Noviembre Page #2
- Year:
- 2008
- 15 min
- 53 Views
What's your aim?
Me?
To study.
To study what?
Acting.
Why?
What do you mean?
Why acting?
You must have a reason.
Or was it just either this
-or computers?
-Because I enjoy it.
What do you enjoy?
-Acting. I enjoy acting.
-Sure.
Tell me...
What do you think
is the point of acting?
I don't know.
Sometimes it seems like
there isn't one.
But you think there should be,
right?
Yes.
Self-improvement, at least.
To make us more self-conscious,
I guess.
You don't give a f***
about that.
What?
You heard me.
You don't give a f*** about
improving yourself.
You're worried about other things.
That's your problem.
What the hell is this about?
The other day you humiliated me.
Me...
and everyone else.
You lied to us all,
telling us that fable
about your life. Look,
we're not your marionettes.
People come here
to commit themselves.
They reveal f***ed-up things
about themselves.
Horrible things.
They take risks.
But not you.
And on top of that,
you ridicule us?
You're a scumbag.
You respect nothing and no one.
Get off that stage.
Get down.
That's not true.
It isn't?
Which part isn't true?
I wasn't ridiculing anyone.
Well, I think you were.
It's the only reason you came.
You're wrong.
Then why are you here?
Are you going to answer?
You know why acting?
Actually, I'm extremely interested
in finding out why you're here.
I'll tell you why.
To do something for me
and for others.
Acting,
because it's a form of human
communication, a way to reach
understanding and comprehension.
That's why.
-So you want to change the world.
-That's right.
I'd love to change
this f***ed-up world.
And I think there's still time.
Alfredo!
Alfredo...
Wait.
Where are you going?
I don't know.
Anywhere but here,
that's for sure.
Come back inside.
They're all waiting for you.
No. I'm leaving.
You'll get kicked out.
I don't care. I could care less.
Fine.
But don't be upset.
-Are you going home?
-Yeah.
I'll go with you.
Let me get my things.
I'd like to change the world, too,
you know.
I'd love to change
this f***ed-up world!
I hate having the audience
just sitting there,
unable to participate or interact.
It reminds me of him.
They should do something, anything.
They just sit there, like statues.
I want to see people respond.
I don't know, somehow.
How strange.
What?
I always liked theater
for just the opposite.
Why?
Because I hated my sister.
I wanted to be different from her.
I wanted to feel special,
unique.
When we were little
she was better at everything.
My parents always said
she was prettier, smarter...
And I hated her.
I hated her guts.
-You should come with Daniel and me.
-Where?
- When we act in the streets.
-ln the streets?
-No way, not me.
-Why not?
Because.
In the street? No way.
In a theater, or a movie...
Even on TV, which I hate.
But in the street?
No.
In a theater but not in the street?
-It's different.
-Why?
In the street anything can happen.
People react in unexpected ways.
In a theater,
the audience knows you're acting.
It's less unpredictable.
That's the whole point
to acting in the streets!
The same people always see plays.
The only way to reach everyone else
is to take the show
to the streets.
Well, l' ll see.
I' m quitting school.
What?
I quit. I'm not going back.
Table 10 still needs clearing.
This guy is clueless.
Orders for table 9 and 10.
Are these mine?
Three coffees,
one whisky shot, two with cognac.
Sergio, I need the veal
Sergio, for the love of God.
I need the desserts for 13.
Thanks.
What's up, Alfredo?
Who are you?
I left right after you did.
I was sick of it. All that damn
psycho-analysis.
They said my problem was
I confused ego with self-esteem.
So I quit.
I'd put up with enough.
It wasn't acting, it was some
kind of self-help, or group therapy.
Anything but acting.
It was an insane asylum.
No wonder people go nuts.
I'm much better off in the street.
So am l.
By the way, Dani and I are doing
a little street show.
It's unreal.
People are really amazed.
I did theater at university.
There's no comparison.
I love acting in the streets so
much... you won't believe this...
but sometimes I get a hard on.
-No way.
-I'm serious.
I get hard as a rock.
You know what happens to me?
What?
I shouldn't say this...
Tell me.
Hey, who cares.
I get like this tingly feeling
in my ass right before...
Bullshit.
I swear.
Nerves, probably.
Because it's right before.
It fades once I get going.
Unbelievable.
There was no trick to it.
Well, there was, sort of.
I had a friend who lived upstairs.
This guy named Pablo, actually.
That was the trick.
I'd hang the chair from his place.
We went out drinking.
We hit every bar in the area.
Discussing heaven and earth,
as they say.
We stayed out until
ten the next morning,
ending up sloshed in some bar
in Lavapies.
It was the start of a great
friendship and of everything else.
Not only the first shows,
but also what would later become
the November company.
"THE HOT LADY"
MAY 1988
It was miraculous.
It really worked.
What we did, and how we did it,
really made us feel special.
Especially asking for nothing
in exchange.
That was unthinkable back then,
when nothing was free.
No explanation was necessary.
People came up with their own.
They came up with much more
interesting stuff than I could have.
Most people,
when we refused their money,
were baffled.
They didn't understand.
They were little skits,
in most cases without any plot.
Just simple improvisation.
Provocative situations
where the key
was spontaneity.
The first time, very nervous.
I can't explain it.
It was so exciting...
Especially right before.
" HAPPY PUNKS"
JUNE 1998
Good morning.
Don't be alarmed.
Hey, you all look scared.
You think we want money?
Are we thieves? Beggars?
You think we're hooligans, right?
Wrong!
You're all very mistaken.
We don't want money!
We hate money.
Right, kids?
We're here today for
a more human cause.
A much nobler,
more revealing cause,
much wiser than cash!
We have a gift for all of you.
That's right!
We'll put an end to your misery!
An end to your suffering!
An end to your pain, baby!
Get with it!
You can't just get up every morning
Iike zombies. Look at you.
Sleepwalking to the same office...
You need a gift, right?
Something different, something
to lift your spirits,
to make you feel alive,
to make you feel young again,
happy,
Iucky,
free.
That's why we're here.
and radically different
every morning.
Let's go, punkies.
Cool.
We are the best.
Sh*t, not again!
You're shitty at this.
We have Lucia, Alicia, Helena...
Three at least.
And lmanol.
How about it, Vanesa?
Anything for a buck.
What do you mean?
I could use the cash.
Not a penny.
No thanks.
How can you be so cheap?
We're not making a dime...
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Noviembre" Scripts.com. STANDS4 LLC, 2024. Web. 26 Dec. 2024. <https://www.scripts.com/script/noviembre_15003>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In