Nothing But a Man
- NOT RATED
- Year:
- 1964
- 95 min
- $9,248
- 444 Views
A crew of African-Americans are laying tracks in rural Alabama. The crane
operator is the only white man on the section gang.
INT. BUNK CAR
The dormitory of the section gang. The men are through for the day and
lounging on their bunkbeds. DUFF ANDERSON plays checkers with FRANKIE, using
bottle tops as pieces. Duff makes the winning move and Frankie, disgusted,
turns over the board. He saunters over to JOCKO, who is shaving in a broken
mirror. Frankie watches him with a grin.
JOCKO:
Go to hell, Frankie.
FRANKIE:
Man, you sure one ugly cat!
He takes the cigarettes Jocko has rolled, sailor-style, into the sleeve of
his T-shirt.
JOCKO:
Why don't you guys buy your own?
FRANKIE:
'Oughta give up smoking, Jocko.
He stops in front of an older man, who is writing a letter.
FRANKIE:
How much longer we got on this stretch, Riddick?
RIDDICK:
Five weeks, maybe six.
FRANKIE:
Man, what a dump.
He circles restlessly past two cardplayers back to Duff, who is clipping his
fingernails.
FRANKIE:
What you gettin' all pretty for?
DUFF:
(with a grin)
Why don't you relax, Frankie?
RAILROAD TRACK:
Duff, Frankie, and Jocko are riding a track-car, powered by a small engine,
into the nearest town. The sun is setting. A church bell rings.
POOL HALL:
Jocko, a cigar in his mouth, is playing a pinball machine. Duff and Frankie
stand at the bar. They are joined by DORIS , a sad-looking woman with bad
skin.
DORIS:
Who's going to buy me a beer?
FRANKIE:
(scornfully)
What's the matter, Doris? Business bad?
DORIS:
It sure is.
FRANKIE:
Everybody givin' it away free, huh?
DORIS:
You gonna buy me a beer, Frankie?
FRANKIE:
See Duff. He's the money man.
DORIS:
What d'you say, Duff?
DUFF:
(to the bartender)
Give her a beer.
DORIS:
Thanks, Duff. You' a nice guy. Not like Frankie.
FRANKIE:
You know, Doris - you'd make some guy a swell
wife.
DORIS:
You think so, Frankie?
FRANKIE:
Hell, you got steady work.
DUFF:
Quit ridin' her, Frankie.
The bartender serves her a bottle of beer
FRANKIE:
I ain't ridin' her. Wouldn't ride her on a bet.
Duff pays for the beer and turns to leave.
DORIS:
Where' you goin'?
DUFF:
Out.
DORIS:
Want me to come?
DUFF:
No thanks.
DORIS:
Come on, honey.
FRANKIE:
Where' you goin'?
DUFF:
'Round town.
FRANKIE:
What's so hot 'round town?
DUFF:
(with a grin)
Take it easy, Frankie.
He leaves.
FRANKIE:
Don't wanna fish you outa no jailhouse.
STREET (Night)
Duff is walking along the deserted street in the black part of town.
Music from the pool hall fades and we pick up the strains of gospel singing
from a nearby church.
INT. CHURCH
The choir is singing "Precious Lord." The women are spirited and the
congregation in the small wooden building is alive to the music.
Duff appears in the open doorway and stops to listen.
When the song ends, REVEREND DAWSON rises from his chair.
REVEREND:
I'm glad to see this meeting off to a good
start. Now we'll take a break and then come back
to hear from our distinguished guest - Reverend
Butler of the Morgan Street Baptist Church in
Birmingham. See you all in a little while.
Reverend Butler compliments him on the choir.
CHURCH YARD:
Long tables laden with food are lit by strings of lightbulbs. The sound of a
gospel piano from inside the church.
A smiling middle-aged woman has taken Duff in tow and leads him over to a
young woman (JOSIE), who is serving food.
WOMAN:
Josie - this is Brother Anderson. Now you give
him some of that good food. He's a fine young
man.
(on her way)
Ain't it a wonderful meetin'?!
