Notorious Page #8

Synopsis: Notorious is a 1946 American thriller film directed and produced by Alfred Hitchcock, starring Cary Grant, Ingrid Bergman and Claude Rains as three people whose lives become intimately entangled during an espionage operation. It was shot in late 1945 and early 1946, and was released by RKO Radio Pictures in August 1946.
Production: RKO Radio Pictures
  Nominated for 2 Oscars. Another 3 wins & 1 nomination.
 
IMDB:
8.0
Rotten Tomatoes:
97%
NOT RATED
Year:
1946
101 min
5,832 Views


EMIL:

Thank you. And I'm very sorry to make a

scene before strangers. Very sorry.

Emil exits. Eric turns in the doorway, as polished as ever.

ERIC:

Thank you, Alex, for an excellent dinner.

And please tell your mother for me that the

dessert was superb.

Eric closes the study door.

FADE OUT:

EXT. THE RACETRACK - DAY

FADE IN on the huge early morning crowd that packs the big RACETRACK in Rioat the foot of a picturesque mountain, a day or so later.

DISSOLVE TO:

A CLOSER VIEW of the same.

DISSOLVE TO:

EXT. SEBASTIAN'S BOX - DAY

Sebastian, peering through binoculars, and his mother, reading a newspaper,

sit with Alicia's empty seat between them.

MME. SEBASTIAN

Miss Huberman has been gone a long time.

SEBASTIAN:

Mother, is it necessary for you to always

address Alicia as Miss Huberman? I do wish

you'd be a little more cordial to her.

MME. SEBASTIAN

Really, I thought I was behaving rather well.

Has she been complaining about me?

SEBASTIAN:

No.

MME. SEBASTIAN

I'm grateful.

SEBASTIAN:

You might smile at her.

MME. SEBASTIAN

Wouldn't it be a little too much if we both

grinned at her like idiots?

SEBASTIAN:

Please, mother. I want to enjoy myself.

MME. SEBASTIAN

Is it so boring to sit with me alone?

SEBASTIAN:

Not at all, not at all.

DISSOLVE TO:

EXT. IN THE CROWD - DAY

Devlin spots Alicia in the racetrack CROWD as she leans against a guardrail, moments later. He joins her, and they put on a show of pretendingthat this is a chance encounter.

DEVLIN:

Hello.

ALICIA:

Oh, hello.

Devlin shakes Alicia's hand.

DEVLIN:

I thought I saw you.

ALICIA:

How are you?

DEVLIN:

Fine, thanks. Great turnout, isn't it?

ALICIA:

Yes.

They lower their voices.

DEVLIN:

Where are they?

ALICIA:

In a box in the stands. I don't think they

can see us, Alex and his mother.

DEVLIN:

Don't telephone me anymore. Just rely upon

my popping up.

ALICIA:

Can you hear me?

Devlin pretends to fill out a racing form while taking notes.

DEVLIN:

Sure, go ahead.

ALICIA:

Heard of, uh, Doctor Anderson?

DEVLIN:

No.

ALICIA:

He's some kind of a scientist. Kind face,

sixty years old, gray hair, deep crease inforehead.

DEVLIN:

Tall or short?

ALICIA:

Short.

DEVLIN:

Hmmph.

ALICIA:

Emil Hupka? Heard of him?

DEVLIN:

No.

ALICIA:

He made quite a scene about a wine bottlethe other night.

DEVLIN:

Didn't like the vintage?

ALICIA:

He seemed to think there was something elsein the bottle.

DEVLIN:

Was there?

ALICIA:

No. It was wine. We drank it.

DEVLIN:

Has he pulled anything since?

ALICIA:

Haven't seen him since.

DEVLIN:

Anything else?

ALICIA:

Nothing important. Just a minor item that

you may want for the record.

DEVLIN:

What is it?

ALICIA:

You can add Sebastian's name to my list ofplaymates.

A pause, as Devlin's jealousy surfaces, changing his whole demeanor.

DEVLIN:

(bitterly)

Pretty fast work.

ALICIA:

(loses her composure)

That's what you wanted, wasn't it?

DEVLIN:

(harsh)

Skip it.

ALICIA:

(back to putting on a show)

Are you betting on this race?

DEVLIN:

No.

ALICIA:

Alex says number ten is sure to win. He knows

the owner.

DEVLIN:

Thanks for the tip.

