One Kine Day Page #19

Synopsis: Over the mountains, hidden from the touristic beaches of Waikiki, Ralsto, a 19 year old Hawaiian skateboarder, wakes up to a day he will never forget.
Genre: Drama
Director(s): Chuck Mitsui
Production: Independent Pictures
  2 wins.
 
IMDB:
6.0
NOT RATED
Year:
2011
100 min
29 Views


TALK ABOUT IT, OKAY?

[ GROANS ]

I DON'T WANT TO. STOP.

PLEASE?

I DON'T WANT TO. STOP.

PLEASE?

[ GROANS ]

PLEASE?

[ GROANS ]

DON'T.

[ GROANS ]

DON'T.

HEY.

DON'T.

HEY.

[ GROANS ]

HEY.

[ GROANS ]

GET UP.

[ GROANS ]

GET UP.

IT HURTS.

GET UP.

IT HURTS.

GET UP.

IT HURTS.

GET UP.

DON'T WANT TO.

GET UP.

DON'T WANT TO.

[ INDISTINCT GRUMBLING ]

DON'T WANT TO.

[ INDISTINCT GRUMBLING ]

HONEY.

[ INDISTINCT GRUMBLING ]

HONEY.

COME ON, HONEY.

HONEY.

COME ON, HONEY.

[ GROANS ]

COME ON, HONEY.

[ GROANS ]

GO AWAY. STOP.

[ GROANS ]

GO AWAY. STOP.

PLEASE?

GO AWAY. STOP.

PLEASE?

[ GROANS ]

PLEASE?

[ GROANS ]

PLEASE, HONEY.

[ GROANS ]

PLEASE, HONEY.

[ DOOR SLAMS ]

PLEASE, HONEY.

[ DOOR SLAMS ]

F***. GET OFF ME.

[ DOOR SLAMS ]

F***. GET OFF ME.

GET OFF ME.

F***. GET OFF ME.

GET OFF ME.

WHAT?

GET OFF ME.

WHAT?

YOU HAVE TO LEAVE.

WHAT?

YOU HAVE TO LEAVE.

WHY?

YOU HAVE TO LEAVE.

WHY?

JUST GET THE F*** OUT!

WHY?

JUST GET THE F*** OUT!

WHAT THE HELL ARE YOU TALKING

JUST GET THE F*** OUT!

WHAT THE HELL ARE YOU TALKING

ABOUT?

WHAT THE HELL ARE YOU TALKING

ABOUT?

GET OUT!

ABOUT?

GET OUT!

WHY?

GET OUT!

WHY?

GET THE F*** OUT!

WHY?

GET THE F*** OUT!

ALL RIGHT.

GET THE F*** OUT!

ALL RIGHT.

GET OUT!

ALL RIGHT.

GET OUT!

SH*T.

[ DOOR OPENS ]

OH.

HEY, WHAT'S UP, ALEA, GIRL?

OH.

HEY, WHAT'S UP, ALEA, GIRL?

LEAVE ME ALONE.

HEY, WHAT'S UP, ALEA, GIRL?

LEAVE ME ALONE.

NO, NO, NO. HEY. HEY.

LEAVE ME ALONE.

NO, NO, NO. HEY. HEY.

GET OUT!

NO, NO, NO. HEY. HEY.

GET OUT!

MOM! MOM!

GET OUT!

MOM! MOM!

[ SCREAMS ]

MOM! MOM!

[ SCREAMS ]

WHAT THE F*** WAS THAT?

[ SCREAMS ]

WHAT THE F*** WAS THAT?

WHAT WERE YOU DOING IN THERE?

WHAT THE F*** WAS THAT?

WHAT WERE YOU DOING IN THERE?

YOU KNEW SHE WAS IN THE

WHAT WERE YOU DOING IN THERE?

YOU KNEW SHE WAS IN THE

BATHROOM.

YOU KNEW SHE WAS IN THE

BATHROOM.

WHAT WERE YOU DOING IN THERE?

BATHROOM.

WHAT WERE YOU DOING IN THERE?

HEY, CALM DOWN.

WHAT WERE YOU DOING IN THERE?

HEY, CALM DOWN.

NO.

HEY, CALM DOWN.

NO.

[ INDISTINCT ARGUING ]

NO.

[ INDISTINCT ARGUING ]

[ GROANING ]

[ INDISTINCT ARGUING ]

[ GROANING ]

[ URINATING ]

[ GROANING ]

[ URINATING ]

[ BREATHING SHAKILY ]

[ ARGUING CONTINUES ]

[ WHIMPERS ]

NO.

