
On the Waterfront Page #15
- NOT RATED
- Year:
- 1954
- 108 min
- 3,916 Views
GLOVER:
(expectantly)
Yeah?
Terry is silent.
GLOVER:
(rises)
Well, I better get going. Hit those
stairs again.
(turns casually)
Was that a looping right or an uppercut the
first time you caught him?
TERRY:
(insulted)
Looping right! I never swung wild. I was strictly
a short puncher— hooks— over 'n under—
(pantomimes, with violent short breath-releases)
— whop-whop!
GLOVER:
Really?
TERRY:
Yeah, really!
As Glover reaches the door, Terry keeps following him.
TERRY:
Where you going? I'll walk along with you.
GLOVER:
(grins warmly)
Sure... .
Terry follows Glover out, continuing to pantomime punches. Jimmy looks
after them and frowns.
QUICK DISSOLVE:
INT—FRIENDLY BAR—NIGHT
Back room. It is set up as an informal kangaroo court . Jocko is
pointing at Charley Malloy, who is
on the hot seat. Johnny Friendly is the judge, flanked by Big Mac,
Truck, Sonny, Barney, Specs, J.P. Morgan and others.
J.P.
I didn't hear them, boss, but I sure seen them,
walking along and smiling like a pair of lovers.
Charley looks uncomfortable. He hasn't finished his drink.
JOHNNY:
(watching him carefully)
Drink up, Charley. We're ahead of you.
CHARLEY:
(disturbed)
I'm not thirsty.
JOHNNY:
(drinking)
After what we been hearing about your brother,
I thought your throat'd be kind of dry.
CHARLEY:
So they're walking along and smiling.
That doesn't mean he's going to talk. There's no
evidence until he gives public testimony.
JOHNNY:
Thanks for the legal advice, Charley.
That's what we always kept you around for.
(smiles wisely)
Now how do we keep him from giving this
testimony? Isn't that the— er— as you put it—
main order of business?
CHARLEY:
(nervously)
He was always a good kid. You know that.
BIG MAC:
He'sa bum. After all the days I give
him in the loft— he got no gratitude.
JOHNNY:
(offended)
Please, Mac, I'm conducting this—
(nodding to Charley)
—investigation.
CHARLEY:
This girl and the Father got their hooks
in him so deep he doesn't know which end is up
anymore.
JOHNNY:
I ain't interested in his mental condition.
All I want to know is, is he D 'n D or is he a
canary?
CHARLEY:
I wish I knew.
JOHNNY:
So do I, Charley. For your sake.
CHARLEY:
What do you want me to do, Johnny?
JOHNNY:
Very simple. Just bring him to... that
place we been using. Mac, you take care of the
details. Call Gerry G. in if you think you need
him.
CHARLEY:
Gerry G!! You don't want to do that,
Johnny! Sure the boy's outa line, but he's just a
confused kid.
JOHNNY:
Confused kid? First he crosses me in
public and gets away with it and then the next
joker, and pretty soon I'm just another fellow
down here.
CHARLEY:
(horrified)
Johnny, I can't do that. I can't do that, Johnny.
JOHNNY:
(coldly)
Then don't.
CHARLEY:
But my own kid bro—
JOHNNY:
(cutting in)
This is for you to figure out. You can have it your
way or you can have it his way.
(gestures with his palms up and his palms down)
But you can't have it both ways.
(turns to Sonny)
Am I right, Sonny?
SONNY:
Definitely!
JOHNNY:
(thumbing Charley to his feet)
Okay, on your horse, you deep thinker.
Charley rises reluctantly, his confident, springy manner now gone.
DISSOLVE:
INT—TAXICAB—EVENING—(N.Y.B.G.)
Charley and Terry have just entered the cab.
TERRY:
Gee, Charley, I'm sure glad you stopped
by for me. I needed to talk to you. What's it they
say about blood, it's—
(falters)
CHARLEY:
(looking away coldly)
Thicker than water.
DRIVER:
(gravel voice, without turning around)
Where to?
