Our Man in Havana Page #4

Synopsis: Jim Wormold is an expatriate Englishman living in pre-revolutionary Havana with his teenage daughter Milly. He owns a vacuum cleaner shop but isn't very successful so he accepts an offer from Hawthorne of the British Secret Service to recruit a network of agents in Cuba. Wormold hasn't got a clue where to start but when his friend Dr. Hasselbacher suggests that the best secrets are known to no one, he decides to manufacture a list of agents and provides fictional tales for the benefit of his masters in London. He is soon seen as the best agent in the Western Hemisphere but it all begins to unravel when the local police decode his cables and start rounding up his "network" and he learns that he is the target of a group out to kill him.
Genre: Comedy, Crime, Drama
Director(s): Carol Reed
Production: Kingsmead Productions
  Nominated for 1 Golden Globe. Another 1 nomination.
 
IMDB:
7.3
Rotten Tomatoes:
87%
NOT RATED
Year:
1959
111 min
531 Views


Oh, Father, your stories

must have been awfully successful.

- On this auspicious occasion...

- Spell it.

Oh, not after a couple of bottles of Krug '52.

All I want to say is,

"To Milly and her long and happy future."

You are tipsy, Father.

"At 17, many their fortunes seek

"But at fourscore," that's you and me...

- "It is too late a week."

- Shakespeare. As You Like It.

It isn't in Lamb's Tales from Shakespeare.

They cut out the poetry.

I know because Father's got a copy.

Do you read Shakespeare in that form,

Mr. Wormold?

- Without the poetry?

- Not me.

- He does. He's got a volume in his bedroom.

- I bought it for you.

Why were you so cross when I borrowed it?

I wasn't cross. I just don't like you poking

around among my things, that's all.

I am so glad to meet Milly's father.

May I sit down?

- We were just going.

- Nonsense. It is early yet.

You are my guests.

- You're behaving very badly.

- Badly?

- What, to you?

- To all of us.

This is my birthday party,

and my father's party, not yours.

Your birthday?

Well, then you certainly are my guests.

- I'll invite some of the dancers to the table.

- We don't want any dancers.

- Am I in disgrace?

- Yes.

I know what it is.

I was not there today to give you a lift.

But sometimes

I have to put police work first.

I'll ask the musicians

to play Happy Birthday.

You'll do no such thing.

How can you be so vulgar?

She's always kidding, you know?

That's why we get on so well together.

Is that the one made of human skin?

Milly said that?

What a tease she is.

- Come and dance, and show I'm forgiven.

- I don't want to dance.

You must not spoil my party.

Do not sulk

because I'm a busy police officer.

All right. Tomorrow I will be waiting

at the convent gates.

Oh, I'm terribly sorry.

I meant it for my whisky.

- Your whisky?

- Dimple Haig.

You have finished your siphon, madam.

May I offer you another?

Thank you.

This is the first time

I've been shot in the back.

I'm glad it was by a woman.

I hope I see you again soon.

I'm taking a job here.

If you have any trouble with your permit,

you must come and see me.

Thank you.

He behaved very well, considering,

didn't he?

A man can smile and be a villain.

May I rob you of your daughter,

Mr. Wormold?

Wormold.

- Mr. Wormold?

- Yes.

It's the most amazing coincidence.

- Do you believe in fate?

- I'd like to.

- I'm your secretary.

- I haven't a secretary.

London must have told you I was coming.

No, they haven't said a thing.

- I'm very glad I ran into you.

- I'm glad, too.

- Where are you staying?

- Here, tonight.

- Tomorrow I'll have to look for something.

- Why have I got to have a lovely secretary?

I'm to take over contact with your agents.

Don't London trust me?

Of course.

But you're terribly important now.

Those constructions in the mountains.

Of course, I'm fully trained.

Codes, inks, microphotography.

I don't know very much

about nuclear fission.

- No?

- Beatrice.

That's Rudy.

Who's he?

Your radio operator.

He's a little airsick now.

He'll be all right in the morning

when he moves in.

- He has to stay in your office, of course.

- It's a very small office.

He doesn't take up very much room.

Don't worry. I'll take care of that

in the morning. That's what I'm here for.

Thanks very much.

Lopez, I don't want those.

Father, that girl that joined us last night,

what does she do?

Beatrice Severn?

She's going to be my secretary.

- Father, you do work fast.

- Did you like her?

- How do I know? You were so busy necking.

- I wasn't necking, as you call it.

- Does she want to marry you?

- Be sensible. I only met her last night.

- What is it, Lopez?

- Someone to see you.

Who?

What are you trying to say, Lopez?

Rudy will be along in a moment,

Mr. Wormold.

I don't know where we'll put him.

Oh, the bed will go there, and the safe here.

- There's nowhere to keep his clothes.

- There's your desk.

- Who's Rudy? Your husband?

- No, he's the new accountant.

- Are you married?

- In a way.

- Did you leave him?

- I'm not sure.

He used to go

to UNESCO conferences on culture.

One day he just didn't come back.

Milly, it's time you were off.

You've no right

to be asking those questions.

At my age, one has to learn

from other people's experiences.

You will be sensible, won't you, Father?

You know what I mean.

There's plenty of room.

- What's this?

- My agents.

We can't possibly leave them there.

You haven't much of an idea of security.

What are these cards?

My agents.