[ CRYING ]

OH.

OH.

[ CRYING ]

OH, MY GOD.

NO.

[ WHIMPERS ]

[ CRYING ]

[ TOILET FLUSHES ]

[ SOBBING ]

I'M SORRY.

[ SIGHS ]

HEY, MOM.

I KNOW IT MIGHT BE TOO LATE, BU HEY, MOM.

I KNOW IT MIGHT BE TOO LATE, BU DO YOU THINK YOU CAN TAKE THIS

I KNOW IT MIGHT BE TOO LATE, BU DO YOU THINK YOU CAN TAKE THIS

TO THE POST OFFICE FOR ME?

[ SMOOCHES ]

OH, UM...

I'LL SEE YOU TONIGHT.

OH, WHOA, YEAH, YEAH

OH, WHOA, YEAH, YEAH

OH, WHOA, YEAH, YEAH

OH, WHOA, YEAH, YEAH

OH, WHOA, YEAH, YEAH

A LONG TYPE OF LOVING,

OH, WHOA, YEAH, YEAH

A LONG TYPE OF LOVING,

GIRL:

A LONG TYPE OF LOVING,

GIRL:

OH, WHOA, YEAH, YEAH

GIRL:

OH, WHOA, YEAH, YEAH

DO YOU WANT TO SHOW THEM

OH, WHOA, YEAH, YEAH

DO YOU WANT TO SHOW THEM

OFF?

DO YOU WANT TO SHOW THEM

OFF?

OH, WHOA, YEAH, YEAH

OFF?

OH, WHOA, YEAH, YEAH

LISTEN UP:

OH, WHOA, YEAH, YEAH

LISTEN UP:

I WANT TO KISS YOU AND HOLD

LISTEN UP:

I WANT TO KISS YOU AND HOLD

YOU TIGHT:

I WANT TO KISS YOU AND HOLD

YOU TIGHT:

YOU'RE FAR AWAY

YOU TIGHT:

YOU'RE FAR AWAY

A KIND OF FEELING WHEN I LOOK

YOU'RE FAR AWAY

A KIND OF FEELING WHEN I LOOK

IN YOUR EYES:

A KIND OF FEELING WHEN I LOOK

IN YOUR EYES:

FAR AWAY:

IN YOUR EYES:

FAR AWAY:

I COULD HAVE BEEN THE MAN IN

FAR AWAY:

I COULD HAVE BEEN THE MAN IN

YOUR LIFE:

I COULD HAVE BEEN THE MAN IN

YOUR LIFE:

YOU'RE FAR AWAY

YOUR LIFE:

YOU'RE FAR AWAY

YOU KNOW IT'S WRONG, BUT I YOU'RE FAR AWAY

YOU KNOW IT'S WRONG, BUT I FEELS SO RIGHT

YOU KNOW IT'S WRONG, BUT I FEELS SO RIGHT

YOU'RE FAR AWAY

FEELS SO RIGHT:

YOU'RE FAR AWAY

SO MANY NIGHTS I'M AWAY FROM

YOU'RE FAR AWAY

SO MANY NIGHTS I'M AWAY FROM

YOU:

SO MANY NIGHTS I'M AWAY FROM

YOU:

ARE YOU SITTING AT HOME WHILE

YOU:

ARE YOU SITTING AT HOME WHILE

I'M FEELING SO LONELY?

ARE YOU SITTING AT HOME WHILE

I'M FEELING SO LONELY?

YEAH, UNDERSTAND WHY I'M HERE

I'M FEELING SO LONELY?

YEAH, UNDERSTAND WHY I'M HERE

FOR YOU:

YEAH, UNDERSTAND WHY I'M HERE

FOR YOU:

COULD IT BE IT'S YOUR LOVE?

FOR YOU:

COULD IT BE IT'S YOUR LOVE?

'CAUSE IT'S DRIVING ME CRAZY?

COULD IT BE IT'S YOUR LOVE?

'CAUSE IT'S DRIVING ME CRAZY?

SO CRAZY:

'CAUSE IT'S DRIVING ME CRAZY?

