Our Man in Havana Page #6

Synopsis: Jim Wormold is an expatriate Englishman living in pre-revolutionary Havana with his teenage daughter Milly. He owns a vacuum cleaner shop but isn't very successful so he accepts an offer from Hawthorne of the British Secret Service to recruit a network of agents in Cuba. Wormold hasn't got a clue where to start but when his friend Dr. Hasselbacher suggests that the best secrets are known to no one, he decides to manufacture a list of agents and provides fictional tales for the benefit of his masters in London. He is soon seen as the best agent in the Western Hemisphere but it all begins to unravel when the local police decode his cables and start rounding up his "network" and he learns that he is the target of a group out to kill him.
Genre: Comedy, Crime, Drama
Director(s): Carol Reed
Production: Kingsmead Productions
  Nominated for 1 Golden Globe. Another 1 nomination.
 
IMDB:
7.3
Rotten Tomatoes:
87%
NOT RATED
Year:
1959
111 min
550 Views


A man with a stammer.

It is very distinctive.

- Hello.

- Did you get hold of Wormold?

I shall accept your word for the time being.

Let us see how it holds up

at the next meeting.

Do you play chequers, Mr. Wormold?

Not very well.

In chequers one must move more carefully

than you have tonight.

You needn't have given your word

of honour. You didn't have to go that far.

It was professional of you.

I know I'm being unreasonable...

but you're more professional

than I even believed you were.

And Dr. Hasselbacher,

he's professional too.

- The best friend you ever had.

- I don't condemn a friend unheard.

Have you been to a fancy dress dance,

Hasselbacher?

I suppose

this uniform does need an explanation.

Other things need one more.

I want to know who Montez was.

- You know already.

- I have no idea.

How long have you

been reading Shakespeare in that form...

without the poetry?

Only since Milly's birthday party.

You remember how she talked?

They gave me copies of your cables.

- You've been very careless, Mr. Wormold.

- There was nothing in them that mattered.

So I believed.

I would not have agreed

to cooperate with them otherwise.

- Who are they?

- They do not introduce themselves.

The people who tore up my laboratory

and stole my papers.

Had they reported me to the police,

they could have deported me.

How was I to know

that what I decoded for them was true?

You advised me to invent and I invented.

So far as I'm concerned,

Montez was an invention.

Then you invented him too well.

He was no more real to me

than a character in a novel.

His name was real enough,

and his profession.

He denied working for you.

They offered him a great deal of money

if he would work for them instead.

They, too, wanted photographs

of the constructions in the mountains.

- There are no constructions.

- So I thought.

But the British Secret Service

would not be so easily deceived.

Neither will other people here.

Why didn't you stick to invention?

I don't even know...

why I picked on the name of Montez.

I would have loaned you money.

I offered to.

- I needed more than you could lend.

- It needs no skill to kill a man.

But to save a man,

that takes six years of training...

and then one cannot be sure.

There is not one patient

that I know for certain that I have saved.

But the man I killed, I know him.

Why dress up as a soldier?

I was not dressed this way

when I killed a man.

I was dressed as a doctor

and I was reading Charles Lamb.

Mr. Wormold, I just want you identified.

Hello, Teresa.

That's him. I recognise him perfectly.

A disgraceful scene.

There was no need

for you to send your men to fetch us.

Mr. Wormold,

you're playing the wrong character.

It is I who am the injured party.

Yesterday you gave me your word of honour

that you did not know Capt. Montez.

I repeat it.

I've never set eyes on him in my life.

It's a lie! He drank with Capt. Montez and

myself on the terrace of the country club.

He pressed his attentions on us.

He wanted to speak to me privately

and he followed me to the washroom.

He left the pilot sitting at the table

on the terrace.

That will be all.

As long as you remain indoors,

you'll be safe. Take her with you.

The country club?

There was a man in uniform.

How did you make the engineer talk?

Thumbscrews?

The engineer does not belong

to the torturable class.

Are there class distinctions in torture?

Some people expect to be tortured.

Others are outraged by it.

One never tortures

except by mutual agreement.

- Who agrees?

- Usually the poor.

In your welfare state

you have social security...

therefore you have no poor.

Consequently there you are untorturable.

- I may have said something to him.

- What did you say, Mr. Wormold?

I said I might have spoken to him.

What does that prove?

I do not have to prove anything,

Mr. Wormold.

It is my job

to know what goes on in Havana.

This is a deportation order, Mr. Wormold.

The names are not filled in yet.

Because you have no evidence.

Because Havana would be poorer

without your daughter.

But if I'm to do something to protect you,

you must do something in return.

- What?

- You must be my agent.

- But you're crazy!

- I'm not interested in your employers.

But the information you supply to them,

you will also supply to me.

But this is all rubbish.

There will, of course, be adequate funds

deposited to your bank account.

What?

She's a good shot,

our lady of the soda water.

I don't want to leave Havana,

Captain Segura.

Perhaps you can persuade Mr. Wormold.

One day I'll beat you at that damn game.

I doubt it, Mr. Wormold.

