Our Girl Page #5

Season #2 Episode #5
Synopsis: Our Girl is a British television drama, which starred Lacey Turner as Molly Dawes (in its first series) a young adult from a lower class background who joins the British Army after deciding her life is going nowhere. A one-off special was broadcast on 24 March 2013 on BBC One, which saw Dawes make the decision to join the army, despite the protests of her protective family.
 
IMDB:
7.5
Year:
2013
90 min
408 Views


Elvis. I am going to see Saira. Yes I know she has

already been interviewed, but if I have five minutes to

chat we might find something of significance. Yeah.

Yeah at the university. Yeah, I will be fine.

She hails a cab.

IN:
10:24:20 INT. DINGY TEA DRINKING PLACE. DAY

Abu and al-Shwadify are drinking their tea in the sitting room.

ABU:

With a vest... I'll be in control.

AL-SHWADIFY

This one means everything to you, Abu Jaseer.

Abu nods.

AL-SHWADIFY

So you won't fail.

Music ‘5OG09a’ out: 10:24:38

IN:
10:24:37 EXT. MANCHESTER UNIVERSITY. DAY

We see Georgie sitting on a bench outside with a young Asian girl, Saira.

SAIRA:

He was always on his own... even in lectures, he'd sit

apart and... dunno I guess I felt sorry for him.

GEORGIE:

Is that the reason why you went out with him? Pity!

SAIRA:

No! Not really. I'd, I'd go and sit with him in the

canteen.... He'd stare at me I sensed that he was

grateful. We went out a couple of times... saw a film...

went for a pizza and... before I knew it we were sort of a

couple. Then he said he wanted me to take him to the

mosque.

Georgie nods. We become aware of someone watching them from a distance. We see it is Elvis,

keeping an eye on proceedings.

SAIRA (CONT'D)

Oh God I must sound like such a fool. If I was sitting

where you are now, that's exactly what I'd think.

GEORGIE:

No, not at all.

SAIRA:

I just floated along and then... I sort of said that maybe

he should chill out with the mosque and he just lost it

with me... telling me I wasn't a good Muslim.

GEORGIE:

Is that why you ended things with him?

Saira nods.

SAIRA:

I tried. And he started blaming all the other students for

turning me against him.

GEORGIE:

(half beat)

Did you here anything of him after he went to Ethiopia?

SAIRA:

He texted me from the airport when he left.

Georgie looks up intrigued.

SAIRA (CONT'D)

He said 'I'll see you again'.

GEORGIE:

Thats it!?

SAIRA:

And my name. Well, he used to call me SABA. My

initials, S.A. and he'd joke that when I graduated I'd be

S.A.B.A. So he'd call me Saba. So when that text came

in... Well he hadn't called me that in a really long time... I

don't know it was like... I had him back for a moment.

Long pause.

Music ‘5OG10’ in: 10:26:36

SAIRA (CONT'D)

It's been really good talking to you. Thanks for coming.

GEORGIE:

Yeah. Me too.

SAIRA:

At least when I graduate on Sunday I can leave

Manchester. So that'll be the first day of my new life.

GEORGIE:

Yeah. Mine too... I'm getting married.

IN:
10:27:06 INT. COLE'S APARTMENT. MANCHESTER. NIGHT

Cole is watching a film as Georgie comes back in. Cole looks up at her. He returns his attention

to the film.

Music ‘5OG10’ in: 10:27:17

GEORGIE:

Hi. You okay?

COLE:

Shouldn't I be?

GEORGIE:

Yes.

COLE:

That's okay then.

GEORGIE:

Go on.

COLE:

What?

GEORGIE:

You tell me.

COLE:

Well how about you tell me you really just met up with?

GEORGIE:

I told you, an old friend.

COLE:

Then you had to give close protection the slip to meet

this old friend?

GEORGIE:

Yes because I didn't want to have the palaver of me

telling 'em where I'm going and who with!

COLE:

Language 10:
27:45 Yeah maybe because they might know who he is. When

you going to stop f***ing lying to me Georgie? Hum!

Georgie stares at him as a penny drops.

GEORGIE:

Oh I promise you… I promise it wasn't Elvis, if that's

what you're thinking. I promise you.

Cole half nods and returns his attention to the film. Georgie sits beside him.

GEORGIE (CONT'D)

I had to see someone so I can draw a line under

everything. But I promise, okay, I promise it wasn't Elvis.

He looks at her questioningly.

Music ‘5OG11’ in: 10:28:04

GEORGIE (CONT'D)

I went to see Abu's girlfriend. From university.

