Now You See Me 2 Page #3

Synopsis: One year after outwitting the FBI and winning the public's adulation with their Robin Hood-style magic spectacles, The Four Horsemen resurface for a comeback performance in hopes of exposing the unethical practices of a tech magnate. The man behind their vanishing act is none other than Walter Mabry, a tech prodigy who threatens the Horsemen into pulling off their most impossible heist yet. Their only hope is to perform one last unprecedented stunt to clear their names and reveal the mastermind behind it all.
Director(s): Jon M. Chu
Production: Lionsgate
  4 nominations.
 
IMDB:
6.5
Metacritic:
46
Rotten Tomatoes:
34%
PG-13
Year:
2016
129 min
$65,030,563
Website
6,617 Views


- What's going on here?

I'm Bo Walsh, not him!

God, you cannot trust anybody

in this city anymore, can you?

Get off me!

Look, I want to make a phone call.

- I want to call my boss!

- Hey, hey! What's going on?

I want to call my boss,

and this jackass...

Hey! Make your phone call.

That's your right, sir.

That's my right.

- What the hell?

- You're crazy. Let's go.

This isn't my...

Where's my phone?

Where's my phone?

Atlas, Stooge has left

the building.

Okay.

The circuit board is ours.

I am leaving backstage.

Ladies and gentlemen, Owen Case.

All right. Lula, show these guys

what you're made of.

I can take over from here.

Clark says you're on break.

What break? Who's Clark?

"Who's Clark?" That's funny.

Imagine if I told Roger that,

he'd freak out.

- Don't do that!

- What?

Who the hell is Roger?

Does Lisa know that

you don't know Roger?

- I don't know who Lisa is.

- Are you kidding again?

- You don't know who Lisa is now?

- No, I don't. Just get away.

- That is a dangerous...

- You're ruining the meat.

Don't make me have to go to Brian!

- I don't know who Brian is!

- Why are you acting like this?

- I'll go straight to him.

- Give me...

Oh, my God!

What are you

doing to me?

- Help me!

- Help her. Go!

Have some water.

I feel from your face

you're freaked by the flow of blood,

which is fully fixable in a snap

by focusing and following

the flow of my words

as you're flowing and floating,

which is why you're focusing

on my commands.

You got this far in life

by listening to one voice,

the voice in your head.

This is that voice.

Look at the light.

Listen to your own voice.

Oh, my God.

Wow. What is that?

Is that a miracle towel?

Thank you so much.

Do you know what?

You have taught me that I'm not

cut out for this kind of work.

I quit!

Get another towel.

Thank you, and goodbye.

Oh, God.

Welcome everybody!

And now, the moment

that you've all been waiting for...

- Nice work, lady.

- Thanks.

Revolutionized music with Octa 2.

I'm actually nervous,

and I'm not even going onstage.

You know, I've heard

that if you're nervous,

it can be really helpful

to picture each other naked.

It's actually picture

the audience naked.

No, this is new.

This is a new science.

So, I don't know.

- Do you want... We should try it.

- Not the right mood.

Guess that leaves

you and me, old buddy.

What? Picture each other...

No. No, thank you.

I mean, I admit,

from the neck up there are issues.

But from the neck down, the David.

Owen Case.

Good morning, Octa-lites.

Now, I've made the claim...

Now, I've made the claim

that Octa 8 is pure magic.

But the truth is, that's just

one of those things I say...

You know, the truth is,

that's just one of those things I say...

...when in fact

I mean something else.

...when in fact

I mean something else.

What else do I mean?

Well, here to fill you in on some of my

fabulous lies and hypocrisy,

and to perform some of the most dazzling

feats of magic you have ever seen...

- They are the world's...

- greatest magicians.

Here to expose me

for the fraud I truly am.

Ladies and gentlemen,

here are the Horsemen.

Hello, New York!

Thank you so much.

Hey, it's great to be back.

And have you met

our newest Horseman, Lula?

- Feels good, right?

- Pretty good. Pretty good.

Thank you, thank you. Um, okay.

We want to talk to you

about your privacy.

What does your privacy mean to you?

Because apparently to Owen Case,

it means absolutely nothing.

