Ouija Page #4
They move the planchette twice around the board. !The feeling
in the room shifts. !Trevor gives Laine her space, knows she
needs to say some things.
LAINE (CONT’D)
Freshman year, when my mom suddenly
decided that she needed to ‘find
herself’ and split on us, I was a
total mess. You get your world
ripped out from you like that -- you
don’t know if you can trust anyone
again. And Deb... she pulled me out
of it. It wasn’t anything she said
or did -- it was her just being
there. Always there..
Trevor trades a quiet look with Laine, moved by her words. !.
LAINE (CONT’D)
I never got to say ‘goodbye.’
Together their hands move the planchette to the words GOOD
BYE at the bottom of the Ouija board. Overcome with sadness,
Laine can barely say the words...
LAINE (CONT’D)
Goodbye, Debbie.
15.
INT. LAINE’S BEDROOM - NIGHT
Laine’s back home. Alone in her room. And she now has the
OUIJA with her. She sets the board on her desk. Slides the
planchette on GOOD BYE at the bottom. Laine lights a votive
candle next to the board. A remembrance.
TIME LAPSE DISSOLVE... as the candle burns low... flickers
out... the light in the room fading on the board.
INT. LAINE’S BEDROOM - NIGHT
It’s late. !The room sits in darkness. !We’re on the Ouija
board... the planchette still rests on the words GOOD BYE..
DRIFT OVER TO LAINE. !Asleep. We hover above the bed as...
...very slowly... almost imperceptibly... the bedside table
begins to slide away from the bed.
Laine wakes up. !Listening in the dark as she hears something
moving in her room. .
Laine sits up, reaches over for her lamp... and it’s not
there. She looks over to see that her bedside table is now
three feet away from the bed. The light cord from the lamp
swings slightly.
And that sound comes again. SCRAAAAPE... something else is
sliding around in the room.
Laine gets out of bed, turns on the lamp -- and the sound
immediately stops.
Laine steps over to see the OUIJA BOARD on the desk where she
left it. But something looks different. The planchette has
moved... no longer on GOOD BYE at the bottom of the board.
Laine stands right over the board... sees that the planchette
is now on top of the letter ‘D.’
Laine is chilled by the sight of it. She cautiously reaches
out and touches the planchette... glances around her room --
‘what just happened?’.
INT. LAINE’S BEDROOM - DAY
Morning. Laine’s getting dressed as Sarah shuffles past in
the hallway... just now waking up.
LAINE:
Hey, Worm -
Sarah pokes her head in.
LAINE (CONT’D)
-- were you in my room last night?
16.
SARAH:
Wait. What? -
LAINE:
-- were you messing around in here.
Yes or no?
SARAH:
No. God. I wasn’t in here.
You’re trippin’.
Sarah moves on. Laine stands there, looking down at the
Ouija.
INT. DINER - DAY
Local hangout. Family-owned kind of place. !Laine sits with
Trevor and Isabelle at a booth. !Isabelle wears a waitress
uniform, taking a break from her shift.
Laine is in the middle of her story -
LAINE:
-- and then the planchette had
moved to the letter ‘D.'
TREVOR:
The board must've gotten bumped -
LAINE:
-- it did not get bumped, Trevor.
Stuff was moving in my room.
Trevor reaches across the table... takes Laine’s hands.
TREVOR:
Laine. !Everyone’s in shock. !But
you don’t need to keep feeling
guilty about this. Last night...
you were having some crazy
nightmare.
Laine's frustration is growing. !She pulls her hands away.
LAINE:
I wasn't asleep. !It’s Debbie.
Isabelle and Trevor exchange a worried look. Isabelle tries
ISABELLE:
Let's say she is. What do you
think she wants?
Laine looks at them. !Very serious.
17.
LAINE:
She wants me to play the game.
TREVOR:
Are you being for real?
Laine fights her emotions. Trying not to fall apart.
LAINE:
You ever think that even after
someone you love has died... there’s
still a way they can reach out? What
if the game is real this time? I
need to talk to Debbie. Please. Do
this with me.
The COOK at the kitchen window hits the bell. DING! !Order
up. A man in a tie -- ISABELLE’S FATHER -- angrily waves at
her to get back to work.
ISABELLE:
Of course... I’m in.
Trevor nods, uncomfortable about this.
TREVOR:
Me too.
EXT. LAINE’S HOUSE - DAY
Laine stands out at the curb as her FATHER finishes loading a
suitcase and hanging bag into the back of a waiting TAXI CAB.
Mr. Moreno closes the trunk, comes over to Laine.
MR. MORENO
LAINE:
We’ll be okay.
MR. MORENO
Once these permits get approved,
I’ll be back. !Might be a few days
though.
Laine nods.
MR. MORENO (CONT’D)
Nona will drop by, check in on you
guys -- but you know she can’t keep
up with Sarah. .
LAINE:
I got it covered.
He gives her a smile, but his eyes are filled with worry.
18.
MR. MORENO
Love you, baby.
LAINE:
Love you too, Papi.
CLOSE UP OF A BLACK AND WHITE PHOTO. Artistic. !Half of
Laine’s face and half of Debbie’s face. Side by side.
Staring right at the camera.
INT. LAINE’S ROOM - NIGHT
From the photo on her wall collage, EASE OVER to find Laine
at her desk... looking down at the OUIJA BOARD. Beat, then
she places the board into her backpack and zips it up.
INT. LAINE'S HOUSE - DOWNSTAIRS - NIGHT
Sarah's on the living room couch. !History textbook open.
Notes. Studying hard.
Laine steps in, backpack over her shoulder.
LAINE:
C’mon. I have to run out. I’m
dropping you off at Nona’s.
DEBBIE:
Laine, I’m totally in the middle of
this. Dad put me on blast, so look
-- I’m studying.
Laine regards her sister for a long beat.
LAINE:
One hour and I’ll be back. There’s
some dinner stuff in the fridge.
Sarah, do you hear me?
Sarah barely looks up from her book.
SARAH:
One hour. I got it. Later.
EXT. LAINE'S HOUSE - NIGHT
Laine comes out of the house... takes a few steps down her
walkway. !Glances over -
-- to see that same CAR Sarah got out of the other night now
parked in front of the house next door. Lights off, but
music playing inside. !BASS THUMPING.
Laine starts walking toward the car.
LAINE:
Hey! !I see you, a**hole!
19.
Laine has a plastic water bottle and throws it at the car!
THUNK. !The car lights quickly turn on -- engine revs and the
vehicle peels out.
Sarah storms out of the house, furious.
SARAH:
-- the hell, Laine!
LAINE:
For a minute there I actually had a
little faith in you.
Sarah’s a swirl of fury and hurt.
SARAH:
We hang out -- what’s wrong with
that?!
LAINE:
What’s wrong is that you’re fifteen
and whoever that dude is should
know better. Alright. Since you
can’t be left alone, you're coming
with me.
SARAH:
What?! I’m not going anywhere.
Laine goes quiet... and then -
LAINE:
You know what? I’ll let Dad deal
with it. I think he said if you
slipped up again --at all --you'd
have to go to that special school.
You know, where they send the
'problem kids.' !I'm sure it's nice.
Oh, but remember, when you have to
use pepper spray on your fellow
classmates, extend your arm away
from your face.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Ouija" Scripts.com. STANDS4 LLC, 2024. Web. 22 Nov. 2024. <https://www.scripts.com/script/ouija_242>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In