Opus 40: The Master-Work of Environmental Artist Harvey Fite Page #2

Synopsis: Opus 40 is a large envi­ron­men­tal sculp­ture in Sauger­ties, New York, cre­ated by sculp­tor and quar­ry­man Har­vey Fite (1903-1976). It com­prises a sprawl­ing series of dry-stone ramps, pedestals and plat­forms cov­er­ing 6.5 acres of a blue­stone quarry.
Genre: Documentary
Director(s): Benjamin T. Orifici
Actors: Tad Richards
Year:
2012
48 min
36 Views


- You're aberrated.

- No, I'm not.

- Know what that means?

- No.

You've wandered from

the proper path, haven't you?

- These problems you have...

(SCOFFS, CHUCKLES)

I don't have any problems.

I don't know what I told you,

but if you have work for me to do,

I can do it.

You seem so familiar to me.

Yeah.

What do you do?

I do many, many things.

I am a writer, a doctor,

a nuclear physicist,

a theoretical philosopher...

...but above all I am a man.

A hopelessly inquisitive man,

just like you.

Well, I'm sorry if I got

out of hand last night.

- It was cold and I was...

- Don't apologize. You're a scoundrel.

And as a scientist

and a connoisseur, I have...

...I have no idea the contents

of this remarkable potion.

What's in it?

Secrets.

Can you make more?

Well, not like that.

But I can make you

something different, better.

I'll make something

special for you.

How do you like to feel?

I will give you a full reprieve

from your naughtiness

as a stowaway,

if you make us some more.

I must admit I, I sampled it

and ended up drinking it all.

Would you scrub yourself

and make yourself clean.

My daughter is getting married.

Come and join us.

Leave your worries for a while.

They'll still be there

when you get back.

And your memories aren't invited.

(CLASSICAL MUSIC PLAYS)

(INDISTINCT CHATTER)

Stand wherever you like.

Good day, good day,

good day, good day.

What a day. What a day.

Mama.

Rascal.

Clark, big day?

- Big day indeed, sir.

- How are you feeling?

I feel pretty well, thank you.

How are you?

Wonderful.

As long as you hold these bodies,

in this life,

you will be man and wife.

You may kiss the bride.

(APPLAUSE)

(CHEERING)

MAN:
Marriage!

Previous to The Cause

was awful.

(LAUGHTER)

Awful.

It was a cycle, like life.

Birth, excitement,

growth, decay, death.

(LAUGHTER)

Now... now...

...how about this?

Here it comes... a large dragon.

Teeth...

...blood dripping, red eyes.

What do I got?

A lasso. I whip it up.

I wrap it around its neck,

and I wrestle,

wrestle, wrestle him

to the ground.

I snap up.

I say, "Sit, dragon." Dragon sits.

I say "Stay." Dragon stays.

- Now it's got a leash on it.

(LAUGHTER)

I take it for a walk.

And that's where

we're at with it now.

It stays on command.

Next we're going to teach it

to roll over and play dead.

(LAUGHTER, APPLAUSE)

FREDDIE:
- Love that story.

- So, where are you from?

- Huh?

- Where are you from?

Lynn, Massachusetts.

- Freddie Quell, how do you do?

- I'm Val. I'm his son.

Oh, yeah, I see it.

So what kind of work

will you be doing?

- Not sure.

- Done any Time Hole work?

- Any what?

- Any Time Hole work?

I don't think so.

I don't know what that is.

- I'm sure you're going to love it.

- I hope so.

- Nice to meet you and welcome aboard.

- Looking forward to it.

- How long have you known him?

- Good night!

- About three years.

- Good night, good night, good night.

Thank you, thank you

for being here.

- Norman...

- Three years?

Thank you.

- Good night, Master.

- Good night.

When can we have

some more of your potion?

Whenever you like,

I'll make it.

When I like it,

I'll give you a signal.

I'll rub my nose

and scratch my ear.

What will you need?

- I'll take care of it.

- Good.

- Anything you need.

- Thank you, good night.

Good night, everyone.

Don't get up.

Don't get up.

(KISSING)

- I love you.

- I love you, too.

What a day.

We fought against the day

and we won. We won.

