Northern Pursuit Page #2

Synopsis: Canadian Mountie Steve Wagner captures a German Luftwaffe officer on a spy mission, who later escapes from the prison camp. To catch the spy ring, the Mounties employ a ruse so that the spies, believing Steve to be sympathetic, enlist him in their plans.
Director(s): Raoul Walsh
Production: Warner Bros.
 
IMDB:
6.6
APPROVED
Year:
1943
93 min
43 Views


Have them go over

to the Selwyn Creek cabin.

They'll find Wagner there and a prisoner,

a German aviator.

Tell them to tell Wagner

to bring his prisoner in immediately.

Yes, sir.

Inspector, Corporal Wagner's

been with the force for five years.

- We're partners, I know him and I trust him.

- Yes, so do I.

But, in a case like this,

I can't take any chances.

He's of German descent,

and we're at war.

They've gone.

Do you suppose his prisoner

pulled a fast one?

No, Wagner can take care of himself.

I wonder where they've gone?

- I don't know, but let's contact Bear Lake.

- Right.

A radio message from Constable Nichols,

sir, regarding Corporal Wagner.

Notify all detachments

to search for Wagner and his prisoner.

They're both to be brought in.

I'd like to reach

an understanding with you.

I think I understand you.

By now we either trust each other

or we don't.

What choice do I have?

Well, I don't wanna put it on that basis.

What basis do you want to put it on?

Some things you said back there

were pretty interesting.

For instance, what?

For instance, the relationship of Germans

born in foreign countries to the homeland.

Yes?

I know a lot of Germans

born in Canada like myself.

Perhaps you know some too.

Perhaps.

Sorry, Wagner,

we have orders to bring you both in.

We've come for the prisoner.

All right.

- That guy sounds like a wet duck.

- He's just trying to be funny, Steve.

Everything's gonna be all right.

I'll bet your next paycheck on it.

I wouldn't. I might not have one coming.

What do you mean?

You're gonna have one.

Sign for the prisoner.

I'm sorry, Wagner.

All right, you can come in now.

No, not you, Austin, just Wagner.

All right, come on.

You're asking me to recommend

your application for discharge?

Just as soon as possible.

You know,

I've never been able to make you out.

Nothing to make out about me, sir.

I'm exactly what I seem to be.

All right, let's look at it that way.

You capture a Nazi pilot, you don't report it,

you don't bring him in.

Austin has to report what happened.

You have to be picked up.

What do you seem to me?

- To me, you seem to be...

- Disloyal.

Put yourself in my place.

- Suppose you lost the prisoner?

- I've never lost one before.

- This is no ordinary prisoner.

- That's exactly why I acted on my own.

He was beginning to mention towns,

talking about meeting his contacts.

Probably leading you into a trap.

I can take care of myself.

You forget we have an organization,

corporal.

You've always had a tendency

to forget that very simple fact.

I'm forgetting nothing.

You're forgetting

the spot the man was in.

- Go on.

- He was desperate.

Facing a concentration camp,

willing to take any chance.

You've known me for five years.

If you can suspect me of being disloyal...

I was acting in the best interest

of my country.

Wait a minute. Our country, isn't it?

Sorry.

- It was a slip of the tongue.

- I don't believe it was.

All right.

I'll recommend

your application for discharge.

Thank you, sir.

Are you sure the Air Corps

is the best branch of the service?

I heard that promotions

are much faster in the Tank Corps.

Hah. Not for me. I hear those things

get hotter than a depot stove.

- You through, Steve?

- Just about.

Here, sign this.

- Me?

- Mm-hm.

Why do I have to sign it?

So you can get the separation allowance

for my wife.

Wife?

When, Steve?

As soon as my discharge

from the force comes through.

- A few days at most.

- A few days?

- Why, that's awful fast, isn't it?

- Fast?

We've had the longest engagement

in Manitoba.

Because you weren't allowed to get married

until your first five years were up.