SO CRAZY:

YEAH, YOU DRIVE ME CRAZY

SO CRAZY:

YEAH, YOU DRIVE ME CRAZY

CRAZY:

YEAH, YOU DRIVE ME CRAZY

CRAZY:

OH, YEAH

WHEN SHE WALK UP ON THE

FLOOR, I GET LOST IN THE DANCE

AND WHEN SHE LOOKS AT ME, I

FLOOR, I GET LOST IN THE DANCE

AND WHEN SHE LOOKS AT ME, I

GET LOST IN THE DANCE

AND WHEN SHE LOOKS AT ME, I

GET LOST IN THE DANCE

AND WHEN SHE MOVE HER BODY, I

GET LOST IN THE DANCE

AND WHEN SHE MOVE HER BODY, I

GET LOST IN THE DANCE

AND WHEN SHE MOVE HER BODY, I

GET LOST IN THE DANCE

WE COME TO TELL YOU ONCE

GET LOST IN THE DANCE

WE COME TO TELL YOU ONCE

AGAIN:

WE COME TO TELL YOU ONCE

AGAIN:

WHEN SHE WALK UP ON THE FLOOR,

AGAIN:

WHEN SHE WALK UP ON THE FLOOR,

I GET LOST IN THE DANCE

WHEN SHE WALK UP ON THE FLOOR,

I GET LOST IN THE DANCE

AND WHEN SHE LOOKS AT ME, I

I GET LOST IN THE DANCE

AND WHEN SHE LOOKS AT ME, I

GET LOST IN THE DANCE

AND WHEN SHE LOOKS AT ME, I

GET LOST IN THE DANCE

AND WHEN SHE MOVE HER BODY, I

GET LOST IN THE DANCE

AND WHEN SHE MOVE HER BODY, I

GET LOST IN THE DANCE

AND WHEN SHE MOVE HER BODY, I

GET LOST IN THE DANCE

AI-TA-AI-AI-AI

GET LOST IN THE DANCE

AI-TA-AI-AI-AI

SO MANY NIGHTS I'M AWAY

AI-TA-AI-AI-AI

SO MANY NIGHTS I'M AWAY

FROM YOU:

SO MANY NIGHTS I'M AWAY

FROM YOU:

ARE YOU SITTING AT HOME WHILE

FROM YOU:

ARE YOU SITTING AT HOME WHILE

I'M FEELING SO LONELY?

ARE YOU SITTING AT HOME WHILE

I'M FEELING SO LONELY?

YEAH, UNDERSTAND WHY I'M HERE

I'M FEELING SO LONELY?

YEAH, UNDERSTAND WHY I'M HERE

FOR YOU:

YEAH, UNDERSTAND WHY I'M HERE

FOR YOU:

COULD IT BE IT'S YOUR LOVE?

FOR YOU:

COULD IT BE IT'S YOUR LOVE?

'CAUSE IT'S DRIVING ME CRAZY

COULD IT BE IT'S YOUR LOVE?

'CAUSE IT'S DRIVING ME CRAZY

ME CRAZY:

'CAUSE IT'S DRIVING ME CRAZY

ME CRAZY:

YEAH, YOU DRIVE ME...

ME CRAZY:

YEAH, YOU DRIVE ME...

CRAZY:

YEAH, YOU DRIVE ME...

CRAZY:

OH, YEAH

CRAZY:

OH, YEAH

WHEN SHE WALK UP ON THE

OH, YEAH

WHEN SHE WALK UP ON THE

FLOOR, I GET LOST IN THE DANCE

WHEN SHE WALK UP ON THE

FLOOR, I GET LOST IN THE DANCE

AND WHEN SHE LOOKS AT ME, I

FLOOR, I GET LOST IN THE DANCE

AND WHEN SHE LOOKS AT ME, I

GET LOST IN THE DANCE

AND WHEN SHE LOOKS AT ME, I

GET LOST IN THE DANCE

AND WHEN SHE MOVE HER BODY, I

GET LOST IN THE DANCE

AND WHEN SHE MOVE HER BODY, I

GET LOST IN THE DANCE

AND WHEN SHE MOVE HER BODY, I

GET LOST IN THE DANCE

[ SINGING INDISTINCTLY ]

GET LOST IN THE DANCE

[ SINGING INDISTINCTLY ]

WHEN SHE WALK UP ON THE FLOOR,

[ SINGING INDISTINCTLY ]

WHEN SHE WALK UP ON THE FLOOR,

I GET LOST IN THE DANCE

WHEN SHE WALK UP ON THE FLOOR,

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Chuck Mitsui

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Submitted on August 05, 2018

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    "One Kine Day" Scripts.com. STANDS4 LLC, 2025. Web. 25 Feb. 2025. <https://www.scripts.com/script/one_kine_day_15249>.

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