Omagh Page #6

Synopsis: 15 August 1998: the Real IRA exploded a bomb on a crowded street in Omagh, just into Northern Ireland, to halt the Good Friday accords and peace process; 29 people died. Families formed the Omagh Support Group to press the police in their inquiries. The film focuses on the Gallagher family, who lose their son Aiden. His father, Michael, a mechanic, becomes chair of the support group. The press for answers strains his relationship with his wife. High-ranking police speak in bromides. Shadowy figures offer intelligence that calls into question the integrity before and after the bombing of the Royal Ulster Constabulary and its Special Branch. Will the murders remain unsolved?
Genre: Drama
Director(s): Pete Travis
Production: A-Film Distribution
  13 wins & 9 nominations.
 
IMDB:
7.3
Rotten Tomatoes:
88%
PG-13
Year:
2004
106 min
68 Views


- Really, I'm fine.

You both look terrible.

- I've been to a meeting.

- You're always at a meeting.

Every time I've rung,

you're at a meeting.

Or on TV.

Please, stop arguing.

What's the use

of all this running around?

Do you really think

they care what you're doing?

Do you think they're gonna stop

the shooting and the bombing

just because

you gave an interview

to the "Belfast Telegraph"

or the BBC?

Who are you doing it for?

I'm doing it for Aiden.

Aiden's dead!

He's dead.

You should be here, Daddy.

Looking after us.

White said they were trying to

protect an informer.

What about protecting

our families?

Flanagan

better have some answers.

We'll get some answers,

hopefully.

The Chief Constable

will see you now.

Morning.

Laurence Rush.

Elizabeth Gibson.

Kevin Skelton.

I'm very grateful

to have this opportunity

to talk to you all today,

personally,

and to try to reassure you

after some of the things

that have been said.

I know you'll be concerned

about the Fulton case,

and so I wanted to brief you

myself.

Look...

it's very difficult.

The world of intelligence

is murky,

and trying to anticipate

the intentions

of a terrorist organization

like the Real IRA

is difficult.

We need good,

reliable information.

A good informer

is worth his weight in gold.

But a bad one is a disaster.

And Kevin Fulton was a bad one.

He made things up.

For money.

Trying to tell us what

he thought we wanted to hear.

So we cut him off.

There was nothing else to do.

But he said he knew.

He warned you.

He knew

there was something big on.

Well, I'm sorry, obviously,

that he's been given

the prominence in the media

that he has,

but I can assure you

that there's nothing in this.

Nothing.

I've looked into it myself.

Shouldn't there be

an independent opinion on this?

The Police Ombudsman,

aren't they looking into it?

The Ombudsman is there

to deal with routine complaints,

to give the communities

a stake in policing

after Good Friday.

Yeah, but what is the point

of the Ombudsman

if it isn't looking

into the things

that we want investigated?

What we're talking about

is intelligence.

MI5, Special Branch.

It's not the proper area

for the Ombudsman.

It's far too sensitive.

Surely, you understand that.

Well, what about the Garda's

surveillance man in Dublin?

He's telling the same stories.

Well, obviously,

I can't speak for the Garda,

and Detective Sergeant White

is not one of my officers.

I think he was suspended.

Wasn't he, George?

Michael.

Can I call you Michael?

I understand the frustration

that you all feel,

that we all feel,

when something like this

comes up.

I just wish

that you had come to me earlier

with your concerns.

I could've saved you

the trouble.

Michael,

I know you want progress.

So do I.

We all do.

But you're scaling down

the investigation.

Manpower adjustments

are always reviewed

as any investigation progresses.

There's nothing abnormal

in that.

Do you seriously think

that I would do anything

to jeopardize the inquiry?

You have to trust us.

Otherwise, what else is there?

Did White not tell you

he was in trouble?

We need to be more careful

about who we trust.

Who's to say Flanagan's telling

us the whole story about Fulton?

Now the Chief Constable's

lying, is he?

We set up this organization

to help the police,

not put them in the dock.

You tell me what he's done!

If it's not true,

then where's his answers?

What are you saying?

He's not doing his best?

No! No, I don't think

he is doing his best!

He's trying to catch the men

who killed our daughter.

He's all we've got.

This whole thing stinks.

If you think that we're being

told the whole truth,

you're more stupid and naive

than I thought.

I won't be a part of this

anymore.

We come here to support

each other, not listen to this.

