One Kine Day Page #4

Synopsis: Over the mountains, hidden from the touristic beaches of Waikiki, Ralsto, a 19 year old Hawaiian skateboarder, wakes up to a day he will never forget.
Genre: Drama
Director(s): Chuck Mitsui
Production: Independent Pictures
  2 wins.
 
IMDB:
6.0
NOT RATED
Year:
2011
100 min
24 Views


I KNOW, BUT IT'S -- IT'S JUS I HAVE SOME OTHER THINGS GOING

ON RIGHT NOW, AND I --

I HAVE SOME OTHER THINGS GOING

ON RIGHT NOW, AND I --

WELL, NOW YOU'RE GONNA HAVE

ON RIGHT NOW, AND I --

WELL, NOW YOU'RE GONNA HAVE

PLENTY OF TIME TO FIGURE THOSE

WELL, NOW YOU'RE GONNA HAVE

PLENTY OF TIME TO FIGURE THOSE

THINGS OUT.

PLENTY OF TIME TO FIGURE THOSE

THINGS OUT.

AND I CAN FINALLY GET YOUR SHI THINGS OUT.

AND I CAN FINALLY GET YOUR SHI OUT OF HERE.

AND I CAN FINALLY GET YOUR SHI OUT OF HERE.

SO YOU'RE FIRING ME?

OUT OF HERE.

SO YOU'RE FIRING ME?

YEAH.

SO YOU'RE FIRING ME?

YEAH.

'CAUSE YOU'RE NOT TAKING I YEAH.

'CAUSE YOU'RE NOT TAKING I SERIOUSLY, AND SOONER OR LATER,

'CAUSE YOU'RE NOT TAKING I SERIOUSLY, AND SOONER OR LATER,

AUSTIN, YOU'RE GONNA NEED TO

SERIOUSLY, AND SOONER OR LATER,

AUSTIN, YOU'RE GONNA NEED TO

LEARN THAT WORK IS WORK.

AUSTIN, YOU'RE GONNA NEED TO

LEARN THAT WORK IS WORK.

DOES THIS MEAN I CAN'T HANG

LEARN THAT WORK IS WORK.

DOES THIS MEAN I CAN'T HANG

OUT HERE ANYMORE?

DOES THIS MEAN I CAN'T HANG

OUT HERE ANYMORE?

[ INDISTINCT CONVERSATIONS ]

OUT HERE ANYMORE?

[ INDISTINCT CONVERSATIONS ]

HEY, GIRL.

[ INDISTINCT CONVERSATIONS ]

HEY, GIRL.

YOU OKAY?

HEY, GIRL.

YOU OKAY?

YEAH, IT'S JUST...MY STOMACH

YOU OKAY?

YEAH, IT'S JUST...MY STOMACH

FEELS ALL FUNKY.

YEAH, IT'S JUST...MY STOMACH

FEELS ALL FUNKY.

FROM THE...

FEELS ALL FUNKY.

FROM THE...

I DON'T KNOW.

FROM THE...

I DON'T KNOW.

IT'S EITHER THAT OR THE TEA

I DON'T KNOW.

IT'S EITHER THAT OR THE TEA

AUSTIN'S MOM GAVE ME.

IT'S EITHER THAT OR THE TEA

AUSTIN'S MOM GAVE ME.

IT WAS SO GROSS.

AUSTIN'S MOM GAVE ME.

IT WAS SO GROSS.

SHE DOESN'T KNOW, DOES SHE?

IT WAS SO GROSS.

SHE DOESN'T KNOW, DOES SHE?

BUT...YOU TALKED TO AUSTIN,

SHE DOESN'T KNOW, DOES SHE?

BUT...YOU TALKED TO AUSTIN,

RIGHT?

BUT...YOU TALKED TO AUSTIN,

RIGHT?

YEAH, YEAH.

RIGHT?

YEAH, YEAH.

AND?

YEAH, YEAH.

AND?

[ SIGHS ]

AND?

[ SIGHS ]

AND HE DOESN'T -- HE DOESN' [ SIGHS ]

AND HE DOESN'T -- HE DOESN' WANT TO KEEP IT.

AND HE DOESN'T -- HE DOESN' WANT TO KEEP IT.

I DON'T KNOW IF I CAN GO THROUGH

WANT TO KEEP IT.

