Only You Page #9

Synopsis: Destiny. Faith (Marisa Tomei) believes that two soul-mates can be united if they find each other. From the Ouija board, she has found the name of her missing half, and it is D-A-M-O-N B-R-A-D-L-E-Y. Later, at the carnival, the fortune teller sees the name Damon Bradley in the Crystal Ball and Faith is convinced. She is told that "You make your own destiny,...don't wait for it to come to you", but she is looking for Damon. 14 years later, she is engaged to a dull podiatrist and plans to marry until she gets a call from one of his classmates who is on his way to Venice, Italy. The classmate is Damon Bradley. Rushing to the airport to see her soul-mate, she misses him and the plane, but decides, then and there, to go after him. So Faith and her sister-in-law Kate both board the next plane for Italy hoping to find her Damon.
Genre: Comedy, Romance
Director(s): Norman Jewison
Production: Sony Pictures Home Entertainment
 
IMDB:
6.5
Rotten Tomatoes:
48%
PG
Year:
1994
115 min
641 Views


O.S.

Will you loan me some clothes?

Startled, she looks up. Kate is standing there, holding her

passport.

KATE:

(shrugs)

I keep it in the glove compartment

in case of emergencies.

FAITH:

You're coming with me?

Kate nods. Faith throws her arms around her.

KATE:

I'm not saying I think it's a good

idea. But if you're going to

insist on doing this, I don't think

you should go alone. You need to

be sensible about it.

Their flight is announced. They get up and start walking

towards the gate.

FAITH:

You're right. The key is to go

about this sensibly. Logically.

Rationally.

As they go,

FAITH:

Did I tell you I figured out we

both have the same number of

letters in our names?

INT. JET - NIGHT

As the plane slowly taxis, the FLIGHT ATTENDANTS go through

their standard litany of disaster. As usual, everybody is

ignoring them. Except for one passenger, who is looking

slightly green.

KATE:

You okay?

FAITH:

Sure. I'm fine. I don't know why

I never did this before. I mean,

what's the big deal?

The plane starts picking up speed.

FAITH:

Except for the fact that I could

lose my job.

The landscape is beginning to blur.

FAITH:

I could lose Dwayne.

They're rocketing down the runway.

FAITH:

(suddenly clutching

Kate's arm)

I'm afraid to fly.

The ear-splitting SHRIEK of a jet engine as the plane takes

off.

DISSOLVE TO:

INT. MARCO POLO AIRPORT, VENICE - LATE AFTERNOON

The two women enter the terminal. Kate is jet-lagged and a

little dazed. Faith is like a kid on Christmas morning.

FAITH:

We're here, we're here, we're here!

I can't believe we're really here.

As they make their way to the baggage claim they're instantly

subjected to the Italian male's tendency to treat every female

in sight as if she were the first woman he'd ever seen in his

life. Faith looks around ingenuously,

FAITH:

You know what?... It seems like

there's a lot more available men

in Italy.

Kate rolls her eyes, grabs Faith by the elbow and steers her

out of there.

EXT. DOCKS, PIAZZALE ROMA - SUNSET

Our first view of Italy which, visually, is meant to be

idealized. A place where the light is always golden, and the

streets are full of magic and romance. It's not the real

Italy, it's the Italy of guidebooks. Of memories and

dreams...

They stand at the edge of the docks which lead to the floating

city. Faith looks around.

FAITH:

Now what do we do?

KATE:

The book said they have boats that

are like taxis...

(scans LET'S GO)

Vaporettos.

(looking up)

What's the name of the place we're

staying again?

FAITH:

(cheerfully pulling

out the cocktail

napkin)

It's called... the Gritty Palace.

KATE:

"Gritty"? Is this gonna be one

of those youth hostel dives jammed

with backpackers who don't believe

in deodorant?

FAITH:

I don't know... Maybe. Think of

it as an adventure.

Faith spots a vaporetto. As they dash towards it, somebody

pinches Kate.

KATE:

Ow! What the--

She looks behind her. The only person in the immediate

vicinity is a NINE-YEAR-OLD BOY, looking innocent. She WHACKS

him.

KATE:

Cretin.

They step aboard just as the boat takes off, and Faith gazes

out into the distance, leaning out across the railing.

FAITH:

Oh, look Kate, look how

beautiful...

And it is... as they sail toward the splendor that is Venice

at twilight.

EXT. THE GRAND CANAL - TWILIGHT

Magic hour. They float past ancient pallazi, their crumbling

facades rejuvenated in the gentle evening light. Gondoliers

glide by. Candlelit windows cast shimmering patches of gold

down onto the water. It's just like the movies... Eventually

the DRIVER calls out,

TAXI DRIVER:

Gritti Palace.

Faith can barely contain herself as they pull up alongside

one of the most elegant and expensive hotels in Venice.

Former home to Hemingway and Maugham. Dock lanterns glow,

beckoning them into its sumptuous surroundings.

FAITH:

This is pretty ni-iice...

Kate smiles, then realizes,

KATE:

(grabbing Faith's

arm)

This is a Lifestyles hotel.

FAITH:

What?

KATE:

"Of the Rich and Famous". Of which

we are neither. Are you out of

your mind? We can't afford this.

FAITH:

(looking up at it)

Are you sure?

KATE:

Yes.

(folding her arms)

Cathy Lee Crosby stayed here.

FAITH:

Well, we're here. And more

importantly, he's here.

(stepping forward)

We'll cut back on everything else.

She thanks the driver. Pays him. Steps off the boat. Kate

doesn't move.

FAITH:

Kate. It's one night.

She still doesn't move.

FAITH:

They take credit cards.

She's a statue.

FAITH:

We get frequent flyer miles.

EXT. GRITTI PALACE ENTRANCE - TWILIGHT

They enter the elegant lobby of the restored 15th century

palazzo.

FAITH:

I'm so glad I got up the nerve to

do this. All my life, I've waited

for men to call. Waited for them

to ask me out. Waited for them

to make the first move. Well, no

more of that. I am finally taking

charge of my own destiny.

Rate this script:0.0 / 0 votes

Diane Drake

Diane Drake is an American screenwriter and teacher, and former Vice President of Creative Affairs for Sydney Pollack's production company, Mirage Enterprises. She lives in Los Angeles and is best known for the films Only You and What Women Want. more…

All Diane Drake scripts | Diane Drake Scripts

0 fans

Submitted by aviv on November 30, 2016

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Only You" Scripts.com. STANDS4 LLC, 2024. Web. 23 Dec. 2024. <https://www.scripts.com/script/only_you_727>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Only You

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What does "parenthetical" refer to in screenwriting?
    A An instruction for how dialogue should be delivered
    B A scene transition
    C A description of the setting
    D A character's inner thoughts