Mr. Wormold. A cable.

I'll take it. Mr. Wormold's busy.

A cable from Hawthorne in Jamaica.

"Report here immediately to 59200

on grave personal matter."

- Had a good trip?

- Not very.

I asked you to come over

because there's a spot of bother.

- About those constructions.

- I tried to get the photographs...

I was rather suspicious.

Frankly, they reminded me

of parts of a vacuum cleaner.

That struck me, too.

Because, I remembered

all those thingummies in your shop.

Midget Make-easy, snap-action coupling

and all that Atomic nonsense.

I knew it seems fantastic now.

You mean you thought that I had tried

to pull the leg of the Secret Service?

That did occur to me...

until I found the others

had made up their minds to murder you.

Have a planter's punch,

they're very good here.

Did you say murder me?

That really proves the drawings are genuine.

- Who is going to murder me?

- We'll come to that.

Next to having photographs...

one couldn't possibly

have a better confirmation of your reports.

I think you'll like that.

Would you mind telling me

who is going to murder me and how?

It interests me personally.

Well, actually, they plan to poison you

at a business lunch.

European Traders,

or something of the sort.

How do you know all this?

We penetrated their organisation here.

In a way, you know, it's a compliment.

You're dangerous now.

- I suppose I'd better not go.

- Of course you must go.

If you don't, you put my source in danger.

You needn't eat anything.

Couldn't you give the impression

of somebody who only drinks?

- You know, an alcoholic.

- Thanks very much.

- Very good for business.

- You're not afraid, are you?

This is a dangerous job.

You shouldn't have taken it on

unless you were prepared to see it through.

There's no need for you to worry.

When they serve you,

never take the nearest portion.

It's like a conjuror

trying to force a card on you.

He usually succeeds.

Anyway, you've got the hotel well tied up.

- What on earth are you talking about?

- Don't you know your own agents?

All you have to do is to pass the word

to the head waiter Louis, your chap.

Yes, of course.

- Stroke Five, Stroke Eight.

- Stroke Nine.

Nine.

Can't you give me some idea

of who the man at the lunch will be?

I mean the man who plans...

to do it.

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Graham Greene

Henry Graham Greene (2 October 1904 – 3 April 1991), better known by his pen name Graham Greene, was an English novelist regarded by many as one of the greatest writers of the 20th century. Combining literary acclaim with widespread popularity, Greene acquired a reputation early in his lifetime as a major writer, both of serious Catholic novels, and of thrillers (or "entertainments" as he termed them). He was shortlisted, in 1966 and 1967, for the Nobel Prize for Literature. Through 67 years of writings, which included over 25 novels, he explored the ambivalent moral and political issues of the modern world, often through a Catholic perspective. Although Greene objected strongly to being described as a Roman Catholic novelist, rather than as a novelist who happened to be Catholic, Catholic religious themes are at the root of much of his writing, especially the four major Catholic novels: Brighton Rock, The Power and the Glory, The Heart of the Matter, and The End of the Affair; which are regarded as "the gold standard" of the Catholic novel. Several works, such as The Confidential Agent, The Quiet American, Our Man in Havana, The Human Factor, and his screenplay for The Third Man, also show Greene's avid interest in the workings and intrigues of international politics and espionage. Greene was born in Berkhamsted in Hertfordshire into a large, influential family that included the owners of the Greene King Brewery. He boarded at Berkhamsted School in Hertfordshire, where his father taught and became headmaster. Unhappy at the school, he attempted suicide several times. He went up to Balliol College, Oxford, to study history, where, while an undergraduate, he published his first work in 1925—a poorly received volume of poetry, Babbling April. After graduating, Greene worked first as a private tutor and then as a journalist – first on the Nottingham Journal and then as a sub-editor on The Times. He converted to Catholicism in 1926 after meeting his future wife, Vivien Dayrell-Browning. Later in life he took to calling himself a "Catholic agnostic". He published his first novel, The Man Within, in 1929; its favourable reception enabled him to work full-time as a novelist. He supplemented his novelist's income with freelance journalism, and book and film reviews. His 1937 film review of Wee Willie Winkie (for the British journal Night and Day), commented on the sexuality of the nine-year-old star, Shirley Temple. This provoked Twentieth Century Fox to sue, prompting Greene to live in Mexico until after the trial was over. While in Mexico, Greene developed the ideas for The Power and the Glory. Greene originally divided his fiction into two genres (which he described as "entertainments" and "novels"): thrillers—often with notable philosophic edges—such as The Ministry of Fear; and literary works—on which he thought his literary reputation would rest—such as The Power and the Glory. Greene had a history of depression, which had a profound effect on his writing and personal life. In a letter to his wife, Vivien, he told her that he had "a character profoundly antagonistic to ordinary domestic life," and that "unfortunately, the disease is also one's material." William Golding described Greene as "the ultimate chronicler of twentieth-century man's consciousness and anxiety." He died in 1991, at age 86, of leukaemia, and was buried in Corseaux cemetery. more…

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Submitted on August 05, 2018

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