COLE:

(calling)

So Why? Why would you do that without protection?

GEORGIE:

Because... Maybe I need closure.

She takes his hand. Her phone goes. She checks who it is.

GEORGIE (CONT'D)

(she sees it is James)

Captain James.

COLE:

Take it.

GEORGIE:

(into phone)

Boss? Tomorrow? Okay. Alright. Alright. See you in the

morning, yeah, at the barracks. Okay bye.

She turns off her phone.

GEORGIE (CONT'D)

I want you to come in with me tomorrow.

COLE:

Why?

GEORGIE:

Because I want us to walk out together on my last day.

COLE:

New beginnings.

GEORGIE:

Exactly. And I want a chauffeur!

They laugh.

IN:
10:29:38 INT. OFFICE. DAY

Georgie walks in with James. All the guys are there as a surprise who cheer and let of streamers.

Cole comes in and the all gather around Georgie to celebrate her last day. James pulls a cake

from his desk.

Music ‘5OG11’ out: 10:29:41

JAMES:

Well done lads. Well done. Lane, just wanna say good

bye and good riddance!

GEORGIE:

Yes. Oh thank you.

Brains steps forward bearing a small gift.

BRAINS:

Just a little token of my esteem...

GEORGIE:

Oh Brains thank you.

DANGLES:

Language 10:
29:58 It's err, a mould of his arse made in chocolate.

They all laugh.

IN:
10:30:06 INT. CORRIDOR. PRESTON BARRACKS.

Georgie and Cole are heading back along the corridor, Cole carrying her demob box.

COLE:

It was good to meet them. So everything alright?

GEORGIE:

Yeah. Just a bit sad but happy at the same time if you

know what I mean...

Cole nods.

ELVIS:

George.

Georgie and Cole stop. They both stare at Elvis.

ELVIS:

Can I have a quick word?

GEORGIE:

Err yeah, yeah what is it?

ELVIS:

I just need to brief you on something.

GEORGIE:

Well D.I. William's already briefed me.

ELVIS:

Yeah well this is... It's classified so.

He throws a quick look to Cole.

COLE:

Well you two crack on. I'll wait in the car.

GEORGIE:

Are you sure?

COLE:

Absolutely.

Cole pointedly kisses Georgie before heading on his way. Georgie watches him disappear down

the corridor.

Elvis walks towards her in the corridor and sits on the bench.

GEORGIE:

What's classified?

ELVIS:

Don't marry him.

GEORGIE:

Shut up.

ELVIS:

It's too dangerous. Abu is out there somewhere.

She looks at him.

ELVIS (CONT'D)

Don't marry him till you've got your head straight at least.

GEORGIE:

I'm fine. Do you have any new intel?

ELVIS:

Yeah. You're marrying the wrong bloke.

GEORGIE:

What and you're the right one, I suppose!

ELVIS:

(whispers)

Look we're gonna get one chance. And I'm not blowing it

this time. We need each other and without each other...

we're useless.

Music ‘5OG12’ in: 10:31:18

GEORGIE:

Language 10:
31:18 No you are... for not turning up at our wedding and

now... it's too f***ing late.

A moment between the two of them.

ELVIS:

(whispers)

It's never to late.

Georgie hesitates for a beat.

GEORGIE:

(turning to go)

Goodbye Elvis.

ELVIS:

Why would he have pictures of you on his wall if he

wasn't planning something?!

Georgie stops in her tracks.

GEORGIE:

Do you love me?

ELVIS:

You know I do.

Rate this script:0.0 / 0 votes

Tony Grounds

Tony Grounds is a British writer of television scripts. He was born in 1957 in East London. Described by The Independent (11 October 2002) as "the best TV writer of his generation", Grounds has written for all four of Britain's main channels. He started writing for the theatre, winning the Verity Bargate Award for Made in Spain, which was subsequently performed in London and published by Methuen. It was then filmed for ITV and transmitted in their Screenplay slot. There then followed stints on EastEnders and The Bill before he penned episodes of 'Chancer', which starred Clive Owen. more…

All Tony Grounds scripts | Tony Grounds Scripts

1 fan

Submitted by aviv on December 15, 2016

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Our Girl" Scripts.com. STANDS4 LLC, 2024. Web. 26 Jul 2024. <https://www.scripts.com/script/our_girl_793>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Our Girl

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What does the term "plant and payoff" refer to in screenwriting?
    A Introducing a plot element early that becomes important later
    B The payment to writers for their scripts
    C Setting up the final scene
    D The introduction of main characters