I was willing.

Are you still willing?

- A girl is supposed to hesitate.

- Hesitate?

How much longer? Another four years?

Sit down.

Sign it right there.

That's the girl.

Say, how long have I got

before they call me up?

- You have about two weeks, boy.

- Two weeks.

That's right. Thanks.

Honey, did you hear what he said?

We'll have two weeks together.

Isn't that wonderful?

Hey.

Hey there.

Hey, listen, this is a recruiting office.

Well, where do you want us to go,

out in the snow?

This is the heaviest snow we've had

since I came here.

Last year the snow was much deeper.

Herr von Oberst would like

two pieces of toast with his dinner.

Good. Tell Herr Oberst von Keller

we have some sugar again.

It come today.

That is good.

Halt. Who goes there?

- Friend.

- Advance, friend, to be recognized.

Private Grey reporting to the guard room.

And, you know,

I think marriage is a great institution.

- Everybody should get married at least once.

- All right, we'll get married at least once.

How many times have you married, Nick?

Two times,

and each time it was the great love.

The first time was during the last war.

Just like you and Laura, Steve.

Oh, here you are. Here you are.

Hello, Pop. Today is the day

you get yourself a new son-in-law.

- Give us a grip of your hand.

- The back of it.

I have a derogatory opinion of any man...

...that'll wait till the last minute

to get a haircut.

Especially when there's guests

waiting for the wedding to begin.

And liquor waiting to be drunk.

Pop, a wedding party?

I said McBain's daughter would have

a grand wedding, and that she will.

- Oh, Pop.

- Here, here, come on, stop your nonsense.

- There's no time to waste.

- No, no, no time to waste.

And now I make the marriage present.

Anything in the barber shop is free.

In that case, the guests can wait.

Give me a shave and a haircut.

Can you cut my hair with my muffler on?

He can cut it with your hat on.

When you shave me, don't cut me.

There's no guarantee when it's free.

- Jim, Pop's made all...

- Steve, I'd like to talk with you.

Me?

Steve, what is it?

Oh, I've gotta see someone.

I'll be back in an hour, honey.

- You'll have a wonderful time in Winnipeg.

- Yes, but I'm so nervous.

- How long will you be gone?

- Until Steve is called.

Here, where's that redcoat?

Why isn't he here? If he's late, what

do you expect after you're married a year?

- Don't get excited, he'll be here.

- He'd better be, I'm paying for this.

I was on time

when I married your mother.

I lived in her house for six months

so I wouldn't be late for the wedding.

And if he's not here

in 12 and a half minutes...

...l'll go home

and take my liquor with me.

Pop.

- I hope you enjoyed your stay, sir.

- Yes, thank you, I enjoyed it very much.

You really ought to stay for the wedding.

Everybody is invited.

You know,

a wedding up here is a public affair.

Well, I'd like to,

but I must catch my train.

- Well, goodbye.

- Goodbye.

The railroad station.

- Steve.

- Let go of my arm, will you?

- Listen to reason.

Will you let go of my arm?

Be back in a minute.

Steve, I want you to go back

and ask Inspector Barnett to come in.

- Sorry to be late, couldn't help it.

- Then I'll bring him in.

Bring him here, I'll throw him out.