CHARLEY:
Four thirty-seven River Street.
TERRY:
River Street? I thought we was going to
the Garden.
CHARLEY:
I've got to cover a bet there on the way
over. Anyway, it gives us a chance to talk.
TERRY:
(good-naturedly)
Nothing ever stops you from talking, Charley.
CHARLEY:
The grapevine says you picked up a subpoena.
TERRY:
(Noncommittal, Sullen.)
That's right... .
CHARLEY:
(watching for his reaction)
Of course, the boys know you too well to mark
you down for a cheese-eater.
TERRY:
Mm—hmm.
CHARLEY:
You know, the boys are getting rather
interested in your future.
TERRY:
Mm—hmmm.
CHARLEY:
They feel you've been sort of left out of
things, Terry. They think it's time you had a few
little things going for you on the docks.
TERRY:
A steady job and a few bucks extra, that's
all I wanted.
CHARLEY:
Sure, that's all right when you're a kid,
but you'll be pushing thirty pretty soon, slugger.
It's time you got some ambition.
TERRY:
I always figured I'd live longer without it.
CHARLEY:
Maybe.
Terry looks at him.
CHARLEY:
There's a slot for a boss loader on the
new pier we're opening up.
TERRY:
(interested)
Boss loader!
CHARLEY:
Ten cents a hundred pounds on everything
that moves in and out. And you don't have
to lift a finger. It'll be three-four hundred a week
just for openers.
TERRY:
And for all that dough I don't do nothin'?
CHARLEY:
Absolutely nothing. You do nothing and you
say nothing. You understand, don't you, kid?
TERRY:
(struggling with an unfamiliar problem of conscience
and loyalties)
Yeah— yeah— I guess I do— but there's
a lot more to this whole thing than I thought,
Charley.
CHARLEY:
You don't mean you're thinking of testifying
against—
(turns a thumb in toward himself)
TERRY:
I don't know— I don't know! I tell you I
ain't made up my mind yet. That's what I wanted
to talk to you about.
CHARLEY:
(patiently, as to a stubborn child)
Listen, Terry, these piers we handle through
the locals— you know what they're worth to us?
TERRY:
I know. I know.
CHARLEY:
Well, then, you know Cousin Johnny
isn't going to jeopardize a setup like that for one
rubber-lipped—
TERRY:
(simultaneous)
Don't say that!
CHARLEY:
(continuing)
—ex-tanker who's walking on his heels— ?
TERRY:
Don't say that!
CHARLEY:
What the hell!!!
TERRY:
I could have been better!
CHARLEY:
The point is— there isn't much time, kid.
There is a painful pause, as they appraise each other.
TERRY:
(desperately)
I tell you, Charley, I haven't made up my mind!
CHARLEY:
Make up your mind, kid, I beg you, before we get
to four thirty-seven River... .
TERRY:
(stunned)
Four thirty-seven— that isn't where Gerry G...?
Charley nods solemnly. Terry grows more agitated.
TERRY:
Charley... you wouldn't take me to Gerry G... .?
Charley continues looking at him. He does not deny it. They stare at
each other for a moment. Then suddenly Terry starts out of the cab.
Charley pulls a pistol. Terry is motionless, now, looking
at Charley.
CHARLEY:
Take the boss loading, kid. For God's
sake. I don't want to hurt you.
TERRY:
(hushed, gently guiding the gun down toward
Charley's lap)
Charley... . Charley... . Wow... .
CHARLEY:
(genuinely)
I wish I didn't have to do this, Terry.
Terry eyes him, beaten. Charley leans back and looks at Terry
strangely. Terry raises his hands above his head, somewhat in the
manner of a prizefighter mitting the crowd. The image nicks Charley's
memory.
TERRY:
(an accusing sigh)
Wow... .
CHARLEY:
(gently)
What do you weigh these days, slugger?
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"On the Waterfront" Scripts.com. STANDS4 LLC, 2025. Web. 24 Feb. 2025. <https://www.scripts.com/script/on_the_waterfront_372>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In