Othello Page #5

Synopsis: Iago convinces Othello, The Moor of Venice that his wife, Desdemona has been unfaithful. Iago is an evil, manipulative character with his own agenda. A plot of jealousy and rage transpires in this classic Shakespearean tale.
Genre: Drama, Romance
Director(s): Oliver Parker
Production: Sony Pictures Home Entertainment
  3 nominations.
 
IMDB:
6.9
Rotten Tomatoes:
67%
R
Year:
1995
123 min
3,054 Views


IAGO:

Thus do I ever make my fool my purse:

For I mine own gain'd knowledge should profane,

If I would time expend with such a snipe.

But for my sport and profit. I hate the Moor:

And it is thought abroad, that 'twixt my sheets

He has done my office: I know not if't be true;

But I, for mere suspicion in that kind,

Will do as if for surety. He holds me well;

The better shall my purpose work on him.

Cassio's a proper man: let me see now:

To get his place and to plume up my will

In double knavery--How, how? Let's see:--

After some time, to abuse Othello's ear

That he is too familiar with his wife.

He hath a person and a smooth dispose

To be suspected, framed to make women false.

The Moor is of a free and open nature,

That thinks men honest that but seem to be so,

And will as tenderly be led by the nose

As asses are.

I have't. It is engender'd. Hell and night

Must bring this monstrous birth to the world's light.

Exit

ACT II:

SCENE I. A Sea-port in Cyprus. An open place near the quay.

Enter MONTANO and two Gentlemen

MONTANO:

What from the cape can you discern at sea?

First Gentleman

Nothing at all:
it is a highwrought flood;

I cannot, 'twixt the heaven and the main,

Descry a sail.

MONTANO:

Methinks the wind hath spoke aloud at land;

A fuller blast ne'er shook our battlements:

If it hath ruffian'd so upon the sea,

What ribs of oak, when mountains melt on them,

Can hold the mortise? What shall we hear of this?

Second Gentleman

A segregation of the Turkish fleet:

For do but stand upon the foaming shore,

The chidden billow seems to pelt the clouds;

The wind-shaked surge, with high and monstrous mane,

seems to cast water on the burning bear,

And quench the guards of the ever-fixed pole:

I never did like molestation view

On the enchafed flood.

MONTANO:

If that the Turkish fleet

Be not enshelter'd and embay'd, they are drown'd:

It is impossible they bear it out.

Enter a third Gentleman

Third Gentleman

News, lads! our wars are done.

The desperate tempest hath so bang'd the Turks,

That their designment halts: a noble ship of Venice

Hath seen a grievous wreck and sufferance

On most part of their fleet.

MONTANO:

How! is this true?

Third Gentleman

The ship is here put in,

A Veronesa; Michael Cassio,

Lieutenant to the warlike Moor Othello,

Is come on shore: the Moor himself at sea,

And is in full commission here for Cyprus.

MONTANO:

I am glad on't; 'tis a worthy governor.

Third Gentleman

But this same Cassio, though he speak of comfort

Touching the Turkish loss, yet he looks sadly,

And prays the Moor be safe; for they were parted

With foul and violent tempest.

MONTANO:

Pray heavens he be;

For I have served him, and the man commands

Like a full soldier. Let's to the seaside, ho!

As well to see the vessel that's come in

As to throw out our eyes for brave Othello,

Even till we make the main and the aerial blue

An indistinct regard.

Third Gentleman

Come, let's do so:

For every minute is expectancy

Of more arrivance.

Enter CASSIO

CASSIO:

Thanks, you the valiant of this warlike isle,

That so approve the Moor! O, let the heavens

Give him defence against the elements,

For I have lost us him on a dangerous sea.

MONTANO:

Is he well shipp'd?

CASSIO:

His bark is stoutly timber'd, his pilot

Of very expert and approved allowance;

Therefore my hopes, not surfeited to death,

Stand in bold cure.

A cry within 'A sail, a sail, a sail!'

Enter a fourth Gentleman

CASSIO:

What noise?

Fourth Gentleman

The town is empty; on the brow o' the sea

Stand ranks of people, and they cry 'A sail!'

CASSIO:

My hopes do shape him for the governor.

Guns heard

Rate this script:5.0 / 1 vote

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Othello" Scripts.com. STANDS4 LLC, 2024. Web. 22 Nov. 2024. <https://www.scripts.com/script/othello_105>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Othello

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What does "A/B story" refer to in screenwriting?
    A Two different genres in the same screenplay
    B Two different endings
    C The main plot and a subplot
    D Two main characters