MOSS'S VOICE
A longer beat.
CHIGURH:
Not in the sense that you mean.
Moss doesn't answer. Chigurh gives him a beat, and then:
CHIGURH:
...You need to come see me.
We intercut Moss, in his hospital robe, at a public phone on
the ward. He stands tensed with the phone to his ear. Finally:
MOSS:
Who is this.
CHIGURH:
You know who it is.
A beat.
CHIGURH:
...You need to talk to me.
MOSS:
I don't need to talk to you.
CHIGURH:
I think that you do. Do you know
where I'm going?
MOSS:
Why would I care where you're going.
CHIGURH:
Do you know where I'm going?
No answer.
INT. 2ND HOTEL EAGLE ROOM - NIGHT
Chigurh c*cks his head, noticing something on the floor. He
adjusts to sit back and raise his boots onto the bed.
On the floor where his feet were, blood is pooling out from
Wells's chair.
CHIGURH:
...I know where you are.
MOSS:
Yeah? Where am I?
CHIGURH:
You're in the hospital across the
river. But that's not where I'm going.
Do you know where I'm going?
MOSS:
Yeah. I know where you're going.
CHIGURH:
All right.
MOSS:
You know she won't be there.
CHIGURH:
It doesn't make any difference where
she is.
MOSS:
So what're you goin' up there for.
A beat.
CHIGURH:
You know how this is going to turn
out, don't you?
MOSS:
No. Do you?
CHIGURH:
Yes, I do. I think you do too. So
this is what I'll offer. You bring
me the money and I'll let her go.
Otherwise she's accountable. The
same as you. That's the best deal
you're going to get. I won't tell
you you can save yourself because
you can't.
MOSS:
Yeah I'm goin' to bring you somethin'
all right. I've decided to make you
a special project of mine. You ain't
goin' to have to look for me at all.
Moss slams the phone onto its hook, then slams it twice more
for good measure.
Chigurh, in the hotel room, cradles his phone.
Sheriff Bell sits at his usual booth, but with an unaccustomed
look:
reading glasses. He has been looking at a newspaperbut is now peering over his glasses up at Wendell who
apparently interrupted his reading.
BELL:
The motel in Del Rio?
Wendell nods.
WENDELL:
Yessir. None of the three had ID on
'em but they're tellin' me all three
is Mexicans. Was Mexicans.
BELL:
There's a question. Whether they
stopped bein'. And when.
WENDELL:
Yessir.
BELL:
Now, Wendell, did you inquire about
the cylinder lock?
WENDELL:
Yessir. It was punched out.
BELL:
Okay.
WENDELL:
BELL:
No, that's the only thing I would've
looked for. And it sounds like these
boys died of natural causes.
WENDELL:
How's that, Sheriff?
BELL:
Natural to the line of work they was
in.
WENDELL:
Yessir.
BELL:
My lord, Wendell, it's just all-out
war. I don't know any other word
for it. Who are these folks? I don't
know...
He rattles the paper.
BELL:
...Here last week they found this
couple out in California they would
rent out rooms to old people and
then kill em and bury em in the yard
and cash their social security checks.
They'd torture em first, I don't
know why. Maybe their television set
was broke. And this went on until,
and here I quote...
He looks through his glasses at the paper.
BELL:
..."Neighbors were alerted when a
man ran from the premises wearing
only a dog collar." You can't make
up such a thing as that. I dare you
to even try.
He peers over his glasses at Wendell who respectfully shakes
his head and tsks.
Sheriff Bell rattles the paper again.
BELL:
...But that's what it took, you'll
notice. Get someone's attention.
Diggin graves in the back yard didn't
bring any.
Wendell bites back a smile. Sheriff Bell gazes at him over
his glasses for a long beat, deadpan.
BELL:
...That's all right. I laugh myself
sometimes.
He goes back to the paper.
BELL:
...There ain't a whole lot else you
can do.
Moss, a coat thrown over his hospital robe, is standing before
a uniformed INS official on the Rio Grande bridge.
The official, who looks like a marine drill instructor, is
chewing. He chews for a long beat, staring at Moss.
He finally spits tobacco juice and pats his lower lip with a
handkerchief.
OFFICIAL:
Who do you think gets through this
gate into the United States of
America?
MOSS:
I don't know. American citizens.
OFFICIAL:
Some American citizens. Who do you
think decides?
MOSS:
You do, I reckon.
OFFICIAL:
That is correct. And how do I decide?
MOSS:
I don't know.
OFFICIAL:
I ask questions. If I get sensible
answers then they get to go to
America. If I don't get sensible
answers they don't. Is there anything
about that that you don't understand?
MOSS:
No sir.
OFFICIAL:
Then I ask you again how you come to
be out here with no clothes.
MOSS:
I got an overcoat on.
OFFICIAL:
Are you jackin' with me?
MOSS:
No sir.
OFFICIAL:
Don't jack with me.
MOSS:
Yes sir.
OFFICIAL:
Are you in the service?
MOSS:
No sir. I'm a veteran.
OFFICIAL:
Nam?
MOSS:
Yes sir. Two tours.
OFFICIAL:
What outfit.
MOSS:
Twelfth Infantry Batallion. August
seventh nineteen and sixty-six to
July second nineteen and sixty-eight.
The official stares at him, chewing, sour.
OFFICIAL:
Wilson!
GUARD:
Yessir.
OFFICIAL:
Get someone to help this man. He
needs to get into town.
The clerk who earlier sold him the boots:
CLERK:
Moss is walking up in his boots and overcoat and hospital
robe.
MOSS:
Good. I need everything else.
CLERK:
Okay.
MOSS:
You get a lot of people come in here
with no clothes on?
CLERK:
No sir, it's unusual.
We are looking across the Rio Grande. Moss appears over the
near edge of the river bank, newly clothed, and holding the
document case.
As he reaches the top of the bank he frowns and twists his
neck, responding to an irritation. He feels around with his
free hand inside the back of the shirt collar. A sharp yank.
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"No Country for Old Men" Scripts.com. STANDS4 LLC, 2024. Web. 25 Nov. 2024. <https://www.scripts.com/script/no_country_for_old_men_175>.
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