Now You See Me 2 Page #3
- What's going on here?
I'm Bo Walsh, not him!
in this city anymore, can you?
Get off me!
Look, I want to make a phone call.
- I want to call my boss!
- Hey, hey! What's going on?
I want to call my boss,
and this jackass...
Hey! Make your phone call.
That's your right, sir.
That's my right.
- What the hell?
- You're crazy. Let's go.
This isn't my...
Where's my phone?
Where's my phone?
Atlas, Stooge has left
the building.
Okay.
I am leaving backstage.
Ladies and gentlemen, Owen Case.
All right. Lula, show these guys
what you're made of.
I can take over from here.
Clark says you're on break.
What break? Who's Clark?
"Who's Clark?" That's funny.
Imagine if I told Roger that,
he'd freak out.
- Don't do that!
- What?
Who the hell is Roger?
Does Lisa know that
you don't know Roger?
- I don't know who Lisa is.
- Are you kidding again?
- You don't know who Lisa is now?
- No, I don't. Just get away.
- That is a dangerous...
- You're ruining the meat.
Don't make me have to go to Brian!
- I don't know who Brian is!
- Why are you acting like this?
- I'll go straight to him.
- Give me...
Oh, my God!
What are you
doing to me?
- Help me!
- Help her. Go!
Have some water.
I feel from your face
you're freaked by the flow of blood,
which is fully fixable in a snap
by focusing and following
the flow of my words
as you're flowing and floating,
which is why you're focusing
on my commands.
You got this far in life
by listening to one voice,
the voice in your head.
This is that voice.
Look at the light.
Listen to your own voice.
Oh, my God.
Wow. What is that?
Is that a miracle towel?
Thank you so much.
Do you know what?
You have taught me that I'm not
cut out for this kind of work.
I quit!
Get another towel.
Thank you, and goodbye.
Oh, God.
Welcome everybody!
And now, the moment
that you've all been waiting for...
- Nice work, lady.
- Thanks.
Revolutionized music with Octa 2.
I'm actually nervous,
and I'm not even going onstage.
You know, I've heard
that if you're nervous,
it can be really helpful
It's actually picture
the audience naked.
No, this is new.
This is a new science.
So, I don't know.
- Do you want... We should try it.
- Not the right mood.
Guess that leaves
you and me, old buddy.
What? Picture each other...
No. No, thank you.
I mean, I admit,
from the neck up there are issues.
But from the neck down, the David.
Owen Case.
Good morning, Octa-lites.
Now, I've made the claim...
Now, I've made the claim
that Octa 8 is pure magic.
But the truth is, that's just
You know, the truth is,
that's just one of those things I say...
...when in fact
I mean something else.
...when in fact
I mean something else.
What else do I mean?
Well, here to fill you in on some of my
fabulous lies and hypocrisy,
and to perform some of the most dazzling
feats of magic you have ever seen...
- They are the world's...
- greatest magicians.
Here to expose me
Ladies and gentlemen,
here are the Horsemen.
Hello, New York!
Thank you so much.
Hey, it's great to be back.
And have you met
our newest Horseman, Lula?
- Feels good, right?
Thank you, thank you. Um, okay.
We want to talk to you
about your privacy.
What does your privacy mean to you?
Because apparently to Owen Case,
it means absolutely nothing.
than absolutely nothing.
You see, he's mocked your privacy.
He's scorned it.
Right, and we're not just talking about
the things that you already agreed to
when you signed,
probably without reading
the terms and conditions
Dylan, the FBI is here.
All right. Don't worry about it.
All right, go to plan C-4.
Lock the doors.
Hey, boss, I'm glad you're here.
Don't.
Guys, look. We got to move
around, get in through the back.
These Horsemen are tricky, okay?
They got backup plans
on top of backup plans.
Hey, sorry, don't mean to gloat,
but I told you so.
Cut the bullshit, Rhodes.
We got an anonymous
phone call an hour ago.
Confirms everything
I've been telling her.
What are you talking about?
You sent agents
to Detroit and Philadelphia.
You've been crying wolf
so we wouldn't send them here.
- Boss, please.
- Keep working on the doors.
Please tell me that you haven't bought
into Cowan's crazy, paranoid fantasia.
Before we start the show...
We had Owen agree to a few terms
and conditions of our own.
So, everything that he had
once considered private...
That he thinks is really private...
Yeah, everything that he once
considered private is now...
Oh, my.
As the Horsemen like to say,
magic is about controlling perception.
You see them as champions of the truth,
but are they?
Or is that just another
one of their illusions?
- What's going on, Rhodes?
- This is crazy.
We got to get everyone
to the other exits.
- Let's go, to the back.
- No. You stay here.
So, since they clearly
love secrets...
Let's reveal some of theirs.
Danny, everyone, get off the stage.
Abort.
Jack, go with them.
I'll see you at the meet-up point.
Let's go.
Do you recall the death of Jack Wilder?
What if I told you he's not just alive,
And do you know who else is here?
The FBI.
Let's let them in, shall we?
And now, for the big reveal.
Go! Go! To the stage.
There's a fifth Horseman,
and he's the biggest
criminal of them all.
FBI agent, Dylan Rhodes.
- I knew it.
- What?
This is so much deeper
than you know, boss.
You think you're looking at one thing,
but you have no idea.
- Who are you?
- The same man I've always been.
Boys, I'm sorry.
We've gotta get to the chute. Go!
- Who are those guys?
- Who cares? Come on!
- Hurry, hurry!
- Keep going!
How the hell could this happen?
I thought Dylan
had everything under control.
Yeah. Apparently he didn't.
Maybe you're the leak, Dan.
Where you been sneaking off to?
Don't you dare for a second
insinuate that I had...
- I'm not insinuating. That's your...
- Let's get to the truck, come on!
- Stay together!
- Move! Move!
Lula, come on!
Coming! Whoa!
Whoa, whoa, whoa!
Sleep. Sleep. Sleep. Sleep.
DESIGNATED LAUNDRY SERVICE AREA KEEP CLEAR
Move it.
Why are you still here.
What the hell is going on?
- Wasn't there supposed to be a truck?
- Where the hell are we?
- Wasn't there supposed to be a truck?
- Where the hell are we?
What are you doing?
Get out!
What are you doing?
Get out!
We're working, get out!
Come on!
We're working, get out!
Come on!
Hey, hey!
Wait, did you mis-run the tube?
No, I put it in the truck.
I know I did!
Because we're really
Somebody must
have moved the tube.
Somebody must
have moved the tube.
Move!
Get out!
Move!
Get out!
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"Now You See Me 2" Scripts.com. STANDS4 LLC, 2024. Web. 24 Nov. 2024. <https://www.scripts.com/script/now_you_see_me_2_15013>.
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