Obselidia Page #3

Synopsis: George, a lonely librarian, believes love is obsolete, until a road trip to Death Valley with a cinema projectionist named Sophie teaches him otherwise.
Genre: Drama
Director(s): Diane Bell
Production: Humble Films
  4 wins & 3 nominations.
 
IMDB:
6.8
NOT RATED
Year:
2010
103 min
Website
144 Views


that's an imperfection

right there.

I think the notion of

perfection is a Platonic trick

to make us feel inadequate.

-Do you feel inadequate?

-Yes.

Doesn't everybody?

-At least you're honest.

-Well, I don't think

that does much good.

I don't think honesty's

the most valued quality

in our contemporary society.

-Doesn't pay much to

be humble, either.

So what's going

to become of you?

-Certainly on a

global scale, we are

going to lose plenty of species

due to environmental changes

because of human activities.

Um, I think that we understand--

biologists understand

a lot of what needs to be done.

And the key is the

sort of willingness

and the priorities of everyone,

to try to take actions now.

[typing]

-Ladybug.

Lady Day.

Lady chapel.

Ladysmith.

GEORGE (VOICEOVER): [LISTING

ENTRY NAMES ALPHABETICALLY,

STARTING WITH L]

[phone ringing]

GEORGE (ON ANSWERING

MACHINE):
Hello, you've

called "The Encyclopedia

of Obsolete Things."

Please leave a message

and we'll get back

to you as soon as we can.

[beep]

SOPHIE (ON PHONE): "The

Obselidia," I'm telling you.

You can't call it "The

Encyclopedia of Yadda Yadda

Yadda.

You've got to start with

a great title, you know?

One that people are

gonna be curious about?

-Uh, you don't think

they'll be curious?

-I didn't think you were there.

-Uh, I wasn't.

I was releasing ladybugs.

-Releasing ladybugs?

GEORGE (ON PHONE): Yeah.

They need the lifeline.

-Nice.

-So how are you?

SOPHIE (ON PHONE): Good.

And you?

GEORGE (ON PHONE): Oh, I'm OK.

-Did you do any

more interviews yet?

-No, just got a letter

from Lewis Fordham.

SOPHIE (ON PHONE): Brilliant.

And is he up for meeting?

-Um, yes.

Yeah, he is.

But he lives in

Death Valley, so.

-Death Valley?

Cool.

GEORGE (ON PHONE):

It's not, actually.

It's very, very hot, and it's

hundreds of miles away, so.

SOPHIE (ON PHONE): I thought

you said this guy was a genius.

GEORGE (ON PHONE):

Well, he-- he is.

He is, but--

-You won't drive four

hours for a genius?

-Well, it-- it's not that.

It's-- it's--

SOPHIE (ON PHONE):

I've driven double

that just to go

to a party before.

-You might remember

that I don't have a car.

-So?

I'll drive you.

-Oh, no, no.

SOPHIE (ON PHONE):

Sure, why not?

-No, it's-- it's OK, really.

SOPHIE (ON PHONE): Doesn't

this mean anything to you?

Come on, I've always wanted

to go to Death Valley.

"Zabriskie Point," Antonioni?

Oh, I'd love to see that.

So when do we go?

-Hey, man.

How's it going?

You going somewhere?

-Death Valley.

-Death Valley?

Wow.

-With her.

-Not bad.

Not bad at all.

-She's just a friend.

-Yeah.

Remember, love is just

a protein, George.

GEORGE (VOICEOVER): Protein,

Protestant, Proteus, prophet,

prosthesis, Protista, protocol,

Protogenes, protoplasm,

[inaudible].

Protozoa.

-So, you got everything?

-How long are we going for?

-Well, I packed

some water and food,

and I have my gorgeous

Polaroid camera.

-Wow.

That's beautiful.

May I?

-Yeah.

-I knew you'd appreciate it.

You know they stopped

making the film?

-Sure.

So I've got three pictures left.

That's it-- three.

Got to make them good ones.

-Oh, I'd hold on to them.

-Well, I've been holding

on to them for long enough.

And I've packed my tent

in case we want to camp.

-Uh, camp?

I-- I'm not sleeping outside.

-What?

-I've never slept outside, I--

-You're kidding.

-Why would I kid about that?

-I don't know.

'Cause you want to seem

like some strange city guy.

-I am a strange city guy.

[engine starts]

I just thought we'd get

a couple of motel rooms.

SOPHIE:
[laughs] You're

funny, you know that?

GEORGE:
You're

funnier if you think

we're going to camp outside.

Animals sleep outside.

That's why humans

invented Motel 6.

SOPHIE (VOICEOVER): [laughs]

[music playing]

Do you know what I really

love about America?

GEORGE:
No.

What do you really love?

SOPHIE:
The fact that

nothing's built to last.

Everything looks like it

could be gone tomorrow.

