One Kine Day Page #13

Synopsis: Over the mountains, hidden from the touristic beaches of Waikiki, Ralsto, a 19 year old Hawaiian skateboarder, wakes up to a day he will never forget.
Genre: Drama
Director(s): Chuck Mitsui
Production: Independent Pictures
  2 wins.
 
IMDB:
6.0
NOT RATED
Year:
2011
100 min
24 Views


DUDE, WHAT ARE WE GONNA DO?

VEGAS MIKE IS GONNA KNOW WE WERE

DUDE, WHAT ARE WE GONNA DO?

VEGAS MIKE IS GONNA KNOW WE WERE

THERE, AND WE DIDN'T EVEN GE VEGAS MIKE IS GONNA KNOW WE WERE

THERE, AND WE DIDN'T EVEN GE THE WEED.

THERE, AND WE DIDN'T EVEN GE THE WEED.

[ BAG CRINKLES ]

THE WEED.

[ BAG CRINKLES ]

BRAH, F*** VEGAS MIKE.

[ BAG CRINKLES ]

BRAH, F*** VEGAS MIKE.

[ J BOOG'S "AYE OK" PLAYS ]

HEY, NO, I'M OKAY

HEY, NO, I'M ALL RIGH LIKE OUTWEIGHING IT'S THA YOUR LOVER'S OUTGROWN

LIKE OUTWEIGHING IT'S THA YOUR LOVER'S OUTGROWN

AGAIN, GANJA FEATURES AND

YOUR LOVER'S OUTGROWN

AGAIN, GANJA FEATURES AND

ADDICTED AND TONED

AGAIN, GANJA FEATURES AND

ADDICTED AND TONED

NEVER KNOW WHAT YOU GET UNTIL

ADDICTED AND TONED

NEVER KNOW WHAT YOU GET UNTIL

YOU'RE IN

NEVER KNOW WHAT YOU GET UNTIL

YOU'RE IN

YOU THINK IT'S LOVE, SO YOU

YOU'RE IN

YOU THINK IT'S LOVE, SO YOU

THOUGHT SHE GIVES YOU A GRIN

YOU THINK IT'S LOVE, SO YOU

THOUGHT SHE GIVES YOU A GRIN

WHY YOU PUT YOURSELF IN A BAD

THOUGHT SHE GIVES YOU A GRIN

WHY YOU PUT YOURSELF IN A BAD

SITUATION?

WHY YOU PUT YOURSELF IN A BAD

SITUATION?

YOU'RE SO WEAK, SHE'S SO

SITUATION?

YOU'RE SO WEAK, SHE'S SO

STRONG:

YOU'RE SO WEAK, SHE'S SO

STRONG:

COME ON, WHAT DO YOU STAND

STRONG:

COME ON, WHAT DO YOU STAND

FOR?

COME ON, WHAT DO YOU STAND

FOR?

NO MORE I RISE WITH MY

FOR?

NO MORE I RISE WITH MY

FAMILY:

NO MORE I RISE WITH MY

FAMILY:

LET ME BREAK IT DOWN FOR YOU

FAMILY:

LET ME BREAK IT DOWN FOR YOU

YOU KNOW THAT'S ACTUALLY REAL

LET ME BREAK IT DOWN FOR YOU

YOU KNOW THAT'S ACTUALLY REAL

LOVE, TRUE SOUL

YOU KNOW THAT'S ACTUALLY REAL

LOVE, TRUE SOUL

THEY NEVER EVER WANT TO --

LOVE, TRUE SOUL

THEY NEVER EVER WANT TO --

[ MUSIC STOPS ]

THEY NEVER EVER WANT TO --

[ MUSIC STOPS ]

OKAY, JUST LIKE I TOLD YOU

[ MUSIC STOPS ]

OKAY, JUST LIKE I TOLD YOU

GUYS.

OKAY, JUST LIKE I TOLD YOU

GUYS.

NOW, YOU KEEP HIM BUSY, AND I

GUYS.

NOW, YOU KEEP HIM BUSY, AND I

CAN GO TOMORROW AND WE'LL BREAK

NOW, YOU KEEP HIM BUSY, AND I

CAN GO TOMORROW AND WE'LL BREAK

THEM UP.

CAN GO TOMORROW AND WE'LL BREAK

THEM UP.

[ SIGHS ]

THEM UP.

[ SIGHS ]

BRAH, WHAT?

[ SIGHS ]

BRAH, WHAT?

[ SNIFFS ] DUDE, THAT STUFF

BRAH, WHAT?

[ SNIFFS ] DUDE, THAT STUFF

REEKS.