(WOMAN TALKING INDISTINCTLY)

(CHILD LAUGHING)

Freddie, feel free to sit with us.

Can you invite him over?

Say, come on over.

(GRUNTS)

(HUMMING)

Can you say hi?

WOMAN:
He's... been writing all night.

You seem to inspire something in him.

- Yeah?

- Mm.

When we're at home, on land,

there's too much pulling him

in each direction.

Every time he sits to write,

a new attack is launched against him,

and he spends too much time

defending himself.

Who's attacking him?

People who are scared.

People who are greedy.

Ex-wives.

That's what's so nice

about being at sea.

- He gets his studies done.

- Hm.

Advances the learning.

He writes book two.

Say "back beyond" and return

to the pre-birth area.

Back beyond,

back beyond, back beyond.

Back beyond.

- How are you feeling?

- Back beyond.

Back beyond... I feel cold.

- Continue, please.

- Back beyond,

back beyond, back beyond.

Continue, please,

and tell me what you hear.

It's my mother.

Recall what she says.

Recall a sound.

It's her voice.

She's saying,

"We shouldn't be doing this,

not while she's inside me."

- Repeat what she says.

- "Not while I'm pregnant."

MAN:
Repeat what she says.

Do you understand what's happening?

I'm not sure.

We record everything.

Really?

Through all lifetimes.

MASTER:
Man is not an animal.

We are not a pan'

of the animal kingdom.

We sit far above that crowd.

Perched as spirits, not beasts.

You are not ruled by your emotions.

It is not only possible,

it is easily achievable

that we do away

with all negative

emotional impulses,

and bring man back to his

inherent state of perfect.

Man is not an animal.

We are not a pan'

of the animal kingdom.

We sit far above that crowd.

Perched as spirits, not beasts.

You are not ruled

by your emotions.

It is not only possible,

it is easily achievable...

Hm-mm.

(MASTER CHUCKLES) Cheers.

Mm.

- Oh, God!

(FREDDIE LAUGHING)

Oh, God! Oh, God!

Freddie.

Lovely.

(GRUNTS)

I've been writing.

Feel like I went under.

Dark cloud rolls in, opens up.

Anxious to share new work.

Would you care

for some informal processing?

Sure. What do I have to do?

- Just answer my questions, we talk.

- OK.

Very good. Have a seat.

How are you feeling, Freddie?

(GRUNTS)

Good.

- You rested?

- Yes.

- Excited?

- Yeah.

Have you made some friends?

- Everyone is very nice here.

- Good. Good.

- How are you feeling?

- Yeah, good.

I gather myself.

You'll be my guinea pig

and protg.

Informal processing.

- Are you ready?

- Yes.

Say your name.

- Freddie Quell.

- Say it again.

Freddie Quell.

- Say it again.

- Freddie Quell.

- Say it again.

- Freddie Quell.

Might as well say it

one more time,

just to make sure

you know who you are.

Freddie Quell.

Are you thoughtless

in your remarks?

I usually put

some thought into them.

Do you linger at bus stations

for pleasure?

(LAUGHING) No.

Do you get muscle spasms

for no reason?

No.

Do your past failures

bother you?

No.

Do your past failures

bother you?

No.

Do your past failures

bother you?

No.

Do your past failures in life

bother you?

No.

- Is your life a struggle?

- No.

- Do you like to be told what to do?

- No.

Is your behavior erratic?

No.

Do you find interest

in other people?

Not really.

- Do you find it easy to be fair?

(SIGHS)

Yes.

Are you often consumed by envy?

No, about what?

Are you often consumed by envy?

I don't unders...

You mean like jealousy?

- Like jealousy.

- Oh, well, yeah.

Rate this script:0.0 / 0 votes

Amos Elroy

All Amos Elroy scripts | Amos Elroy Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Opus 40: The Master-Work of Environmental Artist Harvey Fite" Scripts.com. STANDS4 LLC, 2024. Web. 25 Jul 2024. <https://www.scripts.com/script/opus_40:_the_master-work_of_environmental_artist_harvey_fite_13470>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Opus 40: The Master-Work of Environmental Artist Harvey Fite

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What does "B.G." stand for in a screenplay?
    A Bold Gesture
    B Background
    C Backstory
    D Big Goal