I DON'T KNOW IF I CAN GO THROUGH

THAT AGAIN.

I DON'T KNOW IF I CAN GO THROUGH

THAT AGAIN.

YOU DON'T HAVE TO, YOU KNOW?

THAT AGAIN.

YOU DON'T HAVE TO, YOU KNOW?

I MEAN, YOU CAN ALWAYS KEEP IT.

YOU DON'T HAVE TO, YOU KNOW?

I MEAN, YOU CAN ALWAYS KEEP IT.

MAYBE.

I MEAN, YOU CAN ALWAYS KEEP IT.

MAYBE.

I JUST WISH I COULD TALK TO

MAYBE.

I JUST WISH I COULD TALK TO

AUSTIN INSTEAD OF BEING STUCK

I JUST WISH I COULD TALK TO

AUSTIN INSTEAD OF BEING STUCK

HERE.

AUSTIN INSTEAD OF BEING STUCK

HERE.

YOU WANT TO USE MY PHONE

HERE.

YOU WANT TO USE MY PHONE

AFTER LUNCH?

YOU WANT TO USE MY PHONE

AFTER LUNCH?

THANKS.

AFTER LUNCH?

THANKS.

COME ON.

YOU KNOW, HAVING A BABY ISN' THE END OF THE WORLD.

[ WHEELS ROLLING ]

WHAT'S UP, SUZIE?

HEY, SEAN.

YOU NEED ME TO SEND THAT FOR

HEY, SEAN.

YOU NEED ME TO SEND THAT FOR

YOU?

YOU NEED ME TO SEND THAT FOR

YOU?

UM --

YOU?

UM --

NOT UNLESS YOU'RE GONNA SEND

UM --

NOT UNLESS YOU'RE GONNA SEND

IT HOME.

NOT UNLESS YOU'RE GONNA SEND

IT HOME.

WHAT?

IT HOME.

WHAT?

I DON'T KNOW.

WHAT?

I DON'T KNOW.

BARRY AND SAM MADE ME LATE.

I DON'T KNOW.

BARRY AND SAM MADE ME LATE.

LATE AGAIN?

BARRY AND SAM MADE ME LATE.

LATE AGAIN?

WELL, YEAH, BUT IT'S NOT MY

LATE AGAIN?

WELL, YEAH, BUT IT'S NOT MY

FAULT.

WELL, YEAH, BUT IT'S NOT MY

FAULT.

OH, NOT YOUR FAULT?

FAULT.

OH, NOT YOUR FAULT?

WELL, IT DOESN'T MATTER NOW.

OH, NOT YOUR FAULT?

WELL, IT DOESN'T MATTER NOW.

YOU KNOW WHY?

WELL, IT DOESN'T MATTER NOW.

YOU KNOW WHY?

'CAUSE YOU'RE GONNA FILL OUT AN

YOU KNOW WHY?

'CAUSE YOU'RE GONNA FILL OUT AN

APPLICATION.

'CAUSE YOU'RE GONNA FILL OUT AN

APPLICATION.

OH, MOM, I TOLD YOU...

APPLICATION.

OH, MOM, I TOLD YOU...

TOO BAD.

OH, MOM, I TOLD YOU...

TOO BAD.

YOU HAVE NOW JOINED THE RANKS

TOO BAD.

YOU HAVE NOW JOINED THE RANKS

OF THE UNEMPLOYED, SO IT APPEARS

YOU HAVE NOW JOINED THE RANKS

OF THE UNEMPLOYED, SO IT APPEARS

TO ME YOU HAVE NO CHOICE.

OF THE UNEMPLOYED, SO IT APPEARS

TO ME YOU HAVE NO CHOICE.

SIT.

TO ME YOU HAVE NO CHOICE.

SIT.

SIT.

SIT.

SIT.

HI, AUSTIN.

HERE YOU GO.

OH, YOU NEED A PEN.

UM, CAN I FILL THIS OU OH, YOU NEED A PEN.

UM, CAN I FILL THIS OU LATER?

UM, CAN I FILL THIS OU LATER?

NO, YOU NEED TO TAKE THIS

LATER?

NO, YOU NEED TO TAKE THIS

SERIOUSLY.

NO, YOU NEED TO TAKE THIS

SERIOUSLY.

I KNOW, BUT SEAN IS WAITING,

SERIOUSLY.