[ SNIFFS ] DUDE, THAT STUFF

REEKS.

[ BAG CRINKLING ]

REEKS.

[ BAG CRINKLING ]

OH, SH*T.

[ BAG CRINKLING ]

OH, SH*T.

RICHARD, PASS ME MY HOODIE.

OH, SH*T.

RICHARD, PASS ME MY HOODIE.

[ SIGHS ]

RICHARD, PASS ME MY HOODIE.

[ SIGHS ]

[ SIGHS ]

[ SIGHS ]

[ SIGHS ]

SO, WHAT ARE YOU DOING?

[ SIGHS ]

SO, WHAT ARE YOU DOING?

OKAY, WE GOT A LITTLE

SO, WHAT ARE YOU DOING?

OKAY, WE GOT A LITTLE

PROBLEM.

OKAY, WE GOT A LITTLE

PROBLEM.

BUT IT'S COOL. IT'S COOL.

PROBLEM.

BUT IT'S COOL. IT'S COOL.

[ CHUCKLES ]

BUT IT'S COOL. IT'S COOL.

[ CHUCKLES ]

[ SIGHS ]

[ CHUCKLES ]

[ SIGHS ]

I'M HOME.

[ SIGHS ]

I'M HOME.

OH. HEY, DAD.

I'M HOME.

OH. HEY, DAD.

HI, HONEY.

OH. HEY, DAD.

HI, HONEY.

HI.

HI, HONEY.

HI.

HI, ALEA.

HI.

HI, ALEA.

HEY, GIRLS.

HI, ALEA.

HEY, GIRLS.

HEY.

HEY, GIRLS.

HEY.

[ GASPS ] OOH.

HEY.

[ GASPS ] OOH.

DID YOU DO A LITTLE SHOPPING

[ GASPS ] OOH.

DID YOU DO A LITTLE SHOPPING

TODAY?

DID YOU DO A LITTLE SHOPPING

TODAY?

YES.

TODAY?

YES.

[ GASPS ]

YES.

[ GASPS ]

[ Singsong voice ] HI.

[ GASPS ]

[ Singsong voice ] HI.

OH, SLEEPY BOY.

[ Singsong voice ] HI.

OH, SLEEPY BOY.

HI, HONEY.

OH, SLEEPY BOY.

HI, HONEY.

OH. HEY, COME HERE.

HI, HONEY.

OH. HEY, COME HERE.

OH! ISN'T HE CUTE?

OH. HEY, COME HERE.

OH! ISN'T HE CUTE?

[TELEVISION PLAYING ]

OH! ISN'T HE CUTE?

[TELEVISION PLAYING ]

SO, WHAT'S IN THE BAG?

[TELEVISION PLAYING ]

SO, WHAT'S IN THE BAG?

YEAH. HERE.

SO, WHAT'S IN THE BAG?

YEAH. HERE.

WHY DON'T YOU HOLD HIM?

YEAH. HERE.

WHY DON'T YOU HOLD HIM?

YOU GOT HIM?

WHY DON'T YOU HOLD HIM?

YOU GOT HIM?

HEY, GUY.

YOU GOT HIM?

HEY, GUY.

[ BAG CRINKLES ]

HEY, GUY.

[ BAG CRINKLES ]

LOOK.

[ BAG CRINKLES ]

LOOK.

OOH! I LOVE IT.

LOOK.

OOH! I LOVE IT.

YOU WANT TO TRY IT ON FOR ME?

OOH! I LOVE IT.

YOU WANT TO TRY IT ON FOR ME?

[ GASPS ] SURE.

YOU WANT TO TRY IT ON FOR ME?

[ GASPS ] SURE.

MWAH!

[ GASPS ] SURE.

MWAH!

HEY, DAD.

MWAH!

HEY, DAD.

OH. GOOD.

HEY, DAD.

OH. GOOD.

YOU BOYS ARE JUST IN TIME.

OH. GOOD.

YOU BOYS ARE JUST IN TIME.

FOR WHAT?

YOU BOYS ARE JUST IN TIME.

FOR WHAT?

TO UNLOAD THE TRUCK.

FOR WHAT?

TO UNLOAD THE TRUCK.

HEY, AUSTIN, HELP WITH THIS,

TO UNLOAD THE TRUCK.

HEY, AUSTIN, HELP WITH THIS,

I'LL LET YOU STAY FOR DINNER.

HEY, AUSTIN, HELP WITH THIS,

I'LL LET YOU STAY FOR DINNER.

HEY, AUSTIN.

I'LL LET YOU STAY FOR DINNER.

HEY, AUSTIN.

OH, HEY.

HEY, AUSTIN.