ALICIA:

Alex says they've been holding him back allseason --

They lower their voices again.

DEVLIN:

I can't help recalling some of your remarks.

About being a new woman. Daisies andbuttercups, wasn't it?

ALICIA:

You idiot. What are you sore about? You knewvery well what I was doing.

DEVLIN:

Did I?

ALICIA:

You could have stopped me with one word. But,

no, you wouldn't. You threw me at him.

DEVLIN:

I threw you at nobody.

ALICIA:

Didn't you tell me to go ahead?

DEVLIN:

A man doesn't tell a woman what to do. She

tells herself. You almost had me believing

in that little hokey-pokey miracle of yours,

that a woman like you could ever change her

spots.

Alicia raises her binoculars to her face to watch the race, or perhaps tohide her anguish from Devlin.

ALICIA:

Oh, you're rotten.

DEVLIN:

That's why I didn't try to stop you. The answer

had to come from you.

ALICIA:

I see. Some kind of love test.

DEVLIN:

That's right.

ALICIA:

Well, you never believed in me anyway, so

what's the difference?

DEVLIN:

Lucky for both of us I didn't. It wouldn't

have been pretty if I believed in you. If

I'd figured: "She'll never be able to go

through with this. She's been made over by

love..."

ALICIA:

(starts to cry)

If you only once had said that you loved

me. Oh, Dev.

DEVLIN:

Listen. You chalked up another boyfriend.

That's all. No harm done.

ALICIA:

I hate you.

DEVLIN:

(grins)

There's no occasion to. You're doing good

work.

(off the race)

Number ten's out in front. Looks as if

Sebastian knows how to pick 'em.

ALICIA:

Is that all you have to say to me?

DEVLIN:

Dry your eyes, baby. It's out of character.

Except, keep on your toes -- it's a tough

job we're on.

Devlin sees Sebastian coming.

DEVLIN:

(to Alicia)

Snap out of it, here comes dreamboat.

Sebastian threads through the crowd and joins them as Alicia tries to regainher composure.

ALICIA:

Oh, hello, Alex. It was so exciting, a

beautiful horse. Do you remember Mister

Devlin?

SEBASTIAN:

(to Devlin)

How do you do?

DEVLIN:

(to Sebastian)

Hello. Alicia tells me you had a bet on

number ten. Sorry I didn't get the tip

earlier. So long.

Devlin walks off.

ALICIA:

See you sometime, Dev.

(to Alex)

It was a wonderful race. Did you have

much money on the winner?

SEBASTIAN:

I didn't see the race.

ALICIA:

Didn't you? I thought I saw you looking

through your field glasses.

SEBASTIAN:

I was watching you and your friend, Mister

Devlin. I presume that's why you left my

mother and me. You had an appointment to

meet him.

ALICIA:

Don't be absurd. I met him purely by accident.

SEBASTIAN:

You didn't seem very anxious to get away

from him.

ALICIA:

Oh, he's just...

SEBASTIAN:

I watched you. I thought maybe you're in

love with him.

ALICIA:

Don't talk like that. I detest him.

SEBASTIAN:

Really? He's very good looking.

ALICIA:

Alex, I've told you before. Mister Devlin

doesn't mean a thing to me.

SEBASTIAN:

I'd like to be convinced. Would you maybe

care to convince me, Alicia, that Mister

Devlin means nothing to you?

DISSOLVE TO:

EXT. U.S. EMBASSY - DAY

The U.S. EMBASSY, not long after.

DISSOLVE TO:

INT. PRESCOTT'S OFFICE - DAY

Prescott sits with Beardsley and Beardsley while a moody Devlin stands,

staring out a window.

PRESCOTT:

... pleased to hear, Senor Barbosa, thatour little theatrical plan is working. We've

got hold of something concrete for a change.

BARBOSA:

I'm delighted, gentlemen. What is it?

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Ben Hecht

Ben Hecht (1894–1964) was an American screenwriter, director, producer, playwright, journalist and novelist. A journalist in his youth, he went on to write thirty-five books and some of the most entertaining screenplays and plays in America. He received screen credits, alone or in collaboration, for the stories or screenplays of some seventy films. more…

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    "Notorious" Scripts.com. STANDS4 LLC, 2024. Web. 21 Dec. 2024. <https://www.scripts.com/script/notorious_40>.

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