I thought you'd want to see them.

Oh, yes. Thank you.

I keep them under my pillow.

At night, I mean.

You shouldn't list them by name,

just symbols.

Prof. Sanchez.

Engineer Cifuentes and...

Teresa. Who's Teresa?

She dances naked at the Shanghai Theater.

How interesting for you.

What kind of secrets does she give away?

She sleeps with

the Minister of Posts and Telegraphs.

What's this?

It's just a list of country club members.

Capt. Montez.

The one who drew the constructions.

We're to get photographs of those.

The Prime Minister's pressing for them.

What's it got to do with him?

Father! Look what's arriving outside.

- Rudy, bring it upstairs.

- Right.

- You British? I British, too.

- Glad to meet you.

You the lady

who throw water on Capt. Segura?

That's me.

- You lovely girl, miss.

- You're pretty lovely yourself.

What's all this stuff?

Can't you see we're busy?

Make an appointment.

- I only want to buy a vacuum cleaner.

- A vacuum cleaner?

- Lopez!

- Please.

- Lopez!

- Yes?

That man there.

He's gone.

- Who?

- A customer.

Now, about those photographs.

Yes, the photographs.

First, I think you'd better

put me in touch with Capt. Montez.

Well, that wouldn't be much good.

He's lost his job.

- Is it our fault?

- I'm afraid so.

He was flying off course, you see.

Well, isn't there anybody else

you could send?

The engineer? Cifuentes?

He's been in hospital for weeks.

One of those strange tropical diseases.

Could I take him something to the hospital?

Grapes?

He's beyond grapes, I'm afraid.

Well, who else is there?

Anyway, Montez is the only man

who knows the place.

I'll see what I can do, but I doubt...

- London won't take no for an answer.

- They may have to.

- Let me see him.

- No.

You must leave this to me.

I'll call him right away.

Montez?

- Hola.

- Hello.

- Our signal. He knows where to meet me.

- Where?

The country club.

Shoeshine, mister?

- Well, Milly, you have a police escort.

- I didn't ask for one.

Deliver her safely, Captain.

Why did you come inside?

Everybody's staring.

What did you tell Rev. Mother?

I was telling her a story,

one which I could not tell you.

You should be very careful

what you say to a nun.

They take vows of chastity.

- She and I were at school together.

- You and Rev. Mother?

Yes, this very same school.

I was a poor man's child.

I used to watch the older girls

dressed in white...

What is this thing? White...

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Graham Greene

Henry Graham Greene (2 October 1904 – 3 April 1991), better known by his pen name Graham Greene, was an English novelist regarded by many as one of the greatest writers of the 20th century. Combining literary acclaim with widespread popularity, Greene acquired a reputation early in his lifetime as a major writer, both of serious Catholic novels, and of thrillers (or "entertainments" as he termed them). He was shortlisted, in 1966 and 1967, for the Nobel Prize for Literature. Through 67 years of writings, which included over 25 novels, he explored the ambivalent moral and political issues of the modern world, often through a Catholic perspective. Although Greene objected strongly to being described as a Roman Catholic novelist, rather than as a novelist who happened to be Catholic, Catholic religious themes are at the root of much of his writing, especially the four major Catholic novels: Brighton Rock, The Power and the Glory, The Heart of the Matter, and The End of the Affair; which are regarded as "the gold standard" of the Catholic novel. Several works, such as The Confidential Agent, The Quiet American, Our Man in Havana, The Human Factor, and his screenplay for The Third Man, also show Greene's avid interest in the workings and intrigues of international politics and espionage. Greene was born in Berkhamsted in Hertfordshire into a large, influential family that included the owners of the Greene King Brewery. He boarded at Berkhamsted School in Hertfordshire, where his father taught and became headmaster. Unhappy at the school, he attempted suicide several times. He went up to Balliol College, Oxford, to study history, where, while an undergraduate, he published his first work in 1925—a poorly received volume of poetry, Babbling April. After graduating, Greene worked first as a private tutor and then as a journalist – first on the Nottingham Journal and then as a sub-editor on The Times. He converted to Catholicism in 1926 after meeting his future wife, Vivien Dayrell-Browning. Later in life he took to calling himself a "Catholic agnostic". He published his first novel, The Man Within, in 1929; its favourable reception enabled him to work full-time as a novelist. He supplemented his novelist's income with freelance journalism, and book and film reviews. His 1937 film review of Wee Willie Winkie (for the British journal Night and Day), commented on the sexuality of the nine-year-old star, Shirley Temple. This provoked Twentieth Century Fox to sue, prompting Greene to live in Mexico until after the trial was over. While in Mexico, Greene developed the ideas for The Power and the Glory. Greene originally divided his fiction into two genres (which he described as "entertainments" and "novels"): thrillers—often with notable philosophic edges—such as The Ministry of Fear; and literary works—on which he thought his literary reputation would rest—such as The Power and the Glory. Greene had a history of depression, which had a profound effect on his writing and personal life. In a letter to his wife, Vivien, he told her that he had "a character profoundly antagonistic to ordinary domestic life," and that "unfortunately, the disease is also one's material." William Golding described Greene as "the ultimate chronicler of twentieth-century man's consciousness and anxiety." He died in 1991, at age 86, of leukaemia, and was buried in Corseaux cemetery. more…

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Submitted on August 05, 2018

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