Oranges and Sunshine Page #6
'cause I'd been promised a penny
or a sweetie or something
and I didn't get it.
It would have been her, wouldn't it,
holding my hand?
What's that?
It's a cheque.
You can fill in what you like.
You can decide.
You can have that or you can have
my loyalty. I don't mind which.
As long as we're square.
All right, then.
Oh, you see that?
See that? She's in there.
- Len?
- Yeah?
You want me to go in with you?
No, no, no. You'll be right.
No, get yourself a cab back.
- Or there's a cafe up there that...
- Len, I'm going to be fine.
Thank you, Margaret.
Thank you.
You're very welcome, Len.
Right.
Here we go, then.
The boys' home at Bindoon
was closed some time ago.
I understand that.
The Christian Brothers
have been victimised...
- Come back to...
- We're considering legal action
to prevent journalists
trespassing on church property.
I heard you.
Don't think you can come to Perth
and tell any lies.
Excuse me?
Good brothers and sisters
ran decent homes for those children.
I do not tell lies.
You know how much you'll hurt
the holy fathers with your lies?
I do not tell lies ever.
the Child Migrants Trust in Australia.
Yes, he'll know what it's regarding.
We've had extensive
correspondence on the subject.
Yes.
Well, I would like him to return my call.
Um... Yeah.
And if he doesn't, I will call you back
tomorrow. Thank you.
You b*tch! You f***in' evil whore!
F***in' open this window! Come on!
Come on!
I'm gonna rip you apart!
F***, you'll get it!
I can get in any time I like!
Ahh!
Get out! Get out!
Get out!
Arggh! B*tch!
I can get you any time I like,
you b*tch!
You tell lies about the Brothers
and you see what you get.
You f***ing whore!
I'll get you!
Get home.
No, I can't.
Call the police.
Get out of that house.
People are depending on me, Merv.
I've got a load of appointments.
I've got to go.
I'll call you back later.
I heard Bob went out to Bindoon
with a camera crew.
Yeah.
That'll stir things up a bit.
Theo said you didn't want to go along.
No, I didn't.
Yeah. Here, stop!
I'll wait for you here.
No, you don't need to wait for me.
I'll get a taxi.
You don't need a taxi,
you don't need a car. I'll wait for you.
Thank you.
Where are we? Where are we?
Where are we?
Ah, here we go.
Oops!
Um, it's right.
Right! The other right.
- Wanker!
- Yeah, sorry, mate.
- Want a bit of classical on?
- No.
You can turn that up though.
Take good care
Hope you have a lot
of nice things to wear
Ooh, baby, baby,
it's a wild world
It's hard to get by
just upon a smile
Oh, baby, baby,
it's a wild world
like a child, girl
Right? Have a good night.
Jack, what are you doing here?
Well, Merv rang
and asked me to come over.
He thought you might
need a bit of company.
What did he say?
He said you needed me here.
Sorry, Margaret.
Just bringing your tea.
Sorry.
- You got everything you need?
- Yeah.
on the veranda.
Don't much like sleeping under a roof.
All right. Whatever you want.
F*** you, b*tch!
Stay away from Bindoon!
You right in there, Margaret?
Yeah.
I...
I... I can't breathe.
I can't breathe. I can't breathe.
- Oh, really?
- Yeah.
It's my heart. It's my heart.
Calm down, darling.
...sit down and eat your cereal.
Rachel, come and get your breakfast.
Rachel!
Mum?
Tell them you have to stay here.
Tell them you belong to us.
Rachel.
Rachel.
No, my darling, it's just...
I'm taking you to the doctor.
- I don't need to go.
- I'm taking you.
Oh, for God's sake,
I can get myself to the doctor.
Look, I only came
because my husband insisted.
I just wanted to set his mind at rest.
I know there's nothing wrong with me.
I think you have
post-traumatic stress disorder.
I'm sorry but that is rubbish.
Nothing happened to me,
it all happened to them.
Absorbing other people's pain
is a stress of its own.
I can't stop.
There's no-one else.
If I...
And she hasn't stopped.
Oh, Margaret. Lovely to see you.
Hello.
Margaret, hi.
Hope you don't mind
us dropping in on you.
I was just telling them, Margaret,
we had such a good day.
but we know you're so busy.
And they never knew I had a daughter.
She was really keen for me
to come over for the retirement party
but we didn't know
what we were going to tell people.
- Then Bill says...
- Bill's one of the regulars.
'Who's this lovely young lady, Vera?'
He's ancient, see, so...
And I said,
'This is my daughter, Bill.
My daughter Charlotte.'
- And he says...
- Never even blinked.
...'She looks just like you.'
- He could tell.
And there we were in front
of them all, together.
Mother and daughter.
- I tell you, Margaret...
- It was the happiest moment...
- Of my life.
- Both of us.
We just... We just felt... whole.
At last.
Nothing missing.
I said,
'We have to come and tell Margaret.'
But we didn't even know
if you'd be here, you're so busy.
So when are you back off to Australia?
Well, as soon as this lot can spare me.
There's a chilled chardonnay
Margaret River.
Bit young but hitting its stride, I reckon.
I didn't come here to drink, Len.
I do. I've got some soup too.
It's home-cooked.
I can cook, you know.
I'm sure you can.
- You look hungry enough.
- I've already eaten.
What was it you wanted to say?
You're a difficult woman to entertain,
Mrs Humphreys.
All right.
Look, um, all this TV coverage,
it's stirred everything up, Margaret.
It's got the boys talking.
And, um, I've been watching
how the boys are around you,
and, uh, not speaking out of turn,
you know what I'm talking about.
You're like a sister to them.
You're family after
everything you've done.
You know? Only family
most of us will ever have anyway.
I'm not sure that family
Well, that's how we feel.
No, but you're right, it's...
it's not real.
'Cause you haven't been there,
have you?
You've heard about our childhood
but you haven't touched our childhood.
'Cause you haven't been there.
Where?
To Bindoon.
I'm, uh... I'm asking you
to come to Bindoon with me.
No.
Well, have a think about it, Margaret.
Look, Len, what you all suffered
at Bindoon, that's your history.
But it's not mine.
I have to be careful.
I...
I'm not, um... It wouldn't be appropriate
for me to get too close to all of that.
It's... Well, it wouldn't be right.
No, no, you'll be right.
I'll look after you.
No, Len, I don't want to.
I don't have to go there
and I don't want to.
OK, OK, but look at it
from the old boys' point of view.
That's like saying that
you can't look at who they are.
Is that what they're saying?
Well, you have a think about it, Margaret.
Maybe that's the monster
living in your head.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Oranges and Sunshine" Scripts.com. STANDS4 LLC, 2024. Web. 22 Nov. 2024. <https://www.scripts.com/script/oranges_and_sunshine_15350>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In