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Nocturnal Animals Page #16
- R
- Year:
- 2016
- 116 min
- $10,639,114
- 3,299 Views
81
FLASHBACK:
INT. TRAVIS COUNTY MEDICAL CLINIC, AUSTIN TEXAS,811997. DAY.
Rain pounds on the window. Hutton helps Susan on with her
coat. A nurse can be seen walking away from them.
82
FLASHBACK:
INT. MERCEDES COUP, PARKING LOT, TRAVIS COUNTY 82MEDICAL CLINIC, AUSTIN TEXAS, 1997. DAY -- MINUTES LATER.
It is raining. The windshield wipers are on. Both Hutton and
Susan are wet. Hutton is sitting in the driver’s seat. Susan
is in the passenger seat.
100.
HUTTON:
Are you okay?
SUSAN:
I’ll live to regret this. I regret
it now.
Susan shakes her head. She is staring down at her knees. She
is fingering the small gold cross at her neck.
SUSAN (CONT’D)
You know, I don’t even believe in
abortions. I’m Catholic.
HUTTON:
I’m so sorry, Susan. I feel
useless.
SUSAN:
You’re anything but useless. You
always seem to know exactly what to
do. Thank you.
Hutton reaches across and clenches Susan’s hand.
SUSAN (CONT’D)
I don’t think I can ever look at
Edward again. It would kill him to
know that I’ve done this to his
child. It’s killing me.
Susan begins to cry. Hutton reaches across and holds her.
HUTTON:
He’s never going to know about it.
Susan is sobbing now and is trembling.
SUSAN:
What have I done?
Hutton leans over and holds Susan tight as she cries.
HUTTON:
It’s okay. I promise it will be
okay. I’ll make it okay.
As the windshield wipers flick the water off of the
windshield we see that there is a man standing next to his
car in the rain across the parking lot. It’s Edward.
101.
As Susan looks up, she sees Edward staring directly at her.
SUSAN:
Oh my god no. Edward.
Our camera lingers on Edward’s face.
END FLASHBACK.
83 EXT. ANDES CABIN, WEST TEXAS. NIGHT -- CONTINUOUS. 83
Our camera is on Tony’s face as he stares down at Lou’s body.
He stands still, seemingly in a trance. Andes walks over to
him. Tony places his hands up to his face as he begins to
breathe erratically. The sounds coming from deep within his
body are guttural and animal-like as he cries out. His
sobbing becomes hysterical. Out of control. He is gasping for
air.
ANDES:
Tony. You know I had to shoot him.
TONY:
I don’t give a god damned f*** that
you shot him! I’m glad that you
shot him! I’m glad that he’s dead!
I should have done it when I had
the chance. I should have protected
them! I should have seen it coming!
I should have stopped it! I should
have stopped it.
Tony drops down onto his knees. Andes kneels down and puts
his arm around Tony who continues to sob uncontrollably.
ANDES:
It’s okay, it’s okay. You’re okay.
TONY:
I should have stopped it Bobby!
ANDES:
Look at me. You’re okay. You’re a
good man.
Tony sits still and slowly catches his breath. His face is
wet with tears.
102.
ANDES (CONT’D)
Come on. Get up. We have to go. If
Ray gets to the road he’ll
hitchhike. We need to catch him
before he gets a ride. When you get
to the fork in the road turn left.
That goes back towards where he
took your folks. He might hide
there although I doubt it. I
suspect he’s headed towards the
highway. I’ll go that way.
He hands Tony a gun.
ANDES (CONT’D)
Here. Take this. I have another one
in the car.
TONY:
Are you in trouble for all of this?
ANDES:
I don’t know. I don’t give a sh*t.
I’m dying, remember?
He watches Andes get into his car and start it up. As Tony
backs out his headlights rake across the body lying in the
dirt.
84 INT. TONY’S CAR, DIRT ROAD, WEST TEXAS. NIGHT -- LATER. 84
Tony drives down the dark road. As his lights illuminate the
brush on either side of the road we see the trailer ahead.
Tony slows down for a moment and stares at the trailer. It is
dark, unlit. After a few minutes he stops the car and thinks.
He turns off his lights and backs the car slowly down the
road and eases it into a small clearing.
85 EXT. DIRT ROAD, WEST TEXAS. NIGHT -- CONTINUOUS. 85
Tony quietly gets out of the car and slowly starts towards
the trailer. He silently slips up the steps and inside the
unlocked door.
103.
86 INT. TRAILER, WEST TEXAS. NIGHT -- CONTINUOUS. 86
In a sudden move he pushes the door open. There on the bed is
Ray, who sits up on his elbows shocked. Tony points the gun
directly at him.
RAY:
Christ. You. Where’s your pal?
TONY:
He’s on his way.
RAY:
Your cop friends?
TONY:
They’re around.
RAY:
Are they here?
Ray sits up and looks out of the window. Tony flicks on the
light.
TONY:
Just me for the moment.
RAY:
You and that f***ing gun that you
don’t know how to use. What
happened to Lou?
TONY:
He’s dead.
RAY:
What? That son of a b*tch killed
him! That’s big trouble for your
friend, you know that?
TONY:
I don’t think so.
RAY:
Oh you don’t think so? And so just
what do you want. You and that
silly gun. I’ve seen how handy you
are with that thing.
Ray stands up. Tony c*cks the gun.
104.
TONY:
Sit the f*** down! Sit down or I
will f***ing kill you!
Ray is stunned by the tone of Tony’s voice and backs up to
the bed and sits back down.
RAY:
Listen man. Why does a nice guy
like you hang out with a guy like
Andes. He kills people.
TONY:
You kill people.
Ray looks at Tony in disgust.
RAY:
They had it coming to them. Your
f***in wife. That kid.
Tony is livid. He is invigorated.
RAY (CONT’D)
But you got me wrong man. It was an
accident.
TONY:
Accident! It was an accident!
RAY:
I got a certain pride in how people
talk to me and there are certain
things I don’t put up with. Let me
tell you man, when someone accuses
me of something, that’s an insult.
It gives me the right. If my woman
accuses me of f***ing somebody
else, then I go f*** somebody else.
If your f***ing daughter thinks I’m
a rapist, then she gets raped.
Tony is livid.
TONY:
Nobody gets away with what you did.
Nobody.
RAY:
They don’t?
105.
Tony is pointing the gun directly at Ray and closes his eyes
for a moment as he squeezes the handle of the gun. He is
almost in a trance.
TONY:
Nobody. Nobody. Nobody.
RAY:
So why don’t you just kill me? Come
on man, you don’t know nothin. It’s
fun to kill people. You of all
people ought to try it sometime.
Ray is quietly sliding his hand under the pillow on the bed.
He has hidden a metal rod of some kind there and we see his
fingers slide around the handle.
TONY:
Fun! Did you have fun killing my
wife and daughter! Get up. It’s
time for you to go.
TONY (CONT’D)
Go. Go on.
Ray surveys Tony and the room. He stands up slowly. One hand
is holding the fire poker behind his back.
Ray looks Tony in the face. He begins to grin.
RAY:
Your wife. Yeah, I remember your
f***in wife. I remember f***in your
wife, but you’re too weak. To
f***in weak. You’re too weak to do
anything about it.
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"Nocturnal Animals" Scripts.com. STANDS4 LLC, 2025. Web. 23 Feb. 2025. <https://www.scripts.com/script/nocturnal_animals_1310>.
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