Duff studies Josie with a smile. She is clearly middle class. While she puts
food on a paper plate, she glances at him - matching his ironic detachment
with her own. She hands him the plate
DUFF:
Thank you, Ma'am. That's fine.
JOSIE:
You must be new in town.
DUFF:
(with a grin)
I'll have me some of that punch there, too.
She serves the punch.
JOSIE:
Haven't seen you around, have I?
DUFF:
No. I'm new in town.
JOSIE:
(unwilling to give up)
You working?
DUFF:
Yeah. On the section gang.
He is sure that this will put a stop to her curiosity. It doesn't.
JOSIE:
(interested)
Oh yeah?
DUFF:
You work around town?
JOSIE:
I'm a teacher.
DUFF:
Went to college, huh?
JOSIE:
In Birmingham.
DUFF:
Oh yeah? That's my home town.
JOSIE:
Your folks live there?
DUFF:
No. My mother's dead.
(after a moment)
You goin' back inside?
JOSIE:
Yes, aren't you?
DUFF:
No. Never had much use for hell-howlers. You
goin'?
JOSIE:
(with a smile)
My father's the preacher.
DUFF:
(grinning)
Oh yeah? Well, I guess you got no choice.
JOSIE:
That's right.
DUFF:
(a bit tentatively)
Look, I don't know what you been told 'bout
section gangs, but how 'bout seein' me sometime?
JOSIE:
(with a non-committal smile)
Maybe.
INT. CHURCH
The visiting revival preacher is in full swing, preaching and singing. The
congregation of women is in a state of high excitement. Josie alone seems out
of it, though she sits in their midst.
Duff has been standing in the doorway. He turns away.
EXT. CHURCH
Duff walks away, past a shack. The singing fades. A dog barks.
BUNK CAR (Night)
Duff, Frankie, Jocko, and an older man (POP) are playing cards. While waiting
for his turn, Jocko catches a fly and sneaks a look at Frankie's cards.
JOCKO:
You got a lousy hand, Frankie.
Frankie throws down the cards.
FRANKIE:
Yeah, I quit.
He gets up. At loose ends, he picks up an old Flit-gun and squirts it at
Duff, who is polishing his shoes.
DUFF:
You got nothin' on your mind but your hair,
Frankie. How 'bout your car, Riddick?
RIDDICK:
Yeah, you can have it.
JOCKO:
Man, you won't like that back seat.
FRANKIE:
Man, why 'you messin' around with a gal like
that? You won't get no place.
JOCKO:
Hell, they're all after the same thing.
POP:
Yeah. All a colored woman wants is your money.
JOCKO:
What d'you know about women, Pop?
POP:
Well, I got married to one of them.
JOCKO:
Hell, I didn't know you was married.
POP:
Sure. Got a sixteen-year-old girl.
JOCKO:
Is that right?
(to Duff)
Think you're gonna make it with her?
FRANKIE:
Just get her drunk.
DUFF:
(to Riddick)
How 'bout the key?
FRANKIE:
I bet she's easy jam.
DAWSON DINING ROOM (Night)
A middle-class tableau. Dinner is over. Reverend Dawson is reading the paper.
Josie, dressed for an evening out, sits across from her step-mother, who is
looking at her with pursed lips.
MRS. DAWSON
I know you pay no mind to my feelings, but
d'you think it's right for you to go out with
him?
JOSIE:
I'm twenty-six years old, Susan.
MRS. DAWSON
Perhaps you ought to tell her, Frank.
Reverend Dawson has no stomach for confrontations, but turns to Josie
dutifully.
REVEREND DAWSON:
Well, we have a position in town, Josie. You
have to remember that. There're lots of other
young men.
MRS. DAWSON
I don't think your mother would have approved.
JOSIE:
I do.
MRS. DAWSON
Well, there's just one thing you can be looking
for in a man like that.
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"Nothing But a Man" Scripts.com. STANDS4 LLC, 2024. Web. 23 Dec. 2024. <https://www.scripts.com/script/nothing_but_a_man_935>.
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