Och, Hugh, wait.

I'm sorry, Michael.

- Laurence...

- Don't!

Don't you start.

I'll not stand by

and let them get away with it.

And if I have to sue the RUC

and the British government,

I'll do it on my own.

It's not working, is it?

None of it.

It's been a difficult day.

No.

I mean the whole campaign.

What have we achieved?

Michael, we have achieved...

No, I mean, Stanley,

what have we actually achieved?

We've started the civil action.

We've started nothing.

We just talked about

starting it, that's all.

That's not true.

I'm gonna set up meetings

in London next month.

We need a million pounds.

That's what we need.

They're closing down

the investigation.

They're never gonna catch them.

Never.

They're still

shooting and bombing.

They're still walking around

the place, drinking in bars,

having a good life,

laughing at us.

I mean, there's been

over 2,000 unsolved murders

since the beginning

of the Troubles.

Why should we be any different?

I mean, maybe they're right.

Maybe us pursuing our campaign

is destroying the Peace Process.

Michael, you can't start

thinking like...

Och, face it, Stanley,

we're getting nowhere.

We have supported each other.

We've kept each other going.

Is that not enough

to be going on with?

Not anymore, Stanley.

I'm staying home now.

Just thought I'd come back,

try and work again, you know?

We planned it all together,

you know?

he said.

When I got too old

to get out of a chair.

No, it's okay, it's okay.

He wasn't just my son, you know.

He was my workmate.

Everything.

He was everything to me.

And...

when I'm in the house...

and the three of you

are talking together...

still doing all the things

you've always done...

And I tell myself it's not fair.

I tell myself it's not true.

Inside, I feel

he meant more to me.

And I know that's awful...

to feel like that.

Because I know

how much you loved him.

But...

I can't feel the way you feel.

Only the way I feel.

Patsy, I think

I'll just go down to the Birches

and see what's going on.

The Ombudsman's

giving a report today.

Yes, I know.

I saw it in the paper.

Well, I won't be long.

Just think I should show

some solidarity, you know?

All right.

See you later.

Aye.

See you later.

Okay.

- How are you?

- Not too bad.

Ladies and gentlemen,

thank you all

for coming here this morning.

Michael, welcome back.

I just dropped in, that's all.

How's Patsy?

Much better than before, thanks.

I think you all know about

the "Sunday People" article

in which a man

calling himself Kevin Fulton

claimed that he had

told the police about Omagh.

We felt it essential

to investigate these allegations

not least to show the people

in Northern Ireland

that we are serious

about a new era in policing.

I want to introduce you now

to the Police Ombudsman,

Nuala O'Loan,

who will take you further

into the presentation.

Good morning,

ladies and gentlemen.

Good morning.

The Omagh bomb was the most

grave and exceptional crime

in the history

of Northern Ireland,

and the failure

to bring prosecutions

shames us all.

Rate this script:0.0 / 0 votes

Paul Greengrass

Paul Greengrass (born 13 August 1955) is an English film director, film producer, screenwriter and former journalist. He specialises in dramatisations of real-life events and is known for his signature use of hand-held cameras. His early film Bloody Sunday won the Golden Bear at 52nd Berlin International Film Festival. Other films he has directed include three in the Bourne action/thriller series: The Bourne Supremacy (2004), The Bourne Ultimatum (2007), and Jason Bourne (2016); United 93 (2006), for which he won the BAFTA Award for Best Director, and received an Academy Award for Best Director nomination, Green Zone (2010) and Captain Phillips (2013). In 2004 he co-wrote and produced the film Omagh, which won British Academy Television Award. In 2007 Greengrass co-founded Directors UK, a professional organization of British filmmakers, and was its first President until 2014. In 2008 The Telegraph named him among the most influential people in British culture. In 2017, Greengrass was honoured with a British Film Institute Fellowship. Accepting the Fellowship at the ceremony, he acknowledged that it had been a difficult week for the film industry, on the day that Harvey Weinstein was expelled from the Academy of Motion Picture Arts and Sciences. He said the industry had to act and words weren't enough. more…

All Paul Greengrass scripts | Paul Greengrass Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Omagh" Scripts.com. STANDS4 LLC, 2024. Web. 22 Dec. 2024. <https://www.scripts.com/script/omagh_15170>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Omagh

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    In what year was "The Matrix" released?
    A 2001
    B 1998
    C 1999
    D 2000