No, actually it means less

than absolutely nothing.

You see, he's mocked your privacy.

He's scorned it.

Right, and we're not just talking about

the things that you already agreed to

when you signed,

probably without reading

the terms and conditions

of Octas 1 through 7.

Dylan, the FBI is here.

All right. Don't worry about it.

All right, go to plan C-4.

Lock the doors.

Hey, boss, I'm glad you're here.

Don't.

Guys, look. We got to move

around, get in through the back.

These Horsemen are tricky, okay?

They got backup plans

on top of backup plans.

Hey, sorry, don't mean to gloat,

but I told you so.

Cut the bullshit, Rhodes.

We got an anonymous

phone call an hour ago.

Confirms everything

I've been telling her.

What are you talking about?

You sent agents

to Detroit and Philadelphia.

You've been crying wolf

so we wouldn't send them here.

- Boss, please.

- Keep working on the doors.

Please tell me that you haven't bought

into Cowan's crazy, paranoid fantasia.

Before we start the show...

We had Owen agree to a few terms

and conditions of our own.

So, everything that he had

once considered private...

That he thinks is really private...

Yeah, everything that he once

considered private is now...

Oh, my.

As the Horsemen like to say,

magic is about controlling perception.

You see them as champions of the truth,

but are they?

Or is that just another

one of their illusions?

- What's going on, Rhodes?

- This is crazy.

We got to get everyone

to the other exits.

- Let's go, to the back.

- No. You stay here.

So, since they clearly

love secrets...

Let's reveal some of theirs.

Danny, everyone, get off the stage.

Abort.

Jack, go with them.

I'll see you at the meet-up point.

Let's go.

Do you recall the death of Jack Wilder?

What if I told you he's not just alive,

but he's actually right here.

And do you know who else is here?

The FBI.

Let's let them in, shall we?

And now, for the big reveal.

Go! Go! To the stage.

There's a fifth Horseman,

and he's the biggest

criminal of them all.

FBI agent, Dylan Rhodes.

- I knew it.

- What?

This is so much deeper

than you know, boss.

You think you're looking at one thing,

but you have no idea.

- Who are you?

- The same man I've always been.

Boys, I'm sorry.

You gotta be kidding me.

We've gotta get to the chute. Go!

- Who are those guys?

- Who cares? Come on!

- Hurry, hurry!

- Keep going!

How the hell could this happen?

I thought Dylan

had everything under control.

Yeah. Apparently he didn't.

Maybe you're the leak, Dan.

Where you been sneaking off to?

Don't you dare for a second

insinuate that I had...

- I'm not insinuating. That's your...

- Let's get to the truck, come on!

- Stay together!

- Move! Move!

Lula, come on!

Coming! Whoa!

Whoa, whoa, whoa!

Sleep. Sleep. Sleep. Sleep.

DESIGNATED LAUNDRY SERVICE AREA KEEP CLEAR

Move it.

Why are you still here.

What the hell is going on?

- Wasn't there supposed to be a truck?

- Where the hell are we?

- Wasn't there supposed to be a truck?

- Where the hell are we?

What are you doing?

Get out!

What are you doing?

Get out!

We're working, get out!

Come on!

We're working, get out!

Come on!

Hey, hey!

Wait, did you mis-run the tube?

No, I put it in the truck.

I know I did!

Because we're really

not in the truck right now.

Somebody must

have moved the tube.

Somebody must

have moved the tube.

Move!

Get out!

Move!

Get out!

Were we above a Chinese restaurant?

Rate this script:0.0 / 0 votes

Ed Solomon

Ed Solomon is an American writer, producer and director. He began his career in college as a joke writer, stand up comedian, and playwright and, while still in college, was a staff writer for Laverne ... more…

All Ed Solomon scripts | Ed Solomon Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Now You See Me 2" Scripts.com. STANDS4 LLC, 2024. Web. 24 Nov. 2024. <https://www.scripts.com/script/now_you_see_me_2_15013>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Now You See Me 2

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is the "climax" of a screenplay?
    A The final scene
    B The introduction of characters
    C The opening scene
    D The highest point of tension in the story