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Nocturnal Animals Page #6
- R
- Year:
- 2016
- 116 min
- $10,639,114
- 3,216 Views
RAY (CONT’D)
(To Tony) You all right over there?
Need a tissue?
Ray walks over to Tony who is now standing holding onto his
nose as the blood runs down his face.
RAY (CONT’D)
God damn! That looks bad!
He turns towards Laura and India.
32.
RAY (CONT’D)
Hey honey! You got a tampon? Your
nose looks like sh*t!
TONY:
I’m fine.
RAY:
I mean it looks like sh*t.
TONY:
I’m fine.
The men have finished with the car. Ray looks over at them.
RAY:
Are we good? We’re good. We’re set.
We’re good to go.
TONY:
Alright. How far up the road until
we can get a phone signal?
RAY:
And why do you want to get further
up the road? So you can leave the
scene of an accident again?
INDIA:
Leave him alone!
Ray looks over at India and stares at her for a moment. He
then turns back to Tony.
RAY:
There’s service up by Bailey. How
do you think we’re gonna get there
though?
TONY:
In our cars.
RAY:
Which car?
33.
TONY:
Both cars.
RAY:
Naw, mister. Don’t try no f***in
sh*t with me.
TONY:
What?
RAY:
You heard me. I know what you’re
doin. I know what your plan is.
TONY:
What is the matter?
RAY:
Don’t try no f***ing sh*t with me.
TONY:
What is the matter? What the f***
is wrong with you?
RAY:
How do I know that you ain’t gonna
just floor the gas and leave me in
the dust.
TONY:
Alright fine. Get in your car and
we’ll follow you there.
RAY:
F*** you! No way! You go in my car.
TONY:
What?
INDIA:
No!
LAURA:
No. No way.
RAY:
You come with us.
TONY:
No. I’m not going to do that.
34.
RAY:
Okay fine. You drive your car and
the girl comes with us.
Ray starts to move around the back of the car towards Laura
and India. Lou moves towards Tony to hold him back. Laura
tries to push Ray away from India but is blocked by Turk who
throws her to the ground. Ray picks India up and begins to
carry her to the front of the car. The two women begin
screaming as the situation becomes more violent. Tony finally
breaks free from Lou and moves in towards the car only to be
held back once again.
TONY:
Stop! What are you doing! Stop! Get
your hands off of them!
India breaks free and runs down the road as Ray stands
catching his breath. He calls after her as he rubs his
crotch.
RAY:
Bye bye sweetheart. I love you!
TONY:
India!
Laura is still struggling with Turk as Lou releases Tony.
TONY (CONT’D)
Get your hands off of her!
Laura breaks free and runs towards India. Ray looks towards
Tony who is now slowly wandering down the road towards Laura
and India. He is dazed.
RAY:
Look what you gone and did!
RAY (CONT’D)
Is she the boss? Is she the boss of
your family?
TONY:
Laura!
35.
As Tony moves towards his wife and daughter Ray follows and
drops down to his knees in front of Tony.
RAY:
Have you got a vagina? Have you got
a f***in vagina there?
Ray flattens himself on the road and begins f***ing the
pavement.
RAY (CONT’D)
Tony finally snaps, moves quickly to Ray and screams at the
top of his voice.
TONY:
Stay away! Stay away! Stay the f***
away!
Ray is now right in Tony’s face as the two men stand
screaming at each other. Laura runs to the car and shouts at
Tony and India to get in the car.
LAURA:
Tony! Tony! Get in the car!
There is a rush of motion, the men are startled, India runs
to the car and makes her way around to the rear door and into
the backseat, slamming and locking the door behind her. Laura
also jumps into the front seat and locks the door.
Ray has now moved away from Tony and towards the Mercedes.
RAY:
Hey! Here we go! Go in both cars!
Hey Lou!
Ray runs around to the driver’s side of the Mercedes and
starts to jump in just before Laura realizes too late what is
happening and is not able to reach across and lock the door.
He braces the door open with his foot as Laura scratches and
claws at him as he tries to get in.
As Tony looks up, he sees Turk reach around and unlock the
back door as India bites him and screams. He fights her off
and pushes his way into the car as Ray slams the driver’s
door and starts the car.
36.
INDIA:
Dad! Dad!
Tony stares at what is happening in complete disbelief. He
freezes and stands for a moment paralyzed. India’s scream
pierces the silence of the night and finally pulls him back
to reality. He snaps to and moves towards the car but
immediately Lou is upon him.
With a violent roar the car pulls onto the highway and speeds
away.
TONY:
No! No!
Tony sees the horrified faces of his wife and daughter as the
car rushes away. India’s tear streaked face staring back at
him from the rear window. The sound of the car fades and the
red tail lights grow fainter and then disappear all together.
TONY (CONT’D)
No! No! No!
22
INT. MORROW RESIDENCE - SUSAN’S BEDROOM. NIGHT --22
CONTINUOUS.
Horrified, Susan snaps the book closed. She is stunned. The
deafening silence and the stillness of her bedroom is in
sharp contrast to the scene she just read. It takes her a
moment to calm down.
She picks up her phone and dials.
23
INT. HOTEL, NEW YORK. EARLY MORNING -- CONTINUOUS. 23
Hutton is in the lobby of the hotel. His cell phone buzzes.
He looks at it and answers.
HUTTON:
Susan?
SUSAN:
Why didn’t you call to let me know
that you got in safely.
HUTTON:
I didn’t want to wake you. It’s 4
o’clock in the morning there.
(MORE)
37.
HUTTON (CONT'D)
Why are you still up? Take one of
those pills.
SUSAN:
Where are you?
HUTTON:
Walking in the door of the hotel.
We see that Hutton is not alone. He is with a beautiful woman
in her early 30s. Very much like a younger version of Susan.
Hutton puts his hand up to his lips to signify to her that
she should not speak. They step into the elevator.
ELEVATOR OPERATOR
What floor sir?
HUTTON:
31 please.
Susan overhears this.
SUSAN:
That’s not our usual floor.
HUTTON:
Our regular room wasn't available.
You should have seen the scene that
I caused in the lobby.
Susan softens.
SUSAN:
I hope you got some sleep on the
plane. I do worry about you, even
though you think I don’t. You must
be exhausted. I hate that flight.
It’s too short to really...
ELEVATOR OPERATOR
31, Madam.
24
INT. MORROW RESIDENCE - SUSAN’S BEDROOM. NIGHT --24
CONTINUOUS.
Susan clocks the “Madam”.
38.
HUTTON:
At my floor. Got to go. I’ll call
you later.
Long pause as we watch Susan’s face.
HUTTON (CONT’D)
Susan?
Susan does not answer.
HUTTON (CONT’D)
Susan? Can you hear me?
SUSAN:
Yes. I heard you. Get some sleep.
She hangs up the phone.
Susan sits staring into space, on the edge of her bed. She
closes her eyes.
25 EXT. HIGHWAY, WEST TEXAS. NIGHT. 25
Tony and Lou run towards the GTO as the dust still lingers
from the other car.
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"Nocturnal Animals" Scripts.com. STANDS4 LLC, 2024. Web. 29 Aug. 2024. <https://www.scripts.com/script/nocturnal_animals_1310>.
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