Rate this script:0.0 / 0 votes

Frank Gruber

Frank Gruber (born February 2, 1904, Elmer, Minnesota, died December 9, 1969, Santa Monica, California) was an American writer. He was an author of stories for pulp fiction magazines. He also wrote dozens of novels, mostly Westerns and detective stories. Gruber wrote many scripts for Hollywood movies and television shows, and was the creator of three TV series. He sometimes wrote under the pen names Stephen Acre, Charles K. Boston and John K. Vedder. Gruber said that as a 9-year-old newsboy, he read his first book, "Luke Walton, the Chicago Newsboy" by Horatio Alger. During the next seven years he read a hundred more Alger books and said they influenced him professionally more than anything else in his life. They told how poor boys became rich, but what they instilled in Gruber was an ambition at age nine or 10, to be an author. He had written his first book before age 11, using a pencil on wrapping paper. Age 13 or 14, his ambition died for a while but several years later it rose again and he started submitting stories to various magazines, like Smart Set and Atlantic Monthly. Getting rejected, he lowered his sights to The Saturday Evening Post and Colliers, with no more success. The pulps were getting noticed and Gruber tried those but with no success. As a story came back with a rejection slip, he would post it off again to someone else, so he could have as many as forty stories going back and forth at different times, costing him about a third of his earnings in postage. Erle Stanley Gardner called him the fighter who licked his weight in rejection slips. February 1927, he finally sold a story. It was bought by The United Brethren Publishing House of Dayton. It was called "The Two Dollar Raise" and he got a cheque through for three dollars and fifty cents. Answering an ad in the Chicago Tribune, he got a job editing a small farm paper. In September he got a better paid job in Iowa and soon found himself editing five farm papers. He had lots of money and even wrote some articles for the papers but found he had no time to write the stories he wanted to write. In 1932 the Depression hit, and he lost his job. 1932 to 1934 were his bad years. He wrote and wrote, many stories typed out on an old "Remington" but of the Sunday School stories, the spicy sex stories, the detective stories, the sports stories, the love stories, very few sold, with some companies paying him as little as a quarter of a cent per word. He had a few successes and remained in Mt. Morris, Illinois for 14 months before deciding to head to New York on July 1, 1934. There were numerous publishing houses in New York and he could save money on postage but this led to him walking miles to deliver manuscripts as he had so little money, not even enough for food most of the time. He stayed in a room in the Forty Fourth Street Hotel ($10.50 per week). In his book, The Pulp Jungle (1967), Gruber details the struggles (for a long time, at least once a day he had tomato soup, which was free hot water in a bowl, with free crackers crumbled in and half a bottle of tomato sauce added) he had for a few years and numerous fellow authors he became friendly with, many of whom were famous or later became famous. Early December 1934 and with endless rejection slips, he got a phone call from Rogers Terrill. Could he do a 5,500 word filler story for Operator #5 pulp magazine by next day? He did and got paid. Even better, they wanted another one next month, and another. He was then asked to do a filler for Ace Sports pulp, which sold. Gruber's income from writing in 1934 was under $400. In 1935, his stories were suddenly wanted and he earned $10,000 that year. His wife came to live with him (she had been living with relatives) and he lived the good life, moving into a big apartment and buying a Buick ($750). January 1942, Gruber decided to try Hollywood, having heard about the huge sums some stories sold for and stayed there till 1946. Gruber—who stated that only seven types of Westerns existed—wrote more than 300 stories for over 40 pulp magazines, as well as more than sixty novels, which had sold more than ninety million copies in 24 countries, sixty five screenplays, and a hundred television scripts. Twenty five of his books have sold to motion pictures, and he created three TV series: Tales of Wells Fargo, The Texan and Shotgun Slade. His first novel, The Peace Marshall, which was rejected by every agent in New York at the time, became a film called "The Kansan", starting Richard Dix. The book has been reprinted many times with total sales of over one million copies. He bragged that he could write a complete mystery novel in 16 days and then use the other 14 days of the month to knock out a historical serial for a magazine. His mystery novels included The French Key (for which he sold the motion picture rights for $14,000 in 1945) and The Laughing Fox. more…

All Frank Gruber scripts | Frank Gruber Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Northern Pursuit" Scripts.com. STANDS4 LLC, 2024. Web. 18 Nov. 2024. <https://www.scripts.com/script/northern_pursuit_14949>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Northern Pursuit

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    Which screenwriter won an Academy Award for "Good Will Hunting"?
    A Eric Roth
    B Steven Zaillian
    C Quentin Tarantino
    D Matt Damon and Ben Affleck