OH, HEY.

YOU GONNA EAT WITH US?

OH, HEY.

YOU GONNA EAT WITH US?

UM...[Chuckling] IF IT'S

YOU GONNA EAT WITH US?

UM...[Chuckling] IF IT'S

OKAY.

UM...[Chuckling] IF IT'S

OKAY.

YOU KNOW YOU'RE ALWAYS

OKAY.

YOU KNOW YOU'RE ALWAYS

WELCOME AT OUR TABLE.

YOU KNOW YOU'RE ALWAYS

WELCOME AT OUR TABLE.

WHAT ARE YOU DOING?

WELCOME AT OUR TABLE.

WHAT ARE YOU DOING?

AHH, NO WORRIES. COME ON. GO.

WHAT ARE YOU DOING?

AHH, NO WORRIES. COME ON. GO.

ARE YOU JOKING?

AHH, NO WORRIES. COME ON. GO.

ARE YOU JOKING?

LET'S GO.

ARE YOU JOKING?

LET'S GO.

UH, SO WHAT, DAD?

LET'S GO.

UH, SO WHAT, DAD?

I LIKE BODIES.

UH, SO WHAT, DAD?

I LIKE BODIES.

DOESN'T SHE LOOK AMAZING?

I LIKE BODIES.

DOESN'T SHE LOOK AMAZING?

I BETTER SEE HOW TUTU IS COMING

DOESN'T SHE LOOK AMAZING?

I BETTER SEE HOW TUTU IS COMING

WITH DINNER.

I BETTER SEE HOW TUTU IS COMING

WITH DINNER.

THANKS, MOM.

WITH DINNER.

THANKS, MOM.

[ BABY COOS ]

THANKS, MOM.

[ BABY COOS ]

I GOT HIM.

[ BABY COOS ]

I GOT HIM.

MM.

I GOT HIM.

MM.

HEY, CLOSE THE DOOR.

DO YOU REALLY THINK THAT'S A

GOOD IDEA?

WHAT? 'CAUSE OF THE...

GOOD IDEA?

WHAT? 'CAUSE OF THE...

IT'S FINE.

WHAT? 'CAUSE OF THE...

IT'S FINE.

I SMOKED, DRANK, AND PARTIED FOR

IT'S FINE.

I SMOKED, DRANK, AND PARTIED FOR

THE FIRST THREE MONTHS.

I SMOKED, DRANK, AND PARTIED FOR

THE FIRST THREE MONTHS.

AND KAHANA CAME OUT JUST FINE.

THE FIRST THREE MONTHS.

AND KAHANA CAME OUT JUST FINE.

[ VEHICLE DEPARTS ]

SO YOU KNOW WHAT THAT MEANS.

WE'RE GONNA PARTY TONIGHT.

ALL WE NEED IS A RIDE.

WE'RE GONNA PARTY TONIGHT.

ALL WE NEED IS A RIDE.

OH, TRY PASSING MY PHONE.

ALL WE NEED IS A RIDE.

OH, TRY PASSING MY PHONE.

[ GRUNTS ]

OH, TRY PASSING MY PHONE.

[ GRUNTS ]

[ METAL CLANKS ]

[ GRUNTS ]

[ METAL CLANKS ]

SO WHAT, POPS? THAT'S IT?

[ METAL CLANKS ]

SO WHAT, POPS? THAT'S IT?

YEP. THANKS, BOYS.

SO WHAT, POPS? THAT'S IT?

YEP. THANKS, BOYS.

LET'S GO SEE WHAT MAMA'S GOT FOR

YEP. THANKS, BOYS.

LET'S GO SEE WHAT MAMA'S GOT FOR

DINNER.

LET'S GO SEE WHAT MAMA'S GOT FOR

DINNER.

HEY.

DINNER.

HEY.

YOU KEEP AN EYE ON MOM AND DAD

HEY.

YOU KEEP AN EYE ON MOM AND DAD

SO ME AND RALSTO CAN BREAK UP

YOU KEEP AN EYE ON MOM AND DAD

SO ME AND RALSTO CAN BREAK UP

DA KINE.

Rate this script:0.0 / 0 votes

Chuck Mitsui

All Chuck Mitsui scripts | Chuck Mitsui Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "One Kine Day" Scripts.com. STANDS4 LLC, 2024. Web. 24 Dec. 2024. <https://www.scripts.com/script/one_kine_day_15249>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    One Kine Day

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is one key element that makes dialogue in a screenplay effective?
    A Natural-sounding speech that reveals character and advances the plot
    B Long monologues
    C Excessive use of slang
    D Overly complex vocabulary