GEORGE:
And that's a good thing?

SOPHIE:
Yeah.

It means everything can change.

It's not set in stone.

GEORGE:
No, just set in stucco.

SOPHIE:
Yeah, well,

where I'm from,

everything was built

a long, long time ago

and it'll all be there forever.

GEORGE:
But will it really?

SOPHIE:
Makes me feel trapped.

GEORGE:
So you prefer this?

SOPHIE:
Yeah.

I prefer this.

GEORGE:
French fries.

SOPHIE:
Yum.

GEORGE:
So do you think

you'll stay in LA?

-I don't know.

-Do you?

-Mm-hm.

I like my home and my job.

-Here, I made you this.

-Thanks.

-I mean, I like LA.

But I really just

moved here for a guy.

-Are you, um, still together?

-Well.

We lived together in

New York a couple years

before we moved out here.

-And what does he do?

-Paul?

He wants to be a movie director.

Totally obsessed with films.

But you know, all

the wrong films.

-Which are?

-I don't know.

Well, he thinks like "Star

Wars" is the best movie ever.

-"Star Wars" is good.

-OK, "Star Wars" is good.

But he wouldn't watch foreign

movies or black-and-white.

I mean, it's like cinema

started with "The Godfather."

-Probably a lot of people feel

like that nowadays, don't they?

-Yeah, absolutely.

But I just don't know if

I can be with somebody

who won't watch "Au

Hasard Balthazar."

-That donkey.

-Oh, I know!

Exactly.

Meanwhile, Paul says, I

won't do black-and-white,

and I sure as hell

won't do a black-and-white

subtitled movie about a donkey.

Actually, maybe he

does have a point.

[laughs]

I don't know.

We should get back on the road.

[snorts]

[laughs]

You've got a bit

of green going on.

-Oh.

Your turn to drive

as well, yeah?

-Uh, I don't drive.

-What?

-Yeah, I don't have a car.

-You're kidding me, right?

You got to, like, how

old, and living in LA,

and you don't drive?

Time to learn.

So tell me about Lewis.

-(NERVOUSLY) Um, uh, he--

he-- back in the day he worked

for NASA, and he was-- he

predicted climate change

before-- anybody.

And-- and if they'd

listened to him,

maybe it wouldn't

be such a mess now.

Oh, what do I do?

There's a big, fast

red car coming.

-What is it?

What is it?

Oh, stay steady, George.

Stay steady.

-OK.

-Whew!

We made it.

-Look, I didn't think

I could talk and drive

at the same time.

And can you please not

point that camera at me?

-All right, all

right, I'm sorry.

-Oh, what do we do?

I mean, I think there's a turn.

-OK, take it.

-OK.

-Turn, turn.

-OK.

[polaroid takes picture]

-Oh, sh*t!

GEORGE:
What?

SOPHIE:
[sigh] Three bloody

pictures left and I just

blew one.

GEORGE:
I'm sorry.

SOPHIE:
No, it's-- it's fine.

Imagine living out here.

Wouldn't you get lonely?

-Some people get lonely

in the middle of the city.

LEWIS:
So George,

which publication

did you say you were from?

-"The Encyclopedia

of Obsolete Things."

-Oh. [chuckles] I guess

that covers most everything

these days, heh.

Sophie.

SOPHIE:
Thank you.

-Yeah.

-So beautiful here.

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Diane Bell

Diane Robin (Di) Bell (born 11 June 1943) is an Australian feminist anthropologist, author and activist. She has a particular focus on the Aboriginal people of Australia, Indigenous land rights, human rights, Indigenous religions, violence against women, and on environmental issues. She is Professor Emerita of Anthropology at the George Washington University in Washington, D.C., and Writer and Editor in Residence at Flinders University, South Australia. Bell was born in and grew up in Melbourne. In 2005, after 17 years in the United States, she returned to Australia and worked on a number of projects in South Australia. Bell lives and writes in Canberra.Her books include Daughters of the Dreaming (1983/93); Generations: Grandmothers, mothers, and daughters (1987); Law: The old and the new (1980); Religion in Aboriginal Australia (co-edited 1984); and Radically Speaking: Feminism reclaimed (co-edited 1996). Ngarrindjeri Wurruwarrin: A world that is, was, and will be (1998) won a NSW Premier's Literary Award and was shortlisted for the Age Book of the Year Award, the Queensland Premier's History Award and the Australian Literary Society Gold Medallion. Evil: A novel (2005) was made into a play and performed in DC and Adelaide. She also wrote Kungun Ngarrindjeri Miminar Yunnan: Listen to Ngarrindjeri Women Speaking (2008). more…

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    "Obselidia" Scripts.com. STANDS4 LLC, 2024. Web. 22 Nov. 2024. <https://www.scripts.com/script/obselidia_15066>.

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