I KNOW, BUT SEAN IS WAITING,

AND --

I KNOW, BUT SEAN IS WAITING,

AND --

OH, IS SEAN GONNA GET YOU A

AND --

OH, IS SEAN GONNA GET YOU A

JOB?

OH, IS SEAN GONNA GET YOU A

JOB?

[ SIGHS ] NO, BUT...

JOB?

[ SIGHS ] NO, BUT...

YOU HAVE TO FILL THIS OUT,

[ SIGHS ] NO, BUT...

YOU HAVE TO FILL THIS OUT,

AUSTIN.

YOU HAVE TO FILL THIS OUT,

AUSTIN.

I WILL. I PROMISE.

AUSTIN.

I WILL. I PROMISE.

[ SMOOCHES ]

I WILL. I PROMISE.

[ SMOOCHES ]

OKAY?

[ SMOOCHES ]

OKAY?

I'LL CALL YOU LATER.

[ CHUCKLES ]

SHOVE OFF, DUDE.

[ INDISTINCT SHOUTING ]

GIVE ME THE BABY.

GIVE ME THE BABY.

GIVE ME THE BABY.

GIVE ME THE BABY.

YOU GO GRAB THE BABY.

GIVE ME THE BABY.

YOU GO GRAB THE BABY.

GIVE ME THE BABY.

YOU GO GRAB THE BABY.

GIVE ME THE BABY.

LOOK AT HER.

GIVE ME THE BABY.

LOOK AT HER.

YOU WANT THE BABY? FINE. HERE.

LOOK AT HER.

YOU WANT THE BABY? FINE. HERE.

[ BABY CRYING ]

YOU WANT THE BABY? FINE. HERE.

[ BABY CRYING ]

WANT TO PAY ME NOW, HUH?

[ BABY CRYING ]

WANT TO PAY ME NOW, HUH?

YEAH. GRAB THE BABY.

WANT TO PAY ME NOW, HUH?

YEAH. GRAB THE BABY.

MAKE HER STOP CRYING!

YEAH. GRAB THE BABY.

MAKE HER STOP CRYING!

NOW YOU KNOW HOW I FEEL!

MAKE HER STOP CRYING!

NOW YOU KNOW HOW I FEEL!

[ CRYING CONTINUES ]

NOW YOU KNOW HOW I FEEL!

[ CRYING CONTINUES ]

OKAY, A**HOLE.

[ CRYING CONTINUES ]

OKAY, A**HOLE.

DON'T YOU F***ING SLAM THE DOOR

OKAY, A**HOLE.

DON'T YOU F***ING SLAM THE DOOR

AT ME!

DON'T YOU F***ING SLAM THE DOOR

AT ME!

GUESS WHAT HAPPENED.

AT ME!

GUESS WHAT HAPPENED.

THAT F***ING A**HOLE -- GOING

GUESS WHAT HAPPENED.

THAT F***ING A**HOLE -- GOING

OUT TILL 5:
00 A.M. IN THE

THAT F***ING A**HOLE -- GOING

OUT TILL 5:
00 A.M. IN THE

MORNING, LEFT ME ALL NIGHT LONG

OUT TILL 5:
00 A.M. IN THE

MORNING, LEFT ME ALL NIGHT LONG

WITH THE KID CRYING!

MORNING, LEFT ME ALL NIGHT LONG

WITH THE KID CRYING!

I DON'T GET ANY SLEEP AT ALL.

WITH THE KID CRYING!

I DON'T GET ANY SLEEP AT ALL.

I'M SO TIRED AND SO EXHAUSTED.

I DON'T GET ANY SLEEP AT ALL.

I'M SO TIRED AND SO EXHAUSTED.

YOU JUST PARTIED LAST NIGHT,

I'M SO TIRED AND SO EXHAUSTED.

YOU JUST PARTIED LAST NIGHT,

MAN.

YOU JUST PARTIED LAST NIGHT,

MAN.

[ SPEAKING INDISTINCTLY ]

MAN.

[ SPEAKING INDISTINCTLY ]

THE WHOLE FRICKIN' ENTIRE

[ SPEAKING INDISTINCTLY ]

THE WHOLE FRICKIN' ENTIRE

WEEK.

THE WHOLE FRICKIN' ENTIRE

WEEK.

I WAS WITH THE KID ALL FRICKIN'

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Chuck Mitsui

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Submitted on August 05, 2018

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